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The #1 Irish Times bestseller WINNER of the An Post Irish Book Awards 'A clear-eyed, myth-dispelling masterpiece' Marian Keyes 'Sweeping, authoritative and profoundly intelligent' Colm Tóibín, Guardian 'With the pace and twists of an enthralling novel' Irish Times 'Evocative, moving, funny and furious' Dominic Sandbrook, Sunday Times 'An enthralling, panoramic book' Patrick Radden Keefe 'A book that will remain important for a very long time' An Post Irish Book Award We Don't Know Ourselves is a very personal vision of recent Irish history from the year of O'Toole's birth, 1958, down to the present. Ireland has changed almost out of recognition during those decades, and Fintan O'Toole's li...
In 1945, the Irish Catholic Church began a unique relationship with the entertainment industry through an organization known as the Catholic Stage Guild of Ireland. This Guild, whose members included Jimmy O’Dea, Noel Purcell, Cyril Cusack, and Gabriel Fallon, acted as a microcosm of twentieth-century Ireland, dramatically depicting the heartaches and successes of the Irish Catholics. This unprecedented study of the Catholic Stage Guild begins an investigation on the contemporary relationship between the Irish Catholic Church and theatre that, until now, has rarely been examined. Written for those interested in theatre studies, Catholic studies, and Irish studies, the Catholic Stage Guild of Ireland’s persuasion over the theatre population both within and outside the country’s borders proposes a story long overdue to be told – until now.
The status of photographs in the history of museum collections is a complex one. From its very beginnings the double capacity of photography - as a tool for making a visual record on the one hand and an aesthetic form in its own right on the other - has created tensions about its place in the hierarchy of museum objects. While major collections of 'art' photography have grown in status and visibility, photographs not designated 'art' are often invisible in museums. Yet almost every museum has photographs as part of its ecosystem, gathered as information, corroboration or documentation, shaping the understanding of other classes of objects, and many of these collections remain uncatalogued an...
Donnybrook is one of the most iconic areas of South Dublin, a prosperous and peaceful suburb that is well-known as the being the heartland of Leinster Rugby. It derived its name, however, from the violence and carousing that were a regular feature of the area in the 1800s, and this book tells the story of the development and the journey from these inauspicious beginnings to its current form through a series of rare and beautifully produced photographs.
The number one Irish Times bestseller In 1970, Taoiseach Jack Lynch accused two cabinet ministers, Charles Haughey and Neil Blaney, of smuggling arms to the IRA in Northern Ireland. The criminal prosecution that followed was a cause célèbre at the time. All the accused were acquitted, but it generated a political crisis that would be one of the major events of modern Irish history. In the fifty years since, myth and controversy has surrounded the trial and its aftermath. Michael Heney has unearthed astonishing new evidence, raising serious questions about Lynch and his relationship with Haughey. The Arms Crisis of 1970 is the first comprehensive investigation into the arms trial prosecutio...
Bringing together an international team of scholars, this book offers new perspectives on the impact that the Bauhaus and its teaching had on a wide range of artistic practices. Three of the fields in which the Bauhaus generated immediately transformative effects were housing, typography, and photography. Contributors go further to chart the surprising relation of the school to contemporary developments in hairstyling and shop window display in unprecedented detail. New scholarship has detailed the degree to which Bauhaus faculty and students set off around the world, but it has seldom paid attention to its impact in communist East Germany or in countries like Ireland where no Bauhäusler settled. This wide-ranging collection makes clear that a century after its founding, many new stories remain to be told about the influence of the twentieth century’s most innovative arts institution. The book will be of interest to scholars working in art history, design history, photography, and architectural history.
Winner of the 2024 SABR Larry Ritter Book Award for best Deadball Era baseball book. Second place finisher for 2023 CASEY Award for best baseball book of the year. While ostensibly a tool for collectors to identify and authenticate Deadball Era photographs, a purpose at which it excels, this book is so much more. At its heart, Baseball Photography of the Deadball Era is the definitive story of the rise of baseball press photographers in the early 20th century and a celebration of the visual splendors of the game they captured. Collectors have long admired the artistry of their beautiful sepia toned baseball prints from the early 1900’s. These images are visual time machines that transport ...
Every young person is looking for freedom, but some have to fight harder than others ... In 1960s Ireland there was a special place for disabled children: behind the walls of an institution, cut off from the rest of society. At just nine years old, Martin Naughton was one of these children. Along with his younger sister Barbara he was sent to a Dublin institution, far away from his Irish-speaking home in Spiddal. But Martin wouldn't be sidelined. With the help of some unexpected characters – and an unlikely encounter with his Celtic Football heroes – he began to change the way a generation of young disabled people saw themselves. This is the story of a boy who not only won his own independence, but also led the fight for freedom for all disabled people. 'Martin was a formidable and tireless campaigner for the right of people with disabilities to live in their own communities and homes.' President Michael D. Higgins 'Martin Naughton was a protector, a leader, a gamechanger. In reading this narration of his life, tears filled my eyes.' Dr Rosaleen McDonagh, playwright, rights activist and author of Unsettled.
Feminism Backwards is part memoir, part documentary. A founding member of the Irish Women's Liberation Movement Rosita Sweetman gleefully recalls the triumphs – and the tribulations – of trying to drag a reluctant Ireland into the 20th Century, crucially, re-appraising Chains or Change the IWLM's famous pamphlet, detailing what life was like for women in 1970s Ireland - appalling. Feminism Backwards is also a howl of despair at how women have been treated worldwide down through the centuries, and how misogyny and sexual repression got such a stranglehold on Ireland. Having a survived a marriage break up Rosita re-found her feminism sadly buried, along with her chutzpah. She passionately believes feminism is not about blaming men, or pushing a few women to the top so they can be 'she-men' for the patriarchy. It's about creating a world fit for everyone.