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The first English-language monograph that describes seasonal and permanent Late Bronze Age settlements in the Russian steppes, this is the final report of the Samara Valley Project, a US-Russian archaeological investigation conducted between 1995 and 2002. It explores the changing organization and subsistence resources of pastoral steppe economies from the Eneolithic (4500 BC) through the Late Bronze Age (1900-1200 BC) across a steppe-and-river valley landscape in the middle Volga region, with particular attention to the role of agriculture during the unusual episode of sedentary, settled pastoralism that spread across the Eurasian steppes with the Srubnaya and Andronovo cultures (1900-1200 BC). Three astonishing discoveries were made by the SVP archaeologists: agriculture played no role in the LBA diet across the region, a surprise given the settled residential pattern; a unique winter ritual was practiced at Krasnosamarskoe involving dog and wolf sacrifices, possibly related to male initiation ceremonies; and overlapping spheres of obligation, cooperation, and affiliation operated at different scales to integrate groups defined by politics, economics, and ritual behaviors.
Maria Lawton, known as the "Azorean Green Bean," is proud to announce the arrival of her debut cookbook, "Azorean Cooking: From My Family Table to Yours," a collection of more than 50 recipes that celebrates the traditions of Azorean cooking, culture, and family. "For more than four years, I have made it my mission to preserve my family recipes," said Lawton. "At first, I just wanted to make sure they would be passed down to my children and future generations - but now, I want to share them with everyone who might miss their Azorean mother or grandmother's cooking, or whoever wants to know how to recreate the tastes and smells of the past. This has been a wonderful journey home for me, and I...
This beautifully illustrated book represents the first full publication of the most elaborate metal vessel from the ancient world yet discovered. Found in an undisturbed Macedonian tomb of the late 4th century B.C., the volute krater is a tour de force of highly sophisticated methods of bronze working. An unusual program of iconography informs every area of the vessel. Snakes with copper and silver inlaid stripes frame the rising handles, wrapping their bodies around masks of underworld deities. On the shoulder sit four cast bronze figures: on one side a youthful Dionysos with an exhausted maenad, on the other a sleeping Silenos and a maenad handling a snake. In the major repousse frieze on the body a bearded hunter is associated with Dionysian figures. What was the function of this extraordinary object? And what is the meaning of the intricate iconography? The krater is placed in its Macedonian archaeological context as an heirloom of the descendants of the man named in the Thessalian inscription on its rim, and in its art-historical context as a highly elaborated, early-4th-century version of a metal type known in Athens by about 470 B.C.
`It offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require.' Financial Times`If ever a guidebook were designed to be read as literature it is Mr Honour's. Even those who know Venice welland love it well will add to their appreciation from this seemingly endless store of information.' Economist Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum...
This study reveals the broad material, devotional, and cultural implications of sculpture in Renaissance Venice. Examining a wide range of sources—the era’s art-theoretical and devotional literature, guidebooks and travel diaries, and artworks in various media—Lorenzo Buonanno recovers the sculptural values permeating a city most famous for its painting. The book traces the interconnected phenomena of audience response, display and thematization of sculptural bravura, and artistic self-fashioning. It will be of interest to scholars working in art history, Renaissance history, early modern art and architecture, material culture, and Italian studies.
Communicating archaeological heritage at the institutional level reflects on the current status of archeology, and a lack of communication between archaeologists and the general public only serves to widen the gap of understanding. As holders of this specific scientific expertise, effective openness and communication is essential to understanding how a durable future can be built through comprehension of the past and the importance of heritage sites and collections. Developing Effective Communication Skills in Archaeology is an essential research publication that examines archeology as a method for present researchers to interact and communicate with the past, and as a methods for identifying the overall trends in the needs of humanity as a whole. Presenting a vast range of topics such as digital transformation, artificial intelligence, and heritage awareness, this book is essential for archaeologists, journalists, heritage managers, sociologists, educators, anthropologists, museum curators, historians, communication specialists, industry professionals, researchers, academicians, and students.
"The Toledo Museum of Art has one of the largest, most extensive and most varied collections of Roman glass vessels and objects from the eastern Mediterranean currently housed in any museum"--Foreword, p. 9.
The curanderos of northern Peru, traditional healing specialists who invoke Jesus Christ and the saints with a mescaline sacrament and a shamanic rattle, are not vestigial curiosities nor are their patients rural illiterates without access to "modern medicine." Instead, many of these shamans have thriving urban practices with clients from all levels of society. Sorcery and Shamanism documents the lives and rituals of twelve curanderos, offering a perspective on their curing role and shared knowledge. Authors Donald Joralemon and Douglas Sharon also consider the therapeutic experiences of over one hundred patients, including case histories and follow-ups. They offer a broad view of the shamans' work in modern Peruvian society, particularly in connection with gender-based conflicts. The significant work goes a long way toward dispelling the stereotype of shamans as enigmatic and wise, showing them to be pragmatic curers confronting the health effects of everyday aggressions and betrayals.