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Offers an overview of American environmental literature across genres and time periods, introducing readers to a range of ecocritical methodologies.
In The Politics of Collecting, Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.
Calling for a fundamental rethinking of economics, this book aregues that a market economy is best understood as a living, evolving ecosystem.
In Against Extraction Matt Hooley traces a modern tradition of Ojibwe invention in Minneapolis and St. Paul from the mid-nineteenth century to the present as that tradition emerges in response to the cultural legacies of US colonialism. Hooley shows how Indigenous literary and visual art modernisms challenge the strictures of everyday life and question the ecological, political, and cultural fantasies that make multivalent US colonialism seem inevitable. Hooley analyzes literature and art by Louise Erdrich, William Whipple Warren, David Treuer, George Morrison, and Gerald Vizenor in relation to histories of Indigenous dispossession and occupation, enslavement and Black life, and environmenta...
In the Great Lakes region of the nineteenth century, "mixed bloods" were a class of people living within changing indigenous communities. As such, they were considered in treaties signed between the tribal nations and the federal government. Larry Nesper focuses on the implementation and long-term effects of the mixed-blood provision of the 1854 treaty with the Chippewa of Wisconsin. That treaty not only ceded lands and created the Ojibwe Indian reservations in the region, it also entitled hundreds of "mixed-bloods belonging to the Chippewas of Lake Superior," as they appear in this treaty, to locate parcels of land in the ceded territories. However, quickly dispossessed of their entitlement...
A radical reinterpretation of "Attica," the revolutionary 1970s uprising that galvanized abolitionist movements and transformed prisons. Tip of the Spear boldly and compellingly argues that prisons are a domain of hidden warfare within US borders. With this book, Orisanmi Burton explores what he terms the Long Attica Revolt, a criminalized tradition of Black radicalism that propelled rebellions in New York prisons during the 1970s. The reaction to this revolt illuminates what Burton calls prison pacification: the coordinated tactics of violence, isolation, sexual terror, propaganda, reform, and white supremacist science and technology that state actors use to eliminate Black resistance withi...
A provocative, breath-taking, and concise relational history of colonialism over the past 500 years, from the dawn of the New World to the twenty-first century.
Explores the politics of nineteenth-century British realismOffers a new theory of institutions grounded in temporalityOutlines a transnational theory of British realism that emerges from interpreting Irish realist novelsReassesses the politics of realism and the politics of institutionsContains close-reading of realist novels as well as a new genealogy of British realismAdvances a new understanding of the relationship between realism and colonialismThis book examines anachronisms in realist writing from the colonial periphery to redefine British realism and rethink the politics of institutions. Paying unprecedented attention to nineteenth-century Irish novels, it demonstrates how institutions constrain social relationships in the present and limit our sense of political possibilities in the future. It argues that we cannot escape institutions, but we can refuse the narrow political future that they work to secure.
"Ecopoetics: Essays in the Field makes a formidable intervention into the emerging field of ecopoetics. The volume's essays model new and provocative methods for reading twentieth and twenty-first century ecological poetry and poetics, drawing on the insights of ecocriticism, contemporary philosophy, gender and sexuality studies, black studies, Native studies, critical race theory, and disability studies, among others. As a volume, this book makes the compelling argument that ecopoetics should be read as "coextensive with post-1945 poetry and poetics," rather than as a subgenre or movement within it. It is essential reading for any student or scholar working on contemporary literature or in the environmental humanities today"--Back cover.
In How the Earth Feels Dana Luciano examines the impacts of the new science of geology on nineteenth-century US culture. Drawing on early geological writings, Indigenous and settler accounts of earthquakes, African American antislavery literature, and other works, Luciano reveals how geology catalyzed transformative conversations regarding the intersections between humans and the nonhuman world. She shows that understanding the earth’s history geologically involved confronting the dynamic nature of inorganic matter over vast spans of time, challenging preconceived notions of human agency. Nineteenth-century Americans came to terms with these changes through a fusion of fact and imagination...