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Lawyers, Guns, and Money
From classics like “Werewolves of London,” “Excitable Boy,” and “Roland the Headless Thompson Gunner” to lesser-known gems across a career spanning nearly four decades, the songs of Warren Zevon are rich with crime and intrigue and suspense—guns and gunners, assassins and drug dealers, a supernatural serial killer, and a heap of hapless losers along the way too. In Lawyers, Guns, and Money, fifteen fantastic writers—avid fans of Zevon’s genius—offer fresh spins on his discography with tales that span the mystery genre: caper, espionage, noir, paranormal, private eye, and more. With new stories by Gray Basnight, William Boyle, Dana Cameron, Libby Cudmore, Hilary Davidson, Steve Liskow, Nick Mamatas, Paul D. Marks, matthew quinn martin, Josh Pachter, Charles Salzberg, Laura Ellen Scott, Alex Segura, Kevin Burton Smith, and Brian Thornton, Zevon’s wry lyrics and unforgettable characters serve as the inspiration for dark crimes and dirty deeds – just the way he liked them.
Made in Mexico
Made in Mexico examines the aesthetic, political, and sociopolitical aspects of tourism in southern Mexico, particularly in the state of Oaxaca. Tourists seeking "authenticity" buy crafts and festival tickets and spend even more on travel expenses. What does a craft object or a festival moment need to look like or sound like to please both tradition bearers and tourists in terms of aesthetics? Under what conditions are transactions between these parties psychologically healthy and sustainable? What political factors can interfere with the success of this negotiation, and what happens when the process breaks down? With Subcommandante Marcos and the Zapatistas still operating in neighboring Ch...
Alternative Communities in Hispanic Literature and Culture
What are Hispanic alternative communities and how are they represented in literature, film, and popular music? This book studies the fictional representation of circles of artists and intellectuals, youth gangs, musical bands, packs of marginal urban dwellers, groups of immigrants, and other diverse associations that share the common trait of being small and subversive collectives, perhaps akin to secret societies plotting to take control of society. These groups usually exist within a larger and established community – typically, the nation-state – though maintaining with it complicated relations of rivalry, criticism, outright violence, and other forms of antagonism. Thus “alternativ...
Women in Contemporary Mexican Politics
Since the mid-1980s, a dramatic opening in Mexico's political and electoral processes, combined with the growth of a new civic culture, has created unprecedented opportunities for women and other previously repressed or ignored groups to participate in the political life of the nation. In this book, Victoria Rodríguez offers the first comprehensive analysis of how Mexican women have taken advantage of new opportunities to participate in the political process through elected and appointed office, nongovernmental organizations, and grassroots activism. Drawing on scores of interviews with politically active women conducted since 1994, Rodríguez looks at Mexican women's political participatio...
The Inevitable Bandstand
In the hands of the state, music is a political tool. The Banda de Música del Estado de Oaxaca (State Band of Oaxaca, BME), a civil organization nearly as old as the modern state of Oaxaca itself, offers unique insights into the history of a modern political state. In The Inevitable Bandstand, Charles V. Heath examines the BME's role as a part of popular political culture that the state of Oaxaca has deployed in an attempt to bring unity and order to its domain. The BME has always served multiple functions: it arose from musical groups that accompanied military forces as they trained and fought; today it performs at village patron saint days and at Mexico's patriotic celebrations, propagati...
Building Yanhuitlan
Through years of fieldwork in the state of Oaxaca, Mexico, art historian and archaeologist Alessia Frassani formulated a compelling question: How did Mesoamerican society maintain its distinctive cultural heritage despite colonization by the Spanish? In Building Yanhuitlan, she focuses on an imposing structure—a sixteenth-century Dominican monastery complex in the village of Yanhuitlan. For centuries, the buildings have served a central role in the village landscape and the lives of its people. Ostensibly, there is nothing indigenous about the complex or the artwork inside. So how does such a place fit within the Mixteca, where Frassani acknowledges a continuity of indigenous culture in th...
The Mixtecs of Oaxaca
The Mixtec peoples were among the major original developers of Mesoamerican civilization. Centuries before the Spanish Conquest, they formed literate urban states and maintained a uniquely innovative technology and a flourishing economy. Today, thousands of Mixtecs still live in Oaxaca, in present-day southern Mexico, and thousands more have migrated to locations throughout Mexico, the United States, and Canada. In this comprehensive survey, Ronald Spores and Andrew K. Balkansky—both preeminent scholars of Mixtec civilization—synthesize a wealth of archaeological, historical, and ethnographic data to trace the emergence and evolution of Mixtec civilization from the time of earliest human...
Mexican Literature as World Literature
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author Chapter 15 by Carolyn Fornoff is Winner of the 2022 Best Article in the Humanities Award, Latin American Studies Association, Mexico Mexican Literature as World Literature is a landmark collection that, for the first time, studies the major interventions of Mexican literature of all genres in world literary circuits from the 16th century forward. This collection features a range of essays in dialogue with major theorists and critics of the concept of world literature. Authors show how the arrival of Spanish conquerors and priests, the work of enlightenment naturalists, the rise of Mexican acad...
Women Poets and Myth in the 20th and 21st Centuries
This book rereads and re-examines the important tradition of women poets and theorists who have both critically and creatively engaged with the study and reconsideration of the role played by myths in our Western society, assessing their impact in different eras. Such poets and theorists as H.D., Laura Riding, Denise Levertov, Margaret Atwood, Anne Carson, and Natalie Diaz have responded to myths, either by recreating, rewriting, and interrogating the power of myths to articulate our reality, or by creating and “begetting” new myths for the present. In order to interrogate whether myths throughout the 20th and 21st centuries can act as catalysts for new ideas and imaginative re-creations, this volume travels the path of essential works of poetry by women.
Social Environmental Conflicts in Mexico
What are the political economic conditions that have given rise to increasing numbers of social environmental conflicts in Mexico? Why do these conflicts arise in some local and regional contexts and not in others? How are social environmental movements constructed and sustained? And what are the alternatives? These are the questions that this book seeks to address. It is organized into three parts. The first provides a panoramic view of social environmental conflicts in Mexico and of alternatives that are being constructed from below in rural areas. It also provides an analysis of the recent reforms to open the country’s energy sector to private and foreign investment. The second is comprised of local-level case studies of conflict (and no conflict) in diverse geographic locations and cultural settings, particularly in relation to the construction of wind farms, hydraulic infrastructure, industrial water pollution, and groundwater overdraft. The third explores alternatives from below in the form of community-based ecotourism and traditional mezcal production. A concluding chapter engages comparative and global analysis.
