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An enchanting selection of Madame d’Aulnoy’s seventeenth-century French fairy tales, interpreted by contemporary visual artist Natalie Frank Marie-Catherine Le Jumel de Barneville (1650–1705), also known as Madame d’Aulnoy, was a pioneer of the French literary fairy tale. Though d’Aulnoy’s work now rarely appears outside of anthologies, her books were notably popular during her lifetime, and she was in fact the author who coined the term “fairy tales” (contes des fées). Presenting eight of d’Aulnoy’s magical stories, The Island of Happiness juxtaposes poetic English translations with a wealth of original, contemporary drawings by Natalie Frank, one of today’s most outs...
Within a relatively brief period of time (1690-1705), Madame D'Aulnoy created a rich and diviersified collection of fairy tales which rank second in importance only to those of Charles Perrault. Through close readings of the various tales, Professor DeGraff demonstrates how the interplay of structural forms and themes can best be understood within the framework of psychological intepretation. This study is above all a sensitive and innovative approach to an author whose writings have not yet received the critical acclaim they so justly deserve. This work is accessible to specialists and non-specialists alike and will appeal to proponents of women's studies. -- Amazon.com.
CONTENTS Gracieuse and Percinet Fair Goldilocks The Blue Bird Prince Ariel Princess Mayblossom Princess Rosette The Golden Branch The Bee and the Orange Tree The Good Little Mouse The Ram Finette Cendron Fortun?e Babiole The Yellow Dwarf Green Serpent Princess Carpillon The Benevolent Frog The Hind in the Wood The White Cat Belle-Belle The Pigeon and the Dove Princess Belle-Etoile Prince Marcassin The Dolphin
The Fairy Tales of Madame d'Aulnoy, were an immediate success and were reprinted numerous times during the eighteenth century, both inside and outside of France. These fairy tales appeared at the beginning of a period in which the fairy tale itself was very popular in France. The success of Madame d'Aulnoy's fairy tales may be traced to her use of a popular genre and themes; to a lively style; and to a structure that embodied the transformation taking place in the French outlook of the beginning of the eighteenth century. Although the genre of Madame d'Aulnoy's fairy tales is formally the conte, these fairy tales are more like the dominant prose fiction. Love is the most important theme in t...
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As the neglected daughter of a widowed king, Princess Fiordelisa manages to keep her life optimistic nonetheless. However, Fiordelisa's life takes a turn for the worse when her father remarries a cunning woman who brings along her own daughter to live at the palace. Her new stepmother and stepsister, Turritella, do all they could to make Fiordelisa's life miserable. One day, King Aderyn comes to visit their kingdom in search of a wife. Fiordelisa and Aderyn begin falling in love, but happiness for them proves difficult to obtain. The two lovers are torn apart when the queen shuts Fiordelisa up in a tower and Turritella's fairy godmother turns Aderyn into a blue bird. When the Blue Bird finds Fiordelisa in her tower, the two are thrilled at their reunion. Unfortunately, their joy is short lived when the queen tricks the Blue Bird into believing Fiordelisa has betrayed him. Heartbroken, Fiordelisa must free herself from the tower and win back Aderyn's love. With deceit and magical obstacles standing in their way, Fiordelisa and Aderyn must rely on the strength of their own hearts to overcome every hardship to keep their love alive.