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Lev Shestov's By Faith Alone confronts Eastern and Western European conceptions of faith through Russian literature, ancient and medieval philosophy, and Christian theology. Written from 1910-1914, this first English-language translation brings together important early writings on the medieval church and Martin Luther. Shestov reconciles the Greek notion of rational truth with Biblical revelation by drawing on a wide range of ancient, medieval, philosophical and theological sources from Plato to Hegel, Tertullian to Saint Augustine , and Saint Bernard of Clairvaux to William of Ockam. He argues that rational truth has skewed Christian belief by determining knowledge and truth in ways that prize the mind over the world. This approach marks a turning point in the evolution of Shestov's existential thought. It establishes a basic division that became central to Shestov's later work, between Athens as reason and Jerusalem as faith. By Faith Alone provides a crucial piece of the puzzle in the genesis of Shestov's later and better-known writings on medieval philosophy.
This book addresses the narrative construction of Russian cultural memory in the work of Julian Barnes. It investigates how Barnes's texts tend to display a memory process as a transcultural mode of the creation of English and Russian national identities. Examining a need to revisit Russian canonical works, the detailed discursive analysis of the selected English texts exposes an intertextual remembering by duplication, thus contributing to the prevention of forgetting through the recuperation of still misrecollected cultural meanings. By creatively incorporating Russian intertextual elements into his work as a novelist, the author seems to insist on sweeping across and beyond national bound...
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
The volume Gardens of Madeira – Gardens of the World. Contemporary Approaches displays present tendencies in calling upon the idea of gardens, being a wide-range approach to their literary, sociological and cultural representations. The book`s four parts: “Madeira: A Garden in the Sea?”, “Gardens as Temporal and Spatial Category. Cultural and Literary Approaches”, “Gardens as an Expression. Socio-cultural Perspectives” and “Re-Creating the Archetypal Garden – Discourses and Practices” refer to vast geographical and cultural areas, starting with the very complex sample of the overseas-yet-European Island of Madeira, and then joining the exemplification material from histor...
A cultural history of a reddish, much-loved shrub, sometimes called mountain ash or dogberry. Rowan is the first in-depth natural and cultural history of this much-loved plant sometimes called mountain ash or dogberry. Through myth, medicine, literature, land art, and contemporary rewilding, Oliver Southall uncovers the many meanings of this singular reddish, fruit shrub: a potent symbol of nostalgia on the one hand and of environmental activism on the other. Taking the reader on an eclectic journey across history, Rowan charts our changing relationships with nature and landscape, raising urgent questions about how we value and relate to the non-human world.
For more than two thousand years, philosophers and theologians have wrestled with the irreconcilable opposition between Greek rationality (Athens) and biblical revelation (Jerusalem). In Athens and Jersusalem, Lev Shestov—an inspiration for the French existentialists and the foremost interlocutor of Edmund Husserl, Martin Heidegger, and Martin Buber during the interwar years—makes the gripping confrontation between these symbolic poles of ancient wisdom his philosophical testament, an argumentative and stylistic tour de force. Although the Russian-born Shestov is little known in the Anglophone world today, his writings influenced many twentieth-century European thinkers, such as Albert C...
A comprehensive analysis of Eduard Limonov's poetry, fiction and journalism. It seeks to distinguish between Limonov the author and Limonov the character in order to pinpoint Limonov's true beliefs, as opposed to his public statements, which are often meant to cause outrage.
The reception, familiarization and influence of Russian writers in late 19th century/early 20th century Spain has been a long-neglected area of investigation. This monograph studies certain characteristic moments of that process, beginning with the situation typical of much of the 19th century, in which a major Russian author like Pushkin was a least a presence, though still a decisively exotic one, on the Hispanic literary horizon.