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At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Three contains Xia - Y. Part Four contains the Z and an extensive index to the four volumes.
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from diff...
This book is primarily intended for looking up Zi Wei Dou Shu terms by users who do not know about ZWDS and beginners rather than a ZWDS chart reading guide book. However, if you have a grasp of the book, you will naturally know how to read a ZWDS chart. It is because the book helps you understand each brick and general structure of a house. Once you have a solid understanding, you can naturally build the house. All learning subjects have static and dynamic aspects. The static part is temporarily acquired by the learner, usually consisting of prerequisites and conceptual definitions. The static part is inherited from previous scholars and classic texts. The dynamic part is the result of the user's experience and the consolidation of knowledge. There are exceptional users who have the ability to revisit and upgrade the static part, such as Albert Einstein. But for most of us, when we first learn, we have to absorb the classical knowledge first and then apply and transform it later. Within the framework of this book, the terms are only explained in the most basic way to give you an idea and visualization, rather than providing complete and perfect explanations.
In Roaming into the Beyond Zornica Kirkova provides the first detailed study in a Western language of Daoism-inspired themes in early medieval Chinese poetry. She examines representations of Daoist xian immortality in a broad range of versified literature from the Han until the end of the Six Dynasties, focusing on the transformations of themes, concepts, and imagery within a wide literary and religious context. Adopting a more integrated approach, the author explores both the complex interaction between poetry and Daoist religion and the interrelations between various verse forms and poetic themes. This book not only enhances our understanding of the complexities of early medieval literature but also reevaluates the place of Daoist religious thought in the intellectual life of the period.
Like most empires, the Ming court sponsored grand displays of dynastic strength and military prowess. Covering the first two centuries of the Ming dynasty (1368–1644), Martial Spectacles of the Ming Court explores how the royal hunt, polo matches, archery contests, equestrian demonstrations, and the imperial menagerie were represented in poetry, prose, and portraiture. This study reveals that martial spectacles were highly charged sites of contestation, where Ming emperors and senior court ministers staked claims about rulership, ruler-minister relations, and the role of the military in the polity. Simultaneously colorful entertainment, prestigious social events, and statements of power, m...
This translation of 65 pieces from Qian Zhongshu's Guanzhui bian (Limited Views) makes available for the first time in English a representative selection from Qian's massive four-volume collection of essays and reading notes on the classics of early Chinese literature. First published in 1979, it has been hailed as one of the most insightful and comprehensive treatments of themes and motifs in early Chinese writing to appear in this century. Scholar, novelist, and essayist Qian Zhongshu (b. 1910) is arguably contemporary China's foremost man of letters, andLimited Views is recognized as the culmination of his study of literature in both the Chinese and the Western traditions.
Democratic political theory often sees collective action as the basis for non-coercive social change, assuming that its terms and practices are always self-evident and accessible. But what if we find ourselves in situations where collective action is not immediately available, or even widely intelligible? This book examines one of the most intellectually substantive and influential Chinese thinkers of the early twentieth century, Zhang Shizhao (1881–1973), who insisted that it is individuals who must 'make the political' before social movements or self-aware political communities have materialized. Zhang draws from British liberalism, democratic theory, and late-Imperial Confucianism to formulate new roles for effective individual action on personal, social, and institutional registers. In the process, he offers a vision of community that turns not on spontaneous consent or convergence on a shared goal, but on ongoing acts of exemplariness that inaugurate new, unpredictable contexts for effective personal action.
This unique survey of the evolution of the modern Chinese national character incorporates a rich blend of history and theory as well as nation, gender, and film studies. It begins with the dawn of the concept of "nation" in China at the end of the Imperial period, and follows its development from early Republican China to the present People's Republic, drawing on themes of national identity, "Orientalness," racial evolution and purity, cultural and gender roles, regional animosities, historical impediments, and more. The book also takes up the changing American perceptions of Chinese personality development and gender, using materials from American popular culture.
During the last two centuries BCE, the Western Han capital of Chang'an, near today's Xi'an in northwest China, outshone Augustan Rome in several ways while administering comparable numbers of imperial subjects and equally vast territories. At its grandest, during the last fifty years or so before the collapse of the dynasty in 9 CE, Chang�an boasted imperial libraries with thousands of documents on bamboo and silk in a city nearly three times the size of Rome and nearly four times larger than Alexandria. Many reforms instituted in this capital in ate Western Han substantially shaped not only the institutions of the Eastern Han (25�220 CE) but also the rest of imperial China until 1911. A...
In this study, Leo Shin traces the roots of China's modern ethnic configurations to the Ming Dynasty.