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Performing Knowledge explores the relationship between musical performance and analysis through a unique collaboration between a music theorist and a cast of internationally renowned performers, investigating major musical works of the twentieth century--Ravel, Schoenberg, Bartók, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris. The book is a brave crossing of disciplinary divides between scholarship and practice, a theory text enlivened by the voices of performers who create, interpret, and articulate structure.
The first comprehensive study of musical Holocaust representations in the Western tradition to examine both musical language and cultural value.
In forty-five years as one of Chicago's liveliest journalists for Time, Life, and the Chicago Tribune, Jon Anderson has established a reputation for picking up on what someone once called "the beauty of the specific fact." Part "Talk of the Town," part On the Road with Charles Kuralt, Anderson's twice-a-week "City Watch" columns in the Chicago Tribune seek out interesting and unexpected people and places from the everyday life of what the author calls the "most typical American big city." In the process he discovers the joys and triumphs of ordinary people. Anderson writes with wit and insight about those who find themselves inspired or obsessed with alternative ways of viewing life or getti...
The rise and fall of the ringtone industry and its effect on mobile entertainment, music, television, film, and politics. A decade ago, the customizable ringtone was ubiquitous. Almost any crowd of cell phone owners could produce a carillon of tinkly, beeping, synthy, musicalized ringer signals. Ringtones quickly became a multi-billion-dollar global industry and almost as quickly faded away. In The Ringtone Dialectic, Sumanth Gopinath charts the rise and fall of the ringtone economy and assesses its effect on cultural production. Gopinath describes the technical and economic structure of the ringtone industry, considering the transformation of ringtones from monophonic, single-line synthesiz...
Throughout history mankind has struggled to reconcile itself with the inescapability of its own mortality. This book explores the themes of immortality and survivalism in contemporary culture, shedding light on the varied and ingenious ways in which humans and human societies aspire to confront and deal with death, or even seek to outlive it, as it were. Bringing together theoretical and empirical work from internationally acclaimed scholars across a range of disciplines, Postmortal Society offers studies of the strategies adopted and means available in modern society for trying to ‘cheat’ death or prolong life, the status of the dead in the modern Western world, the effects of beliefs t...
Public manifestations of Islam remain fiercely contested across the Global West. Studies to date have focused on the visual presence of Islam – the construction of mosques or the veiling of Muslim women. Amplifying Islam in the European Soundscape is the first book to add a sonic dimension to analyses of the politics of Islamic aesthetics in Europe. Sound does not respect public/private boundaries, and people experience sound viscerally. As such, the public amplification of the azan, the call to prayer, offers a unique opportunity to understand what is at stake in debates over religious toleration and secularism. The Netherlands were among the first European countries to allow the amplific...
Arnold Schoenberg (1874–1951) is often portrayed as a composer who began as a heart-on-sleeve late Romantic only to evolve during the First World War into an austere, mathematically-obsessed deviser of musical puzzles. Yet to claim that in his music he replaced tonality with its absolute opposite, atonality, as the twelve-tone method swept away all trace of traditional harmonic and thematic processes, is as misleading as to argue that romantic warmth and humanity morphed into the purest and most austerely modernistic spirituality. This handbook refocuses the wealth of recent research into two of Schoenberg's major compositions; the expressive character of those relatively early works which centre on nocturnal images of darkness and despair is at its most original and powerful in Verklärte Nacht and Erwartung, where the dramatic interplay between stabilising continuities and disorientating fragmentations reveals the elements of a modernist aesthetics that remained fundamental to Schoenberg's musical thought.
From Confucius to Saint Augustine and Beethoven to the blues, a rediscovery of the joy that is music In this revelatory book, Daniel K. L. Chua asks a simple question: Is music joy? For Chua, the answer is a resounding yes--music is a lesson in joy that teaches us how to live well. But to hear this ancient knowledge, he says, we have to attend to a music that is so much greater than our greatest hits. Drawing on extensive sources, from the Confucian classics to the writings of Saint Augustine, Chua's book is a globe‑trotting, time‑traveling, mind‑boggling journey to rediscover the joy that is music. Using examples from Beethoven to the blues and from philosophy and theology to music theory, Chua updates the relation between music and joy and argues for its relevance in the face of our many political and environmental crises. He opens our ears to a music that is the very definition of joy for today's troubled world.
This encyclopaedic book proposes a sweeping reformulation of the basic concepts of Western music theory, revealing simple structures underlying a wide range of practices from the Renaissance to contemporary pop. Its core innovation is a collection of simple geometrical models describing the implicit knowledge governing a broad range of music-making, much as the theory of grammar describes principles that tacitly guide our speaking and writing. Each of its central chapters re-examines a basic music-theoretical concept such as voice leading, repetition, nonharmonic tones, the origins of tonal harmony, the grammar of tonal harmony, modulation, and melody. These are flanked by two largely analytical chapters on rock harmony and Beethoven. Wide-ranging in scope, and with almost 700 musical examples from the Middle Ages to the present day, Tonality: An Owner's Manual weaves philosophy, mathematics, statistics, and computational analysis into a new and truly twenty-first century theory of music.
This book tells the fascinating story of the evolution of David O. Selznick's style through the many artists whose work defined Hollywood sound.