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The public’s fascination with archaeology has meant that archaeologists have had to deal with media more regularly than other scholarly disciplines. How archaeologists communicate their research to the public through the media and how the media view archaeologists has become an important feature in the contemporary world of academic and professional archaeologists. In this volume, a group of archaeologists, many with media backgrounds, address the wide range of questions in this intersection of fields. An array of media forms are covered including television, film, photography, the popular press, art, video games, radio and digital media with a focus on the overriding question: What are the long-term implications of the increasing exposure through and reliance upon media forms for archaeology in the contemporary world? The volume will be of interest to archaeologists and those teaching public archaeology courses.
This book describes and analyses a particular literary mode that challenges the aesthetics of testimony by approaching the past through detection, analysis, and ‘archaeological’ digging. How does forensic literature narrate the past in terms of plot, language, narration, and use of visual media? This volume examines how forensic literature provides an important corrective to the forensic paradigm and a means of exploring the relationship between visual and material evidence and various forms of testimony. This literary engagement with the past is investigated in order to challenge a forensic paradigm that aims to eliminate the problems related to human testimony through scientific objectivity, resulting in a fresh and original text in which Bøndergaard argues literature’s potential to explore the mechanisms of representation, interpretation, and narration.
Shaila Bhatti's immersive study of the Lahore Museum in Pakistan is one of the first books to offer an in-depth historical and ethnographic analysis of a South Asian museum. Bhatti thus presents an alternative example of visitor experience and museum practice to that of the West, which has been the dominant museological model to date. This examination of the Lahore Museum's objects, staff, and visitors (past and present) provides an informative case study that reveals local perceptions and uses of museums in non-Western societies to be fraught with social, political, and cultural implications and appropriations. Through Lahore, Bhatti examines the history of exchange between Britian and South Asia and advances our current understanding of what constitutes postcolonial museum interpretation and its public.
The work of finding and identifying missing persons is complex and requires the expertise of many people, such as historians hunting through archives, biological anthropologists reconstructing skeletons, and psychologists preparing investigators to interview families of the disappeared. Uniting the voices of 22 experts from around the world, Derek Congram’s collection of original papers centres its attention on those who are engaged in the location, identification, and repatriation of missing persons. The contributors to this timely volume represent multiple disciplines and various fields, including academia, government, and civil service, but are connected by a shared conviction that acco...
In 25 innovative thematic essays, The Bloomsbury Handbook of the Spanish Civil War sees an interdisciplinary team of scholars examine a conflict that, more than 80 years after its conclusion, continues to generate both scholarly and public controversy. Split into four main sections covering Military and Diplomatic Issues, Society and Culture, Politics, and Debates, the volume offers a number of unique features. It is unprecedented in its comprehensiveness and includes chapters on topics that are rarely, if ever, explored in the literature of the field: humanitarianism, children and families, material conditions, the decimation of elites, archives and sources, archaeological approaches, digit...
This volume of original chapters written by experts in the field offers a snapshot of how historical built spaces, past cultural landscapes, and archaeological distributions are currently being explored through computational social science. It focuses on the continuing importance of spatial and spatio-temporal pattern recognition in the archaeological record, considers more wholly model-based approaches that fix ideas and build theory, and addresses those applications where situated human experience and perception are a core interest. Reflecting the changes in computational technology over the past decade, the authors bring in examples from historic and prehistoric sites in Europe, Asia, and the Americas to demonstrate the variety of applications available to the contemporary researcher.
The collective inquiries in this volume address ethnicity in ancient Africa as social fact and political artifact along numerous dimensions. Is ethnicity a useful analytic? What can archaeology say about the kinds of deeper time questions which scholars have asked of identities in Africa? Eleven authors engage with contemporary anthropological, historical and archaeological perspectives to examine how ideas of self-understanding, belonging, and difference in Africa were made and unmade. They examine how these intersect with other salient domains of social experience: states, landscapes, discourses, memory, technology, politics, and power. The various chapters cover broad geographic and temporal ground, following an arc across Senegal, Mali, Nigeria, Cameroon, the Democratic Republic of Congo, Rwanda, and East Africa, spanning from prehistory to the colonial period.
This sophisticated book presents new theoretical and analytical insights into the momentous events in the Arab world that began in 2011 and, more importantly, into life and politics in the aftermath of these events. Focusing on the qualities of the sensory world, Maria Frederika Malmström explores the dramatic differences after the Egyptian revolution and their implications for society—the lack of sound in the floating landscape of Cairo after the ouster of President Mohamed Morsi, the role of material things in the sit-ins of 2013, the military evocation of masculinities (and the destruction of alternative ones), and how people experience pain, rage, disgust, euphoria, and passion in the body. While focused primarily on changes unfolding in Egypt, this study also investigates how materiality and affect provide new possibilities for examining societies in transition. A book of rare honesty and vulnerability, The Streets Are Talking to Me is a brilliant, unconventional, and self-conscious ethnography of the space where affect, material life, violence, political crisis, and masculinities meet one another.
This volume tackles the fundamental and broad-scale questions concerning the spread of early animal herding from its origins in the Near East into Europe beginning in the mid-10th millennium BC. Original work by more than 30 leading international researchers synthesizes of our current knowledge about the origins and spread of animal domestication. In this comprehensive book, the zooarchaeological record and discussions of the evolution and development of Neolithic stock-keeping take center stage in the debate over the profound effects of the Neolithic revolution on both our biological and cultural evolution.
A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodóvar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative. An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph...