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I Fought the Law
Strange, outdated laws from each of the 50 U.S. states—some overturned, some still on the books, and some merely the stuff of legends—are depicted with sly wit by Olivia Locher. Incisive, ironic, and gorgeous, these images will appeal to art buffs and trivia fans alike. A foreword from American poet Kenneth Goldsmith and an interview with the artist by Eric Shiner, former director of the Andy Warhol Museum, contextualize rising-star Locher's photography. From serving wine in teacups in Kansas to licking a toad in Kentucky or perming a child's hair in Nebraska, breaking the law has never looked so good.
Birth of a Warrior
Following a commercial assignment at Fort Benning, Georgia, photographer Raymond Jones, who had no previous military experience, became fascinated by the singular rite of passage known as boot camp, by which ordinary citizens are turned into military instruments. The stunning photographs in Birth of a Warrior chronicle the transformation of 162 young men from across the country into U.S. Army Delta Company 2/47. From four in the morning until late at night, through arrival, processing, outfitting, marching, inspection, drill, physical training, combat training, and live-fire exercises, Jones documents an astonishing metamorphosis. Granted unprecedented access to the lives of these recruits and the NCOs responsible for their basic training, he photographs everything from their first haircuts to the tossing of their caps at graduation. Birth of a Warrior is both their story and our story: a profound look at the culture and humanity of those who we ask to go off to war.
The Cruel Radiance
Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.
Photojournalism
PHOTOJOURNALISM: AN INTRODUCTION is a richly illustrated book that encourages aspiring photojournalists to communicate to readers the most appropriate truth fairly represented, though an eye-catching personal style, with technical proficiency, within legal and ethical and taste restrictions, and with an appreciation of some of what came before in photography and photojournalism. PHOTOJOURNALISM: AN INTRODUCTION reaches out to bring your students the commentary of some of the most talented visually oriented journalistic professionals of contemporary and past times. A wealth of photographs is reproduced to illustrate points, serve as examples of what others have done, and stimulate students to visually communicate in an eye-catching and effective way. Taken as a whole, these images are a portfolio of some of the best photojournalism anywhere.
Texas death row
Ken Light and his camera were permitted unparalleled access to Texas death row. His stark, powerful images show where and how the condemned live. In the year he took these pictures, fourteen men were executed in Texas. Suzanne Donovan's essay draws upon her interviews with the condemned men and with prison authorities, family members, and members of victims' families. Whoever opens this book will want to look away, for the pictures and words force us to gaze intimately into the eye of death. Light's photographs make us ask what we have done in sanctioning execution. With ninety percent approval, no other place in America has approved the death sentence so overwhelmingly as Texas. Ken Light's raw, austere photographs and the accompanying text reveal what we have created in the hopeless world of court-ordered death. Who are the men who exist there? What do they look like? How do they survive, and what are the rhythms of their daily lives? While outsiders focus on the final act of execution, the real drama unfolds each day in this arcane world.
