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EATING BITTER
Eating Bitter, a Chinese American Saga is a richly textured biography charting the long lives of Paul and Sonia Ho. It is about survival of the Sino-Japanese War, the Japanese occupation of Taiwan, the Communist Revolution and the prejudices the family encountered as immigrants to the United States. It is about memory - and conflicting memories. Eating Bitter is, above all, an American success story. It was Paul and Sonia’s eldest son, David, whose groundbreaking work on AIDS made him Time Magazine’s Person of the Year in 1996 and, a few years later, won him the Presidential Citizens Medal.
Art at the Service of War
"The Canadian War Memorials Exhibition opened in the galleries of the Royal Academy in Burlington House in January 1919. Featuring four hundred paintings and sculptures depicting the Canadian Expeditionary Force in the First World War, the exhibition became the gala event of the London art season. Art at the Service of War is the story of how artists as diverse as modernist Paul Nash, the revolutionary Vorticist Wyndham Lewis, and young Canadians such as A.Y. Jackson came to paint Canada's war. Bringing together the artists, critics, and art gallery owners with patrons, military leaders, and politicians, the experience exposed Canadians to modern art at a time that the artists themselves were just beginning to explore this area. First published in 1984, Art at the Service of War was one of the first contributions to Canadian cultural history. With the approaching hundredth anniversary of the outbreak of the Great War, this book provides a timely reminder of the impact of this conflict even beyond the military and political spheres"--Provided by publisher.
F.H. Varley
Catalogue of an exhibition held at the Varley Art Gallery of Markham, Ont., May 25-Sept. 3, 2007 and other places.
Stormy Weather
"He never held down a job for long. Although a fine portrait painter, he could not bring himself to curry favour with the powerful people who might have given him a living as a portraitist."--BOOK JACKET. "He was, above all, a committed bohemian who put his art before friends, family, and conventional appearances."--BOOK JACKET.
Canadian Culture
The surest way to the hearts of a Canadian audience is to inform them that their souls are to be identified with rock, rapids, wilderness and virgin (but exploitable) forest. Multiculturalism, feminism, postmodernism and regionalism - these and other vital movements jostle for expression in Canada. This title deals with this topic.
Made in British Columbia
Is there such a thing as British Columbia culture, and if so, is there anything special about it? This is the broad question Dr. Maria Tippett answers in this work with an assured “yes!” To prove her point she looks at the careers of eight ground-breaking cultural producers in the fields of painting, aboriginal art, architecture, writing, theatre and music. The eight creative figures profiled in Made in British Columbia are not just distinguished artists who made an enduring mark on Canadian culture during the twentieth century. They are unique artists whose work is intimately interwoven with British Columbia’s identity. Emily Carr portrayed BC’s coastal landscape in a manner as uniq...
Becoming Wise
“The discourse of our common life inclines towards despair. In my field of journalism, where we presume to write the first draft of history, we summon our deepest critical capacities for investigating what is inadequate, corrupt, catastrophic, and failing. The ‘news’ is defined as the extraordinary events of the day, but it is most often translated as the extraordinarily terrible events of the day. And in an immersive 24/7 news cycle, we internalize the deluge of bad news as the norm—the real truth of who we are and what we’re up against as a species. But my work has shown me that spiritual geniuses of the everyday are everywhere. They are in the margins and do not have publicists....
This Woman in Particular
What happens when an individual becomes the subject of many and divergent portraits? “Biography,” says Stephanie Kirkwood Walker, “is a deceptive genre. Positioned between fact and fiction and elusive in its purposes, biography displays an individual life, an existence patterned by conventions that have also shaped the reader’s experience.” In This Woman in Particular, Walker explores versions of Emily Carr’s life that have appeared over the last half-century. Walker contends that the biographical image of Emily Carr that emerges from an accumulation of biographies, films, plays and poetry as well as her own autobiographical writing establishes an elaborated cultural artefact — an “image” that is bound by its very nature to remain forever incomplete and always elusive. She demonstrates how changes in Carr’s biographical image parallel the maturing of Canadian biographical writing, reflecting attitudes toward women artists and the shifting balance between religion, secular attitudes and contemporary spirituality. And she concludes that biography plays a crucial role in all our lives in initiating and sustaining debate on vital personal and collective concerns.
Bill Reid
Part biography, part art history -- a thoroughly engaging look at one man’s life and his phenomenal influence on the world of contemporary art. Bill Reid was at the forefront of the modern-day renaissance of Northwest Coast Native art; but his art, and his life, was not without controversy. Like the raven -- the trickster and principal figure in countless Haida myths -- Bill Reid reinvented himself several times over. Born to a partly Haida mother and a father of German and Scottish descent, his public persona as a Haida Indian seems to have been as much a product of journalists, art patrons, museum curators and others in the non-Native establishment as of Bill Reid himself. It is clear th...
The Power of the Word
This book is the record of a colloquium held at Churchill College, Cambridge. It pursues lines of discussion radiating out from the core theme of the power of the image (understood in its pictorial, iconic, sensory and verbal senses). Writers, scholars and artists are grouped in pairs representing the two language-cultures (English and French). Central topics covered include the manifold ways in which our readings of pictorial images old and contemporary can bridge cultures, language politics and the politics of culture, the limitless and instructive senses of the concept of the 'word', the relation between orality and the written text, the implications of the act of writing, history and ope...
