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Occupational Safety and Hygiene V
Occupational Safety and Hygiene V contains selected contributions from the International Symposium on Occupational Safety and Hygiene (SHO 2017, 10-11 April 2017, Guimarães, Portugal). The contributions focus on a wide range of topics, including: - occupational safety - risk assessment - safety management - ergonomics - management systems - environmental ergonomics - physical environments - construction safety, and - human factors Occupational Safety and Hygiene V is mainly based on research carried out at universities and other research institutions, but also includes practical studies developed by OHS Practitioners within companies. Accordingly, this book will be a helpful text to get acquainted with the state-of-the-art in research in these domains, as well as with some practical tools and approaches that are currently used by OHS professionals worldwide.
Depositions
“Burle Marx created a new and modern grammar for international landscape design.” —Lauro Cavalcanti, quoted in the New York Times “The real creator of the modern garden.” —American Institute of Architects Roberto Burle Marx (1909–1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx’s career—the years in which he served as a member of the Federal Cultural Council created ...
Activism Under Fire
Rio de Janeiro's favelas have become well-known sites of gang and police violence. Since the 1970s, dangerous networks between drug traffickers and corrupt state actors have transformed these poor neighborhoods into sites of armed conflict and political repression, limiting residents' ability to speak out against violence or demand their democratic rights. Despite these challenges, nonviolent politics remains an integral element in Cidade de Deus--City of God--one of Rio's most dangerous and famous favelas. In Activism under Fire, Anjuli Fahlberg provides an original account of how conflict activism operates in Cidade de Deus. Drawing on fieldwork, virtual ethnography, and participatory acti...
The Solidarity Economy of Culture and Cultural Citizenship in the ABC Region of São Paulo, Brazil
How can artists in a developing country be able to dedicate themselves to the laborious task of creating art when there are few resources? How can the government and intellectuals support artists without imposing a centralized idea of national culture? This book explores these questions and others, focusing on lived experience in the ABC region of São Paulo, Brazil. Beginning with two lectures by two renowned professors and activists of the Brazilian solidarity movement, Ladislau Dowbor and Célio Turino de Almeida, the book then opens up space for artists from diverse areas to speak about their experience in real life and real time. This work functions partly as a testimonial narrative and...
Branding Brazil
Branding Brazil examines a panorama of contemporary cultural productions including film, television, photography, and alternative media to explore the transformation of citizenship in Brazil from 2003 to 2014. A utopian impulse drove the reproduction of Brazilian cultural identity for local and global consumption; cultural production sought social and economic profits, especially greater inclusion of previously marginalized people and places. Marsh asserts that three communicative strategies from branding–promising progress, cultivating buy-in, and resolving contradictions–are the most salient and recurrent practices of nation branding during this historic period. More recent political crises can be understood partly in terms of backlash against marked social and political changes introduced during the branding period. Branding Brazil takes a multi-faceted approach, weaving media studies with politics and cinema studies to reveal that more than a marketing term or project emanating from the state, branding was a cultural phenomenon.
Urban Ethics as Research Agenda
This book provides an outline for a multidisciplinary research agenda into urban ethics and offers insights into the various ways urban ethics can be configured. It explores practices and discourses through which individuals, collectives and institutions determine which developments and projects may be favourable for dwellers and visitors traversing cities. Urban Ethics as Research Agenda widens the lens to include other actors apart from powerful individuals or institutions, paying special attention to activists or civil society organizations that express concerns about collective life. The chapters provide fresh perspectives addressing the various scales that converge in the urban. The uni...
Hello, Hello Brazil
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
Transatlantic Radio Dramas
The BBC Latin American Service was created in 1938, funded by the British Ministry of Information, to counter fascist propaganda broadcast to Latin America. Now considered one of the major Latin American novelists of the twentieth century, Brazilian writer Antônio Callado (1917–1997) got his start writing radio drama scripts for the BBC LAS during and after World War II. Largely forgotten until Daniel Mandur Thomaz collected them in a 2018 volume published in Brazil, these radio scripts were propaganda in their own right and were part of a concerted effort to win sympathy for Britain and the Allies in Latin America. They reveal how Callado’s experiences during the war influenced his writing and had a critical impact on themes he would revisit consistently throughout his literary career. Transatlantic Radio Dramas analyzesthe scripts themselves, but also examines the institutions, material practices, and beliefs that allowed modernist transatlantic networks like the BBC LAS to flourish.
Revista Observatório Itaú Cultural - 17
A edição 17 reflete sobre livro e leitura no século XXI, levando em conta novos aspectos e dimensões que vão além das publicações em papel, das bibliotecas e livrarias físicas. A Revista contempla abordagens históricas, discussões contemporâneas, contribuições de pesquisadores acadêmicos e de profissionais do mercado.
