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Monk Lewis
  • Language: en
  • Pages: 340

Monk Lewis

A modern critical biography of Matthew Gregory Lewis (1775-1818), until now neglected as a cultural figure. This is the first study to consider all of Lewis's works and their connections to his personal and public life.

Northern Antiquities
  • Language: en
  • Pages: 594

Northern Antiquities

description not available right now.

The Monk
  • Language: en
  • Pages: 262

The Monk

  • Type: Book
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  • Published: 1832
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  • Publisher: Unknown

description not available right now.

Rosario
  • Language: en
  • Pages: 448

Rosario

  • Type: Book
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  • Published: 1891
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  • Publisher: Unknown

description not available right now.

Spectres of Antiquity
  • Language: en
  • Pages: 285

Spectres of Antiquity

  • Type: Book
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  • Published: 2020
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  • Publisher: Unknown

Spectres of Antiquity is the first full-length study of the relationship between Greco-Roman culture and the eighteenth-century Gothic. In fascinating and compelling detail, James Uden's book rewrites the history of the Gothic genre, demonstrating that the genre was haunted by a deeper sense of history than has previously been assumed.

Medwin's Conversations of Lord Byron
  • Language: en
  • Pages: 310

Medwin's Conversations of Lord Byron

One of the most racy, entertaining, and valuable contemporary accounts of Byron, Medwin's Conversations created a furor among Byron’s many friends and enemies, especially those who appear in it. In the notes to this edition, Professor Lovell has assembled in the appropriate place comments on and corrections of Medwin’s account by Lady Byron, John Cam Hobhouse, E.J. Trelawny, Sir Charles Napier, John Murray, John Galt, William Harness, Robert Southey, Lady Caroline Lamb, Leigh Hunt, Mary Shelley, Sir Walter Scott, Countess Teresa Guiccioli William Fletcher, and others. The result is a continuing dialogue as one. witness debates with another. The text is based upon Medwin’s own copy of t...

Ira Aldridge
  • Language: en
  • Pages: 406

Ira Aldridge

The first widely available biography of this important black Victorian-age actor, Ira Aldridge: The Early Years, 1807-1833 details the early life and career of this New York-born thespian as he began to act on the British stage. Ira Aldridge: The Early Years, 1807-1833 chronicles the rise of one of the modern world's first black classical actors, as he ascended from an impoverished childhood in New York City to a career as a celebrated thespian onthe British stage. After a successful debut in London in 1825, Aldridge began touring the British provinces, billing himself grandiloquently as the "African Roscius," and attracting crowds with his powerful presence and style. He received accolades ...

Britain, France and the Gothic, 1764-1820
  • Language: en
  • Pages: 235

Britain, France and the Gothic, 1764-1820

Explores the development of the Gothic through the history of martial, political and literary conflict between Britain and France.

Antonin Artaud’s Alternate Genealogies
  • Language: en
  • Pages: 145

Antonin Artaud’s Alternate Genealogies

Most readers know Antonin Artaud as a theorist of the theatre and as a playwright, director and actor manqué. Now, John C. Stout’s highly original study installs Artaud as a writer and theorist of biography. In Alternate Genealogies Stout analyzes two separate but interrelated preoccupations central to Artaud’s work: the self-portrait and the family romance. He shows how Artaud, in several important but relatively neglected texts, rewrites the life stories of historical and literary figures with whom he identifies (for example, Paolo Ucello, Abelard, Van Gogh and Shelley’s Francesco Cenci) in an attempt to reinvent himself through the image, or life, of another. Throughout the book Stout focusses on Artaud’s struggles to recover the sense of self that eludes him and to master the reproductive process by recreating the family in — and as — his own fantasies of it. With this research John C. Stout has added considerably to our understanding of Artaud. His book will be much appreciated by theatre scholars, Artaud specialists, Freudians, Lacanians and both theorists and practitioners of life writing.

Edgar Allan Poe and the Masses
  • Language: en
  • Pages: 515

Edgar Allan Poe and the Masses

Edgar Allan Poe has long been viewed as an artist who was hopelessly out of step with his time. But as Terence Whalen shows, America's most celebrated romantic outcast was in many ways the nation's most representative commercial writer. Whalen explores the antebellum literary environment in which Poe worked, an environment marked by economic conflict, political strife, and widespread foreboding over the rise of a mass audience. The book shows that the publishing industry, far from being a passive backdrop to writing, threatened to dominate all aspects of literary creation. Faced with financial hardship, Poe desperately sought to escape what he called "the magazine prison-house" and "the horr...