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No Place Like Home
A perceptive, intensely personal writer contemplates the changing nature of community in the modern West
Leaning Into the Wind
Originally published in 1997 by Houghton Mifflin, this is a collection of true stories, essays and poems which tell of the glories and rigours of living close to the land.
Land Circle
A new kind of rancher and a new kind of environmentalist, Linda M. Hasselstrom speaks with an eloquent simplicity in Land Circle while exploring her visceral connection with the land and the people of the Great Plains. A true voice from the heartland, Hasselstrom urges the preservation of a vanishing way of life and declares in unequivocal terms the intrinsic value of the plains. She vividly portrays both the landscape and the local sensibilities, exploring ''Where Neighbor Is a Verb,'' but also ''Why One Peaceful Woman Carries a Pistol.'' These essays, well balanced by her award-winning poems, touch on elemental themes such as grief, loss, and respect for nature with a universality that is relevant to all of our lives.
Between Grass and Sky
Acclaimed nature writer Linda M. Hasselstrom sees herself as a rancher who writes - a self-definition that shapes the tone and content of her writing. Now owner of the cattle ranch where she grew up in western South Dakota, she lives in daily intimate contact with the natural world. As she says, Nature is to me both home and office. Nature is my boss, manager of the branch office - or ranch office - where I toil to convert native grass into meat....If I want to keep my job as well as my home, I pay attention not only to Nature's orders, but to her moods and whims. The essays in this book reflect Hasselstrom's close attention to her homeplace and the depth of her sympathy with the world around her. She writes knowingly of the rancher's toil and of the intelligence and dignity of the animals she tends, especially the much-maligned cow, as well as of the wild creatures - the owls and antelope and coyotes and others - that share the prairie grassland she calls home. Hasselstrom's voice rings with the ardent common sense of one who knows and loves the land, who appreciates the concerns of environmental activists but also knows the role that responsible ranchers can play in nurturing a
Woven on the Wind
The grassroots publishing sensation that began with "Leaning Into the Wind" continues in this second volume of women's writing from the heart of the American West.
Land Circle
"A new kind of rancher and environmentalist, Linda Hasselstrom embraces old values, most particularly, responsibility for the land borne out of love for it. Speaking with eloquent simplicity in these collected essays and poems, the author of Going Over East and Windbreak further explores her visceral connection with the land."--BOOK JACKET.
Write Now, Here's How
Write Now, Here's How is a collection of forty essays that lead the reader through six decades of writing challenges. Hasselstrom, like all good teachers, knows how to encourage, invite, instruct and entertain. She finds inspiration everywhere--in a daily walk, in a claw-foot tub, and in the daily news. Reading this book is like attending one of her writing retreats.
Crazy Woman Creek
A “blessedly unromantic” portrait of real women’s lives in the contemporary American West (Kathleen Norris). This wide-ranging collection of essays and poetry reveals the day-to-day lives and experiences of a diverse collection of women in the western United States, from Buddhists in Nebraska to Hutterites in South Dakota to “rodeo moms.” A woman chooses horse work over housework; neighbors pull together to fight a raging wildfire; a woman rides a donkey across Colorado to raise money after the tragedy at Columbine. Women recall harmony found at a drugstore, at a powwow, in a sewing circle. Lively, heartfelt, urgent, enduring, Crazy Woman Creek celebrates community—connections built or strengthened by women that unveil a new West.
It's Not the End of the Earth, But You Can See It from Here
Roger Welsch did what many Americans only dream of doing. While still in his professional prime, the folklorist and humorist quit a tenured professorship and headed toward the hinterland. Resettled in the open heart of Nebraska with his wife, Welsch proceeded to learn how to live. It?s Not the End of the Earth, but You Can See It from Here is, in his own words, "a celebration" of his "rural education." ø These twenty-eight tales of the Great Plains convey in familiar Welschian style "the importance, charm, beauty, and value of the typical." They describe the wisdom that Welsch?s new-found teachers share with him. From everyday country people, he learns the fine arts of relaxing, using his noggin, trusting his instincts, and laughing a lot more, while Omaha Indian friends teach him the most profound lessons of all.
