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Seeing Through Race
This text is an original reinterpretation of the iconic photographs of the black civil rights struggle. Berger's provocative study shows how the very pictures credited with arousing white sympathy, and thereby paving the way for civil rights legislation, actually limited the scope of racial reform in the 1960s.
Sight Unseen
"A compelling and challenging work."—Frances K. Pohl, author of Framing America "Berger is unafraid to tackle the major issues, and this book shows it."—Bruce Robertson, author of Marsden Hartley and Reckoning with Winslow Homer "Berger, writing on topics as diverse as landscape photography and early film, pushes into fascinating issues of gender, race, and class with sensitivity, insight, and largely jargon-free analysis. Having made a mark as a key Eakins scholar, he promises to achieve a similar feat in Sight Unseen, getting us to rethink traditional material in a new light."—John Wilmerding, Christopher Binyon Sarofim Professor of American Art, Princeton University
Man Made
"Berger's original readings provide altogether new and compelling ways to understand some of Eakins's most well-known paintings."--Alexander Nemerov, Stanford University "This book is most interesting. Berger rereads a number of Eakins's paintings and makes use of recent investigations about the meaning of manhood in the nineteenth century. Man Made casts much of Eakins's life and work into new light."--Elizabeth Johns, author of Thomas Eakins: The Heroism of Modern Life "During the last decade, Martin Berger has been the most perceptive and sophisticated critic of masculinity in nineteenth-century American art. With this book he consolidates that analysis triumphantly--and extends its implications, first into a consideration of all of Eakins's oeuvre, and then into related discourses of sexuality, domesticity, and race. Man Made has useful things to say to scholars in all fields of American culture. In addition, it now becomes the most interesting book on Eakins since Elizabeth Johns's groundbreaking work, Thomas Eakins: The Heroism of Modern Life, first published nearly twenty years ago."--Bruce Robertson, University of California, Santa Barbara
In Appropriate Distance
What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond. By examining classic examples such as How the Other Half Lives, American Exodus, and Let Us Now Praise Famous Men, as well as more contemporary projects including work by John Berger, Jean Mohr, Wendy Ewald, and Zana Briski, Klingensmith examines the codependence of words and images and the long-standing collaboration required of creator and subject in this exploration of the ethics of representation.
Killer Twins
The chilling true story of the Spahalski brothers, who looked alike, acted alike—and killed alike . . . Robert Bruce Spahalski and Stephen Spahalski were identical twins. Same hair, same eyes, same thirst for blood. Stephen was the first brother to kill—by viciously bashing in storeowner Ronald Ripley’s head with a hammer. Unlike Stephen, Robert didn’t stop with just one victim. With the cord of an iron, Robert strangled prostitute Morraine Armstrong during sex. With his bare hands, he choked his girlfriend Adrian Berger. He brutally bludgeoned to death businessman Charles Grande. Even his friend Vivian Irizarry didn’t escape his lurid killing spree. Robert ultimately confessed to the four murders in vivid detail. But police suspected there were many more. The twins’ twisted story became even more bizarre as the true nature of their sick psyches came to light. In Killer Twins, through extensive interviews, Michael Benson reveals for the first time the horrific details of Robert Spahalski’s life and crimes in a disturbing look at the inner workings of a homicidal mind.
The Unseen Truth
Sarah Lewis unearths the critical moment when Americans were confronted with the fictions shoring up the nation's racial regime and learned to disregard them. When popular nineteenth-century images of the Caucasus proved the lie of white supremacy, a new visual regime arose to suppress the evidence of the incoherence of racial order.
World Congress on Medical Physics and Biomedical Engineering, June 7-12, 2015, Toronto, Canada
This book presents the proceedings of the IUPESM World Biomedical Engineering and Medical Physics, a tri-annual high-level policy meeting dedicated exclusively to furthering the role of biomedical engineering and medical physics in medicine. The book offers papers about emerging issues related to the development and sustainability of the role and impact of medical physicists and biomedical engineers in medicine and healthcare. It provides a unique and important forum to secure a coordinated, multileveled global response to the need, demand and importance of creating and supporting strong academic and clinical teams of biomedical engineers and medical physicists for the benefit of human health.
God and the Atlantic
Since the eighteenth-century Enlightenment, the United States and Western Europe's paths to modernity have diverged sharply with respect to religion. In short, Americans have maintained much friendlier ties with traditional forms of religion than their European counterparts. What explains this transatlantic religious divide? Accessing the topic though nineteenth and early twentieth-century European commentary on the United States, Thomas Albert Howard argues that an 'Atlantic gap' in religious matters has deep and complex historical roots, and enduringly informs some strands of European disapprobation of the United States. While exploring in the first chapters 'Old World' disquiet toward the...
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Register of the Commissioned and Warrant Officers of the United States Navy and Marine Corps
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