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A formação de professores concreta que materializa uma escolha curricular pode ser vista pelas lentes propostas pelas organizadoras deste livro, como a de uma fotografia que capta um instante de uma experiência em movimento. O trabalho de docentes do Instituto de Educação de Angra dos Reis na Universidade Federal Fluminense (IEAR-UFF) é evidenciado nas suas especificidades e diversidade teórica, em busca de um sentido coletivo. A coletânea reúne reflexões sobre as práticas de ensino de ciências humanas, naturais e exatas convidando à leitura todos que têm efetiva curiosidade sobre a formação docente, sua metodologia e apostas, neste momento que está em disputa o currículo e sob ameaça a liberdade de ensinar. (Profa. Dra. Kênia Miranda, pedagoga e professora na Universidade Federal Fluminense.)
A obra Textos formativos desde as margens: periferia, território e interdisciplinaridade, organizado por André Rodrigues, Andrés del Río, Licio Monteiro e Silmara Marton, aborda numa perspectiva pedagógica a territorialidade e a periferia. Dividido em três partes, o livro conta com dezessete capítulos, que reúnem os conhecimentos e pesquisas de diversos professores e pesquisadores, trazendo as necessidades, preocupações e inquietudes que cercam as regiões periféricas e por essas serem esquecidas ou desvalorizadas em meio as demais regiões. Explorando áreas como Pedagogia, Geografia, Políticas Públicas e diversas outras.
How do schools and public history influence each other? Cases studies focusing on school and public history around the world shed light on the intricate relationships between schools, students, teachers, policy makers and public historians. From why Robben Island is not included in South African curriculum to how German schools shape Holocaust memory, the case studies offered in this book sheds light on a current topic.
In the first part of the book, George Kennedy explores analogies to human rhetoric in animal communication, possible rhetorical factors in the origin of human speech, and rhetorical conventions in traditionally oral societies in Australia, the South Pacific, Africa, and the Americas. Topics discussed include forms of reasoning, the function of metaphor, and the forms and uses of formal language. The second part of the book provides an account of rhetoric as understood and practiced in early literate societies in the Near East, China, India, Greece, and Rome, identifying unique or unusual features of Western discourse in comparison to uses elsewhere.
This is the first monograph dedicated to this interdisciplinary research area, combining the views of music, computer science, education, creativity studies, psychology, and engineering. The contributions include introductions to ubiquitous music research, featuring theory, applications, and technological development, and descriptions of permanent community initiatives such as virtual forums, multi-institutional research projects, and collaborative publications. The book will be of value to researchers and educators in all domains engaged with creativity, computing, music, and digital arts.
A concepção desta organização é resultado do encontro de docentes, discentes e parceiros de pesquisa que vêm se dedicando a discutir o papel da cultura e do trabalho daqueles que atuam neste setor da economia capitalista, tendo por base dados empíricos e análise de políticas culturais no Brasil.The concept of this book is the outcome of a series of meetings between teachers, students and fellow researchers who have dedicated themselves to discussing the role of culture and the work of those who act within this sector of the capitalist economy, based on empirical data and an analysis of cultural policies in Brazil.
Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience.
The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley An...