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Mary Lovelace O'Neal
Catalogue to coincide with the exhibition "Mary Lovelace O'Neal: Chasing Down the Image" at Mnuchin Gallery, New York, from February 6 - March 14, 2020.
Mary Lovelace O'Neal
" ... Since the late 1960s, Mary Lovelace O'Neal has been known for her singular paintings that pair bold, monumental scale with layers of unexpected materials to explore both deeply personal narratives and mythologies as well as broader themes of racism and social justice and contemporary critical debates. With roots in both Minimalist and Expressionist painting, her imagery has, over years and series, fluctuated between pure abstraction, narrative figuration, and the evocative spaces in between ..."--Gallery website mnuchingallery.com accessed 30.07.2021
Mary Lovelace O'Neal
A look at the work, influence, and legacy of the legendary artist and educator Examining the essential and influential art of Mary Lovelace O'Neal, this survey of work spanning the last 30 years celebrates the legacy of a teacher, mentor, and heroine for many. As professor emerita of the University of California-Berkeley's Art Studio Department--a first for an African American woman at the time--Lovelace O'Neal has become renowned as an important educator and painter of activist abstractions that have inspired countless artists in the Bay Area, nationally, and globally. Constantly experimenting with form, color, and figuration to engage in cultural and artistic conversations on behalf of social justice, Mary Lovelace O'Neal presents an oeuvre that continuously subverts the expectations imposed on black artists, as well as defines the cultural power of minimalism and abstract expressionism.
The Routledge Companion to African American Art History
This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art. This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.
The Other Side of Color
This volume presents selections from the highly-respected Cosby collection of African American art. Their introductions elaborate on their strong belief that African American families should themselves seek to preserve their cultural history and not rely on the mainstream. They also provide interesting background about how they began their collection and what owning the art has meant to them. The essay by Driskell (curator, author, and scholar) places each artist within the context of his or her era from the late 1700s to the present, and explores the historical, biographical, social, and political background of each period. Also contains biographies of the artists. Beautifully illustrated with 91 color plates and several other illustrations. Oversize: 10.25x13.25". Annotation copyrighted by Book News Inc., Portland, OR
The Crisis
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Another Day At The Front
This powerful essay collection from an award-winning author takes a critical look at America’s history of racism and the battles fought through the years by Black Americans. African Americans have been at war with certain elements of the white population from the very beginning. Being Black in this hemisphere is a battle, and each day is one spent at the front. In this new collection of essays, his first since Airing Dirty Laundry (1993), Ishmael Reed explores the many forms that this homefront war has taken. His brilliant social criticism feints deftly among past and present, government and media, personal and political. From the author whose essay style has been compared to the punching ...
Ain't I a Beauty Queen?
"Black is Beautiful!" The words were the exuberant rallying cry of a generation of black women who threw away their straightening combs and adopted a proud new style they called the Afro. The Afro, as worn most famously by Angela Davis, became a veritable icon of the Sixties. Although the new beauty standards seemed to arise overnight, they actually had deep roots within black communities. Tracing her story to 1891, when a black newspaper launched a contest to find the most beautiful woman of the race, Maxine Leeds Craig documents how black women have negotiated the intersection of race, class, politics, and personal appearance in their lives. Craig takes the reader from beauty parlors in the 1940s to late night political meetings in the 1960s to demonstrate the powerful influence of social movements on the experience of daily life. With sources ranging from oral histories of Civil Rights and Black Power Movement activists and men and women who stood on the sidelines to black popular magazines and the black movement press, Ain't I a Beauty Queen? will fascinate those interested in beauty culture, gender, class, and the dynamics of race and social movements.
Unpacking My Library
A captivating tour of the bookshelves of ten leading artists, exploring the intricate connections between reading, artistic practice, and identity Taking its inspiration from Walter Benjamin's seminal 1931 essay, the Unpacking My Library series charts a spirited exploration of the reading and book collecting practices of today's leading thinkers. Artists and Their Books showcases the personal libraries of ten important contemporary artists based in the United States (Mark Dion, Theaster Gates, Wangechi Mutu, Ed Ruscha, and Carrie Mae Weems), Canada (Janet Cardiff and George Bures Miller), and the United Kingdom (Billy Childish, Tracey Emin, and Martin Parr). Through engaging interviews, the ...
