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The Allure of the Ancient
"The Allure of the Ancient investigates how the ancient Middle East was imagined and appropriated for artistic, scholarly, and political purposes in the seventeenth and eighteenth centuries. Bringing together scholars of the ancient and early modern worlds, the volume approaches reception history from an interdisciplinary perspective, asking how early modern artists and scholars interpreted ancient Middle Eastern civilizations-such as Egypt, Babylonia, and Persia-and how their interpretations were shaped by early modern contexts and concerns. The volume's chapters cross disciplinary boundaries in their explorations of art, philosophy, science, and literature, as well as geographical boundaries, spanning from Europe to the Caribbean to Latin America"--
The Allure of the Ancient
How was the ancient Middle East—including Egypt, Babylonia, and Persia— imagined and employed for artistic, scholarly, and political purposes in Europe, the Caribbean, and Latin America, circa 1600–1800 ?
Silent Teachers
Silent Teachers considers for the first time the influence of Ottoman scholarly practices and reference tools on oriental learning in early modern Europe. Telling the story of oriental studies through the annotations, study notes, and correspondence of European scholars, it demonstrates the central but often overlooked role that Turkish-language manuscripts played in the achievements of early orientalists. Dispersing the myths and misunderstandings found in previous scholarship, this book offers a fresh history of Turkish studies in Europe and new insights into how Renaissance intellectuals studied Arabic and Persian through contemporaneous Turkish sources. This story hardly has any dull mom...
In the House of Heqanakht
In the House of Heqanakht: Text and Context in Ancient Egypt gathers Egyptological articles in honor of James P. Allen, Charles Edwin Wilbour Professor of Egyptology at Brown University.
Ancient Egyptian and Afroasiatic
By challenging assumptions regarding the proximity between Egyptian and Semitic Languages, Ancient Egyptian and Afroasiatic provides a fresh approach to the relationships and similarities between Ancient Egyptian, Semitic, and Afroasiatic languages. This in-depth analysis includes a re-examination of the methodologies deployed in historical linguistics and comparative grammar, a morphological study of Ancient Egyptian, and critical comparisons between Ancient Egyptian and Semitic, as well as careful considerations of environmental factors and archaeological evidence. These contributions offer a reassessment of the Afroasiatic phylum, which is based on the relations between Ancient Egyptian and the other Afroasiatic branches. This volume illustrates the advantages of viewing Ancient Egyptian in its African context. In addition to the editors, the contributors to this collection include Shiferaw Assefa, Michael Avina, Vit Bubenik, Leo Depuydt, Christopher Ehret, Zygmunt Frajzyngier, J. Lafayette Gaston, Tiffany Gleason, John Huehnergard, Andrew Kitchen, Elsa Oréal, Chelsea Sanker, Lameen Souag, Andréas Stauder, Deven N. Vyas, Aren Wilson-Wright, and Jean Winand.
Overlapping Cosmologies In Asia
A new, transnational, and interdisciplinary understanding of cosmology in Asian history. Cosmologies were not coherent systems belonging to separate cultures but rather complex bodies of knowledge and practice that regularly coexisted and co-mingled in extraordinarily diverse ways.
Aztec Latin
Soon after the fall of the Aztec empire in 1521, missionaries began teaching Latin to native youths in Mexico. This initiative was intended to train indigenous students for positions of leadership, but it led some of them to produce significant writings of their own in Latin, and to translate a wide range of literature, including Aesop's fables, into their native language. Aztec Latin reveals the full extent to which the first Mexican authors mastered and made use of European learning and provides a timely reassessment of what those indigenous authors really achieved.
Colonial-Era Caribbean Theatre
Cutting across academic boundaries, this volume brings together scholars from different disciplines who have explored together the richness and complexity of colonial-era Caribbean theatre. The volume offers a series of original essays that showcase individual expertise in light of broader group discussions. Asking how we can research effectively and write responsibly about colonial-era Caribbean theatre today, our primary concern is methodology. Key questions are examined via new research into individual case studies on topics ranging from Cuban blackface, commedia dell’arte in Suriname and Jamaican oratorio to travelling performers and the influence of the military and of enslaved people...
