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A bibliography of various mystery novels published between November 1976 and Fall 1992.
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
"The Mystery Fancier," Volume 9 Number 4 (September-October, 1987) contains: "A. E. Martin's Pell Pelham, Spruiker Detective," by William F. Deeck; "P. G. Wodehouse as Reader of Crime Stories," by W. A. S. Sarjeant; "Peter Rabe's Daniel Port," by George Tuttle; and "Mystery Mosts," by Jeff Banks.
A wooden box holds the buttons of three generations of women in Lynn Knight’s family – each one with its own tale to tell... Tracing the story of women at home and in work, from the jet buttons of Victorian mourning, to the short skirts of the 1960s, taking in suffragettes, bachelor girls, little dressmakers, Biba and the hankering for vintage, The Button Box lifts the lid on women’s lives and their clothes with elegance and wit.
As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of 'curating' are undergoing rapid change. Today, everyone is seemingly able to 'curate', but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of 'the curatorial' in fashion exhibitions, commercial settings, and the virtual world. From fashion's earliest forays into the museum to creative collaborations between luxury fashion brands ...
In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them. Celia Marshi...
This definitive New York Times bestselling biography of Anna Wintour, now featuring a new afterword, follows the steep climb of an ambitious young woman who would—with singular and legendary focus—become one of the most powerful people in media. As a child, Anna Wintour was a tomboy with no apparent interest in clothing but, seduced by the miniskirts and bob haircuts of swinging 1960s London, she grew into a fashion-obsessed teenager. Her father, an influential newspaper editor, loomed large in her life, and once he decided she should become editor-in-chief of Vogue, she never looked back. Impatient to start her career, she left high school and got a job at a trendy boutique in London—...
Who makes your clothes? This used to be an easy question to answer: it was the seamstress next door, or the tailor on the high street – or you made them yourself. Today we rarely know the origins of the clothes hanging in our closets. The local shoemaker, dressmaker and milliner are long gone, replaced by a globalised fashion industry worth $1.5 trillion a year. In Wardrobe Crisis, fashion journalist Clare Press explores the history and ethics behind what we wear. Putting her insider status to good use, Press examines the entire fashion ecosystem, from sweatshops to haute couture, unearthing the roots of today’s buy-and-discard culture. She traces the origins of icons like Chanel, Dior a...