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Final issue of each volume includes table of cases reported in the volume.
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less can...
Covington was a natural place for people to settle. Located on the banks of the Ohio and Licking Rivers, it developed quickly as the urban core of northern Kentucky. Sitting just opposite of Cincinnati, Ohio, it was a great location for travel by both animals and people. Originally owned by Thomas Kennedy, the land was ultimately purchased by Thomas Carneal and John and Richard Gano, and thus the city of Covington was founded in 1815. Not long after its establishment, railroads made Covington their home and many other businesses followed. By 1850, it was the second-largest city in Kentucky. Over its 200 years, Covington has seen many people play a role in its history, development, and reputation. Some are great business and community leaders. Others made tremendous contributions to the arts, and some are notorious. A community is defined more by its people than its buildings and streets. The individuals who have lived and worked in Covington provide a colorful insight into its past. From its founding until the present day, these individuals are a fascinating look into the citys history.
This groundbreaking work by one of the world's foremost theoreticians of culture and scholars of Russian philosophy gives for the first time a systematic examination of the development of Russian philosophy during the late Soviet period. Countering the traditional view of an intellectual wilderness under the Soviet regime, Mikhail Epstein provides a comprehensive account of Russian thought of the second half of the 20th century that is highly sophisticated without losing clarity. It provides new insights into previously mostly ignored areas such as late-Soviet Russian nationalism and Eurasianism, religious thought, cosmism and esoterism, and postmodernism and conceptualism. Epstein shows how...
Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflec...
Based on an exhaustive study of the manuscripts and printed editions in which these poems have appeared, the eighth in the series of The Variorum Edition of the Poetry of John Donne presents newly edited critical texts of thirteen Divine Poems and details the genealogical history of each poem, accompanied by a thorough prose discussion. Arranged chronologically within sections, the material is organized under the following headings: Dates and Circumstances; General Commentary; Genre; Language, Versification, and Style; the Poet/Persona; and Themes. The volume also offers a comprehensive digest of general and topical commentary on the Divine Poems from Donne's time through 2012.
A Jovial Crew, or the Merry Beggars, is a comedy about four noble lovers who join the beggar community for a pastoral life of dance and song. Or is it? Whilst maintaining its unremitting good humour, A Jovial Crew shows that the literary depiction of beggar life, and real beggar life, are profoundly different. Daily aspects of life in the beggar world – poverty, dirt, licentiousness – come as a surprise to the well-born, who are ultimately led to question their own values. The last production mounted before theatres were closed for the English Civil War, A Jovial Crew's exploration of class, commonwealth, kinship and kingship shows an intense engagement with contemporary politics. This edition, with dedicated sections on music and language in the play, argues that A Jovial Crew also offers a nostalgic farewell to English theatre. It explores Brome's attitude to performance and print, and follows A Jovial Crew from its first, Caroline staging, to its later manifestations as a Restoration comedy, an eighteenth-century opera, and a twentieth-century proto-Marxist tragicomedy.