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In a never-before World War II setting, this page-turner blurs the line between sworn enemies, lays bare the courage of cowards, and delivers hope from the depth of hypocrisy.
Collier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a "go-see", which is when a photographer gets to see how a model looks in front of the camera. Paul's family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents' house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other's fascinations and fantasies. Many of the pictures were published in 'Re Edition' magazine. 'Paul's Book' expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress. --
True Story: A Trilogy gathers together three documentary plays by award-winning playwright and poet Dan O’Brien concerning trauma, both political and personal. The Body of an American speaks to a moment in history when a single, stark photograph—of a US Army Ranger dragged from the wreckage of a Blackhawk helicopter through the streets of Mogadishu—altered the course of global events. In a story that ranges from Rwanda to Afghanistan to the Canadian Arctic, O’Brien dramatizes the ethical and psychological haunting of journalist Paul Watson. In The House in Scarsdale: A Memoir for the Stage the playwright applies journalistic principles to investigating the source of his childhood unh...
Despite frequent declarations of the sanctity of love and marriage, British Protestant culture nurtured the fear that human affection might easily slip into idolatry. Throughout the nineteenth-century, theological essays, sermons, hymns, and didactic fiction and poetry urged the faithful to maintain a constant watch over their hearts, lest they become engrossed by human love, guilty of worshipping the creature rather than the Creator. Strange Gods: Love and Idolatry in the Victorian Novel traces the concerns produced in Protestant culture by this broad interpretation of idolatry. In chapters focusing on Charles Kingsley and Charlotte Brontë, Mary Elizabeth Braddon, George Eliot, Oscar Wilde, and Thomas Hardy, this volume shows that even supposedly secular novels obsessively reenact an ideological clash between Protestant faith and human love. Anxiety about adoring humans more than God frequently overshadows and sometimes derails the progress of romance in Victorian novels. By probing this anxiety and its narrative effects, Strange Gods uncovers how a central Protestant belief exerts its influence over stories about love and marriage.
Makes extensive use of ancient Near Eastern sources, and employs medieval Jewish exegesis along with modern Israeli biblical scholarship.
Building on his own translation from the Greek, Hultgren walks readers through Romans verse by verse, illuminating the text with helpful comments, probing into major puzzles, and highlighting the letter's most inspiring features. He also demonstrates the forward-looking, missional character of Paul's epistle -- written, as Hultgren suggests, to introduce Roman Christians to the major themes of Paul's theology and to inspire in them both confidence in the soundness of his teaching and support for his planned missionary efforts in Spain.
Erudite and authoritative, Paul's Message and Ministry in Covenant Perspective is the fruit of twenty-five years of scholarship about the theology and life of the apostle Paul, now made available for the first time to a wider audience. Confronting the questions raised by the history of Pauline thought since F.C. Baur, Scott J. Hafemann's essays focus on how Paul's self-understanding shaped everything, from his message to the driving force behind his ministry, and his consequent call to suffer for the sake of his churches. Hafemann's work reveals that Paul's views of redemption, of his own redemptive mission, and of the life of the redeemed all derived from a central point: his eschatological conviction that the purpose of the new covenant established by Jesus was to prepare the way for when Christ returns on Judgement Day.
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