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The magical saga of the women behind King Arthur's throne. “A monumental reimagining of the Arthurian legends . . . reading it is a deeply moving and at times uncanny experience. . . . An impressive achievement.”—The New York Times Book Review In Marion Zimmer Bradley's masterpiece, we see the tumult and adventures of Camelot's court through the eyes of the women who bolstered the king's rise and schemed for his fall. From their childhoods through the ultimate fulfillment of their destinies, we follow these women and the diverse cast of characters that surrounds them as the great Arthurian epic unfolds stunningly before us. As Morgaine and Gwenhwyfar struggle for control over the fate of Arthur's kingdom, as the Knights of the Round Table take on their infamous quest, as Merlin and Viviane wield their magics for the future of Old Britain, the Isle of Avalon slips further into the impenetrable mists of memory, until the fissure between old and new worlds' and old and new religions' claims its most famous victim.
'Still my fate: always to speak the truth, and only to be thought mad' Kassandra, daughter of Priam the king and Hecuba the priestess, twin sister to Paris and prophetess of Apollo, her visions dismissed as lunatic ravings, is powerless to avert the fall of Troy...
The New York Times bestselling science fiction and fantasy author of the Avalon series introduces the prequel to the beloved and enduring classic The Mists of Avalon in this mesmerizing epic of one woman’s legendary role at a turning point in history. In a Britain struggling to survive Roman invasion, Eilan is the daughter of a Druidic warleader, gifted with visions and marked by fate to become a priestess of the Forest House. But fate also led Eilan to Gaius, a soldier of mixed blood, son of the Romans sent to subdue the native British. For Gaius, Eilan felt forbidden love, and her terrible secret will haunt her even as she is anointed as the new High Priestess. With mighty enemies poised to destroy the magic the Forest House shelters, Eilan must trust in the power of the great Goddess to lead her through the treacherous labyrinth of her destiny.
Fenton was only a 'tweenman, without body or shadow; his body lay back in the laboratory where Dr Garnock was experimenting with a new drug. Yet Fenton was in the fairy world of the Alfar, helplessly watching the Faerie Queen of the Alfar attacked and caputured by the hideous, goblinlike ironfolk. And he was fading, irresistibly being drawn back to his body. He had to return to save the Faerie Queen - and to save his own world from the ironfolk. But not even Sally Lobeck would believe him. Garnock refused him more drug and confiscated the talisman that would have let him return in his body as a worldwalker, free to move through the Gateways between worlds. His only hope lay in findinf the mysterious House between the Worlds. But the House could only be found when and where it wanted. And apparently it didn't want Fenton to find it!
Darkover, a planet of wonder, world of mystery, has been a favourite of science fiction readers for many years. For it is a truly alien sphere - a world of strange intelligences of brooding skies beneath a ruddy sun, and of powers unknown to Earth. In this new novel, Mario Zimmer Bradley tells of the original coming of the Earthmen, of the days when Darkover knew not humanity. This is the full bodied novel of what happened when a colonial starship crashlanded on that uncharted planet to encounter for the first time in human existence the impact of the Ghost Wind, of the psychic currents that were native only to that world, and of the price that every Earthling must pay before Darkover can claim for itself.
A wounded Atlantean prince...a deadly battle between Dark and Light...and the sisters Deoris and Domaris, whose lives are changed utterly by the magic involving them. These are the elements of The Fall of Atlantis, Marion Zimmer Bradley's epic fantasy about that ancient and legendary realm. On one side stand the Priests of the White Robe, guardians of powerful natural forces which could threaten the world if misused. Ranged against them are the Black Robes, sorcerers who secretly practice their dark arts in the labyrinthine caves beneath the very Temple of Light. Caught between are Domaris and Deoris, daughters of the Archpriest Talkannon, trapped in a web of deadly sorcery¾the same forbidden sorcery that could bring about The Fall of Atlantis Previously published separately as Web of Light and Web of Darkness. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Warrior Woman is Marion Zimmer Bradley's response to the Gor novels - where men were men and women were slaves. Yes, this book does start out with a heroine who has been captured and is being sold as a slave, who has amnesia and remembers nothing of her life before the trip across the desert with the slavers - and, due to a head injury, remembers mercifully little of that. But she does know that she would rather fight in the arena than be a harlot for the men who do, and that choice changes the rest of the book. In a Gor-style novel the woman would become less her own person, eventually learning to be a contented and obedient slave. In this book, even while the heroine, called Zadieyek of Gyre, remains a slave, she is something quite different from the typical 'slave girl' - she grows and develops, always searching for her memory and her past, convinced that this is not how her life is supposed to be. And, of course, she's right.
Marion Zimmer Bradley's legendary saga of Avalon's extraordinary women continues with a tale of fiery visions, a lost king, and a forthcoming destiny... A boy raised in secret after traitors kill his parents will return to Avalon-and when he does, he'll be faced with a formidable task: to prove his worth as a son of the kings and priestesses of his land and lead his followers to victory, wielding the newly-forged sword Excalibur.
This second volume of The Best of Marion Zimmer Bradley's Fantasy Magazine serves up a smorgasbord of magic and adventure. Encompassing a range of fantasy from classical to modern settings, this collection begins with an introduction by Bradley herself, in addition to her introductions to each individual story.