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The silicon revolution left Dremmler behind but a good detective is never obsolete. London is quiet in 2039--thanks to the machines. People stay indoors, communicating through high-tech glasses and gorging on simulated reality while 3D printers and scuttling robots cater to their every whim. Mammoth corporations wage war for dominance in a world where human augmentation blurs the line between flesh and steel. And at the center of it all lurks The Imagination Machine: the hyper-advanced, omnipresent AI that drives our cars, flies our planes, cooks our food, and plans our lives. Servile, patient, tireless ... TIM has everything humanity requires. Everything except a soul. Through this silicon ...
Tour of the exhibition: the Museum of Modern Art, New York, Feb. 14-May 21, 2002 and others.
The bestselling military thrillers, now in a special omnibus edition Paul Richter: listed as working with the Foreign Operations Executive. Special forces and pilot experience. Trouble? Guaranteed. From supersonic chases above the Russian tundra to terrorists in Dubai and covert battles in North Korea, these are the most explosive thrillers you’ll ever read. This omnibus edition contains all six thrilling books in the series, perfect for fans of Robert Ludlum, Frederick Forsyth and Brad Thor.
Christhu Doss examines how the colonial construct of communalism through the fault lines of the supposed religious neutrality, the hunger for the bread of life, the establishment of exclusive village settlements for the proselytes, the rhetoric of Victorian morality, the booby-traps of modernity, and the subversion of Indian cultural heritage resulted in a radical reorientation of religious allegiance that eventually created a perpetual detachment between proselytes and the “others.” Exploring the trajectories of communalism, Doss demonstrates how the multicultural Indian society, known widely for its composite culture, and secular convictions were categorized, compartmentalized, and communalized by the racialized religious pretensions. A vital read for historians, political scientists, sociologists, anthropologists, and all those who are interested in religions, cultures, identity politics, and decolonization in modern India.
The compulsion to dwell on historyÑon how it is recorded, stored, saved, forgotten, narrated, lost, remembered, and made publicÑhas been at the heart of artistsÕ engagement with the photographic medium since the late 1960s. Uncertain Histories considers some of that work, ranging from installations that incorporate vast numbers of personal and vernacular photographs by Christian Boltanski, Dinh Q. L�, and Gerhard Richter to confrontations with absence in the work of Joel Sternfeld and Ken Gonzales-Day. Projects such as these revolve around a photographic paradox that hinges equally on knowing and not knowing, on definitive proof coupled with uncertainty, on abundance of imagery being me...
Preface -- Book 1 1865-March 1884 -- Book 2 March 1884-March 1895 -- Book 3 March 1895-April 1899 -- Book 4 April 1899-1901 -- Book 5 1902-January 1907 -- Book 6 January 1907-1912 -- Appendix 1 Works conducted by Hans Richter -- Appendix 2 Cities and towns where Richter conducted -- Select Bibliography -- Index
In a series of philosophical discussions and artistic case studies, this volume develops a materialist and immanent approach to modern and contemporary art. The argument is made for a return to aesthetics - an aesthetics of affect - and for the theorization of art as an expanded and complex practice. Staging a series of encounters between specific Deleuzian concepts - the virtual, the minor, the fold, etc. - and the work of artists that position their work outside of the gallery or 'outside' of representation - Simon O'Sullivan takes Deleuze's thought into other milieus, allowing these 'possible worlds' to work back on philosophy.