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Kniha se zabývá texty z anglicky psaných literatur, které svým způsobem zpochybňují fiktivní, osobní či akademické žánrové konvence ve vztahu k literární auto/biografii, a spíše upozorňují na mnohoznačnost způsobů psaní o životě a konstruování subjektivity. Každá ze čtyř kapitol zkoumá specifický typ transgresivní auto/biografie: pastorální biografii v dílech Petera Ackroyda, Johna Bergera a Paula Cartera; kolaborativní auto/biografie domorodých obyvatel v Austrálii v textech Kima Scotta a Hazel Brown a Rity a Jackie Hugginsových; beletrizované autobiografie A. Newmana a Forresta Reeda; a bioregionální biografie Emily Carrové a Emmy Bell Milesové.
This book offers the analysis of a selection of North American texts that dismantle and resist normative frames through the resignification of concepts such as unhappiness, precarity, failure, and vulnerability. The chapters bring to the fore how those potentially negative elements can be refigured as ambivalent sites of resistance and social bonding. Following Sara Ahmed’s rereading of happiness, other authors such as Judith Butler, Wendy Brown, Jack Halberstam, Lauren Berlant, or Henry Giroux are mobilized to interrogate films, memoirs, and novels that deal with precarity, alienation, and inequality. The monograph contributes to enlarging the archives of unhappiness by changing the focus from prescribed norms and happy endings to unruly practices and unhappy beginnings. As the different contributors show, unhappiness, precarity, vulnerability, or failure can be harnessed to illuminate ways of navigating the world and framing society that do not necessarily conform to the script of happiness—whatever that means.
Kniha Inscribing Difference and Resistance: Indigenous Women’s Personal Non-fiction and Life Writing in Australia and North America zkoumá, jak literárně-esejistická tvorba domorodých obyvatelek v USA, Kanadě a Austrálii, publikovaná v 90. letech 20. století, přispěla k formování teoretických východisek tzv. Indigenous feminism (indigenní či domorodý feminismus) a zároveň přispěla k přepsání dominantní historiografie v kontextu těchto osadnických kolonií. Rozbor textů Paully Gunn Allen a Anny Lee Walters z USA, Lee Maracle a Shirley Sterling z Kanady a Jackie Huggins a Doris Pilkington Garimara z Austrálie ukazuje, jak tyto autorky využívají hybridní, multi-žánrový styl, kombinující literární kritiku, historiografii, auto/biografické psaní a fikčně laděné příběhy, k literárnímu vyjádření své odlišné kulturní identity, transgeneračního traumatu z kolonizace a resistence vůči násilné asimilaci.
This is the first book to examine how Australian fiction writers draw on family histories to reckon with the nation’s colonial past. Located at the intersection of literature, history, and sociology, it explores the relationships between family storytelling, memory, and postcolonial identity. With attention to the political potential of family histories, Reckoning with the Past argues that authors’ often autobiographical works enable us to uncover, confront, and revise national mythologies. An important contribution to the emerging global conversation about multidirectional memory and the need to attend to the effects of colonisation, this book will appeal to an interdisciplinary field of scholarly readers.
The world economy is caught in a money trap. Existing monetary arrangements meet the needs neither of the ageing societies of the West nor of younger emerging economies. This in-depth analysis explains how the world got into the grip of global finance - and how it can escape, with a growing demand for reform.
This book spans a century in the history of the Blackfoot First Nations of present-day Montana and Alberta. It maps out specific ways in which Blackfoot culture persisted amid the drastic transformations of colonisation, with its concomitant forced assimilation in both Canada and the United States. It portrays the strategies and tactics adopted by the Blackfoot in order to navigate political, cultural and social change during the hard transition from traditional life-ways to life on reserves and reservations. Cultural continuity is the thread that binds the four case studies presented, encompassing Blackfoot sacred beliefs and ritual; dress practices; the transmission of knowledge; and the r...
Resilience discourse has recently become a global phenomenon, infiltrating the natural and social sciences, but has rarely been undertaken as an important object of study within the field of the humanities. Understanding narrative in its broad sense as the representation in art of an event or story, Glocal Narratives of Resilience investigates the contemporary approaches to resilience through the analyses of cultural narratives that engage aesthetically and ideologically in (re)shaping the notion of resilience, going beyond the scales of the personal and the local to consider the entanglement of the regional, national and global aspects embedded in the production of crises and the resulting ...
Dva svazky přinášejí vědecké vydání děl Edwarda Perryho Warrena (z nichž žádné, s výjimkou jediného, dosud nebylo nově publikováno), doplněné o úvodní životopisné údaje, rozsáhlý poznámkový aparát, překlady, ilustrace a přílohy. Poprvé zde může čtenář slyšet Warrenův hlas v jeho plné šíři – v jeho korespondenci a dalších textech, které tvoří jeho biografii nazvanou Edward Perry Warren: The Biography of a Connoisseur, v jeho konverzaci, zachycené v díle An Imaginary Conversation Osberta Burdetta, v jeho románu A Tale of Pausanian Love (který je zde vydán vůbec poprvé), v jeho sbírce The Wild Rose: A Volume of Poems, v jeho pohádce The Prince Who Did Not Exist, v jeho odborném článku The Scandal of the Museo di Villa Giulia, v jeho pamfletu Classical & American Education, v jeho převyprávění tří řeckých legend Alcmaeon, Hypermestra, Caeneus a konečně v jeho vrcholném díle, apologii A Defence of Uranian Love.
This international collection of eleven original essays on Australian Aboriginal literature provides a comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers.
Aboriginal literature is a growing field with a rapidly expanding global audience. The book represents a range of writers; it includes highly acclaimed Aboriginal writers whose works are widely recognised (Kim Scott, Doris Pilkington Garimara, Melissa Lucashenko) and other writers whose works are on the ascendancy (Romaine Moreton and Jeanine Leane). This book contributes to the understanding of Aboriginal literature and of how these writers developed as writers. See www.cambriapress.com/books/9781604979114.cfm for reviews, author bio, and more book information on this Cambria Press publication. "This book is an essential resource for anyone with more than a passing interest in Aboriginal writing and Australian literature." - Philip Morrissey, Head of Australian Indigenous Studies, University of Melbourne