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Spanning almost a century, this book examines the origins and development of the cheongsam in the social context of Singapore since its introduction from Shanghai, China, in the 1920s to the present day. The cheongsam, a one-piece Chinese ladies' dress that was the epitome of Chinese identity and feminine beauty during the middle decades of the 20th century. Initially seen as a symbol of a trendy, new, Republican China, shorn of the shackles of the imperial system, the cheongsam soon adopted intellectual overtones, and was favoured by the sophisticated and society's elite at elaborate social functions. When it was abandoned following the success of the Communist Party in China, the cheongsam survived in Singapore as the garment of choice for independent, educated women.
The weaving of textiles is an activity that is found in most societies but the domestication of the silkworm and the reeling of the worms filament were undoubtedly of Chinese origin and represents one of the oldest discoveries in the science of textiles. The evolution of the Chinese wardrobe especially the wearing of silk is associated with the definition of rank and social status in early Chinese society.Drawing on the private collection of Chinese textiles from Chris Hall, resident of Hong Kong this publication held in conjunction with an exhibition of the same name, showcases the aesthetic sensibilities and sartorial tastes of Chinese fashion across the centuries. This lavishly illustrated book includes contributions from experts in the history of silk in China, discussion of symbols and motifs in textiles, insights into Imperial Court textiles and Buddhist dress as well as a consideration on the preservation of textile collections.
Far from being a melting pot, multi-racial Singapore prides itself on the richness of its ethnic communities and cultures. This volume provides an updated account of the heterogeneity within each of the main communities — the Chinese, Malay, Indian, Eurasian and Others. It also documents the ethnic cultures of these communities by discussing their histories, celebrations, cultural symbols, life cycle rituals, cultural icons and attempts to preserve culture. While chapters are written by scholars drawing insight from a variety of sources ranging from academic publications to discussions with community experts, it is written in an accessible way. This volume seeks to increase intercultural understanding through presenting ample insights into the cultural beliefs and practices of the different ethnic communities. While this book is about diversity, a closer examination of the peoples and cultures of Singapore demonstrates the many similarities communities share in this Singaporean space.
Part travelogue, part biography, this book charts the discoveries of the famous naturalist/explorer Alfred Russel Wallace (1823-1913).
This book covers Singapore's key arts policies and art institutions which have shaped the cultural landscape of the country from the 1950s to the present.The scholars and experts in this volume critically assess arts policies and arts institutions to collectively provide an overview of how arts and culture have been deployed by the state. The chapters are arranged chronologically to cover milestone events from the forging of 'Malayan culture'; the government's 'anti-yellow culture' campaign; the use of 'culture' for tourism; the setting up of the Advisory Council on Arts and Culture, the Renaissance City Report, the setting up of the School of the Arts, and others.Putting to rest the notion that Singapore is a 'cultural desert', this volume is valuable reading for students of cultural policy, policy makers who seek an understanding of Singapore's cultural trajectory, and for international readers interested in Singapore's arts and cultural policy.
With beautiful full-color Batik cloths and extensive historical and cultural commentary, Batik: From the Courts of Java and Sumatra is a fundamental work in the field of Indonesian art and culture. Batik occupies a special position in Indonesia. The extraordinary photographs of cloths and prints in this book demonstrate why batik is the stuff of textile legend. These 71 batik designs, taken from the collection of famed dealer Rudolf G. Smend, date from 1880-1930, a time still considered batik's golden age. Emanating from the provicial and stately courts of Yogyakarta and Surakarta in Central Java are hip, chest, shoulder, and head cloths in controlled, orderly, geometric patterns in natural ...
Theorizing the Southeast Asian City as Text examines the ways in which culture, ethnicity, languages, traditions, governance, policies and histories interplay in the creation of the urban experiences in contemporary Southeast Asian cities. It focuses on the ways in which urban spatial forms are textual experiences, subject to interpretative strategies and the influence of other discourses. In addition it also analyzes the experiences of modernization in such cities, but also in terms of the strategies of containment, refurbishment, and loss which this has occasioned.
Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques--including applique, weaving, batik and embroidery--the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths, h...
The Sultan and the Mermaid Queen is a collection of essays and articles which describe rarely written-about Asian people, places and events.