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The Concussion Crisis
Discusses the current epidemic of sports-related concussions, including true-life stories of victims and the ongoing research to unravel the mysteries of concussions, as well as the crusade to prevent these types of injuries.
The Lives of Paintings
In sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, and became involved in love affairs. Presenting a range of case studies, Elsje van Kessel offers a detailed examination of the agency paintings and other two-dimensional images could exert. This lifelike agency is not only connected to the seemingly naturalistic style of these images – works by Titian, Giorgione and their contemporaries, illustrated here in over 150 plates. It is also brought in relation to their social-historical contexts, meticulously unravelled through archival research. Grounded in the theoretical literature on the agency of material things, The Lives of Paintings contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects.
Istoire de la Chastelaine du Vergier et de Tristan le Chevalier
'L'Istoire de la Chastelaine du Vergier et de Tristan le Chevalier', composee en prose au XVeme siecle et conservee dans un unique manuscrit, est un remaniement anonyme de 'La Chastelaine de Vergi', ce court poeme du XIIIeme siecle au succes incontestable. Cette version en prose narre, tout comme son modele en vers, les amours malheureuses d'un couple d'amants. Cependant, si l'Istoire de la 'Chastelaine du Vergier et de Tristan le Chevalier' parait, de prime abord, suivre d'une facon presque fidele son modele, il faut admettre qu'il existe un certain nombre de variations passant d'une version a l'autre. En effet, la version en prose ajoute des developpements absents dans celle en vers, ampli...
Nino Pirrotta
As a scholarly discipline and doctoral-level univ. course, musicology (the academic study of music in its historical and anthropological contexts) is about a century old. This is the first full-scale portrait of one of musicology’s most distinguished practitioners. Nino Pirrotta (1908-98) was educated in Palermo and Florence, but was not able to study music history systematically, so he created his own distinctive vision of the discipline. After appointments at the conservatories of Palermo and Rome, Pirrotta was named head of the music library and Prof. of Music at Harvard (1956-71) and thereafter Prof. of Music History at the Univ. of Rome (1972-78). Cummings analyzes and interprets Pirrotta’s writings and identifies the features that characterize the celebrated humanist. Illus.
The Routledge Companion to Commedia dell'Arte
From Commedia dell’Arte came archetypal characters that are still with us today, such as Harlequin and Pantalone, and the rediscovered craft of writing comic dramas and masked theatre. From it came the forces that helped create and influence Opera, Ballet, Pantomime, Shakespeare, Moliere, Lopes de Vega, Goldoni, Meyerhold, and even the glove puppet, Mr Punch. The Routledge Companion to Commedia dell’Arte is a wide-ranging volume written by over 50 experts, that traces the history, characteristics, and development of this fascinating yet elusive theatre form. In synthesizing the elements of Commedia, this book introduces the history of the Sartori mask studio; presents a comparison betwee...
Venice, Cità Excelentissima
When Venice was both a center of Renaissance culture and a gathering place for news from around the world, Marin Sanudo tried to write everything down. He was the finest diarist of his time, with a keen eye for the everyday and the monumental alike. Venice, Cità Excelentissima offers a broad and engaging introduction to Sanudo's detailed observations of life in his beloved city and the world it knew. This expertly translated volume glimpses into Renaissance life at a spectacular time when Venice was at the top of its game. Organized thematically, the selections offer a Venetian's viewpoint of the glories of high culture, the gritty reality and sparkling drama of daily life, the perils of diplomacy and war, and the high-risk ventures of voyages and commerce. Here, the work of the Renaissance's most assiduous historian is finally given the accessibility it warrants and the merit it is due.
The Maecenas and the Madrigalist
Musicologists are increasingly focusing upon less formal private "institutions" and traditions of patronage: informal acad. and soc, the activities of individuals, and convivial aristocratic co. Early 16th-cent. Florence was characterized by the practices of a series of these vital institutions. Such informal institutions had considerable virtues as agents of patronage; their less routinized practices freed them to engage in experimentation that the more formal institutions would not support. This study reconstructs the memberships, cultural activities, and musical exper. of these informal Florentine institutions and relates them to the emergence of the madrigal, the foremost musical genre of early-modern Europe. Richly illus. with visual materials and musical examples.
Essays on Kant, Schelling, and German Aesthetics
As a student at the University of Jena at the beginning of the nineteenth century, Henry Crabb Robinson (1775-1867) became the outstanding English mediator of the revolution in German thought. For the first time, this volume collects his early writings, both published and unpublished. The contents include 'Letters on the Philosophy of Kant' and notes from F.W.J. Schelling's lectures on the philosophy of art. Further, Robinson's private lectures for Madame de Staël are presented with her marginalia. In the intellectual history of Romanticism, Robinson emerges as a major figure whose lucid and entertaining essays can still guide the modern reader through the key German texts.
Le Gouvernement Present, Ou Eloge de Son Eminence, Satyre Ou la Miliade
This satirical poem, known popularly as the Miliade because of its thousand-verse length (in octosyllabic verse), was printed anonymously around 1636. The poem's endurance and plentiful and specific political references make it a lively commentary encompassing discontent with the increasingly centralized government before the outbreak of the civil wars, the Frondes (1648-53).
Casimir Britannicus
Maciej Kazimierz Sarbiewski (1595-1640) was known in his lifetime as the Christian Horace. He was one of the most famous Neo-Latin poets of the Baroque, widely read, commented and translated throughout Europe. He was nominated Poet Laureate by Pope Urban VIII. Sarbiewski was also famous for his studies in rhetoric and critical works such as De perfecta poesi sive Vergilius et Homerus. His Latin poetry was read, translated and imitated also in England, especially from 1640 until the first half of the 19th century. The first edition of Sarbiewski's English translations, by George Hills, was published in 1646. From that time onwards, Sarbiewski was translated by a variety of poets ranging from ...
