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Over the space of several weeks in the summer of 1935, 13 starving horses and ponies, along with one very fat pony and a goat, are left in Woodhill, Ohio. The people of Woodhill rally behind horse owner Laura Darvey and newly arrived Ramona Hernandez, to help restore the abused horses to health. The unknown person behind the arrival of the horses earns the nickname, The Horse Fairy, but The Horse Fairy is not out to save lives; he is racketeer Bobby Darvey, who is determined to harm Laura and Fire Chief Jake McCann to avenge his cousin, Dan Darvey's death. Among the victims in Bobby's scheme are Alex Carpenter and Nelson Dobos, who learn too late that Alex's son, Bill, is working for Bobby and could be a danger to them both. With advice from his father, New York City homicide detective J.P. McCann, and the help of Woodhill Police Chief, Matt Gardner, Jake teams up with Bobby's top man, Benjy Talbot, to stop Bobby from carrying out his plans for vengeance.
Softcover - Biography/Memoir. A charming morsel of a book about one man's real life Vaudeville story tap dancing back and forth across the country in the 1930s. More than 100 photos and newspaper clippings to enjoy.
The recognition of the importance of safe large animal rescue is quickly growing. The prevailing attitude of large animal owners, whose animals are often pets or a large financial investment, is to demand the safe rescue and treatment of their large animals in emergency situations. Technical Large Animal Emergency Rescue is a guide for equine, large animal, and mixed animal veterinarians, zoo and wildlife veterinarians, vet techs, and emergency responders on how to rescue and treat large animals in critical situations while maintaining the safety of both the animal and the rescuer. This book is a must have reference for any individual who deals with large animals in emergency situations.
This wide-ranging and entertaining book explores blank space from incunabula to Google books. Blanks are a paradox--simultaneously nothing and something, gesturing to what was once there or might be there. They are also a creative opportunity for readers as well as writers: readers respond to what is not there and writers come to anticipate that response. Thus, blank space develops literary and ludic applications. Each chapter focuses on one typographical form of what is not there on the page: physical gaps (Chapter One), marks of incompletion such as &c (Chapter Two), and the asterisk as a stand-in for things that cannot be said (Chapter Three). By looking at the early-modern page as a visual unit as well as a verbal unit, this volume shows how the relationship between textual layout and textual content is as productive for writers as it is for readers. Mise-en-page influences readers in the same way that rhetoric influences readers. It is thus possible to speak of 'the rhetoric of the page'.
Laurie Loveman shares her experience going through several years of a divorce and the process of trying to regain the self-assurance and confidence she had before her marriage. It was critical to her future that she accomplish this, and after a brief introduction, Loveman begins her memoir in 1979 when her husband and she determine their best future is not as a couple. In 1980, a friend's daughter dies in a house fire, and that sets Loveman off on a quest to find out how fire departments operate. Her research takes her from a role as a visitor at the Shaker Heights Ohio Fire Department to becoming a member of the firehouse family. Over the course of the years 1981 through 1983, she is forced...