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Parliament the Mirror of the Nation
The notion of 'representative democracy' seems unquestionably familiar today, but how did the Victorians understand democracy, parliamentary representation, and diversity?
At Fault
At Fault is an exhilarating celebration of risk-taking in the work of James Joyce. Esteemed Joyce scholar and teacher Sebastian Knowles critiques the state of the modern American university, denouncing what he sees as an accelerating trend of corporatization that is repressing discussions of controversial ideas and texts in the classroom. Arguing that Joyce offers the antidote to risk-averse attitudes in higher education, he shows how the modernist writer models an openness to being "at fault" that should be central to the academic enterprise. Knowles describes Joyce's writing style as an "outlaw language" imbued with the possibility and acknowledgment of failure. He demonstrates that Joyce'...
Ancient Rome and Victorian Masculinity
Romans in Victorian literature are at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire: this volume examines how these manifold and often contradictory representations are deployed in a range of ways in the works of authors from Thomas Macaulay to Rudyard Kipling to create useable models of masculinity.
Selected Early Poems
Arthur Symons (1865–1945) was a central figure in the decadent phase of English poetry of the 1890s. His early verse, notably in the major collections Silhouettes (1892; revd 1896) and London Nights (1895; revd 1897), created a sophisticated new kind of urban poetry out of the gas-lit world of London theatre and night-life. Under the French influences of Baudelaire and Verlaine, Symons developed a wistful poetic eroticism new to English readers, leading the way to the modernism of T. S. Eliot and others in the next generation. This selection from Symons’s most fertile period as a poet reproduces the fuller revised editions of Silhouettes and London Nights in their entirety, together with...
Fin-de-Siecle Scottish Revival
Explores cultural defence and revivalism in Scottish literature and artThe first book-length, interdisciplinary study on fin-de-sicle ScotlandUnlocks Scottish writers' and artists' participation in neo-paganism, the occult revival, neo-Catholicism and japonismeInformed by extensive analysis of under-explored archival materials, such as the Papers of Patrick GeddesRichly illustrated with artworks, photographs and ephemera As the Irish Revival took shape and the Home Rule debate dominated UK politics, what was happening in Scotland? This book reveals distinct but comparable concerns with cultural defence and revivalism in fin-de-sieI cle Scotland, evident in the work of a number of writers and artists including Robert Louis Stevenson, Patrick Geddes, Fiona Macleod, Charles Rennie Mackintosh, Mona Caird, Arthur Conan Doyle, John Duncan and various contributors to The Evergreen. Situating Scottish literature and art alongside international developments in culture, especially the rise of decadence, symbolism and Celticism, Michael Shaw demonstrates the ways in which dissident fin-de-sieI cle styles and ideas supported and defined the Scottish Revival.
James Joyce and the Nineteenth-Century French Novel
The essays of this volume show how Joyce’s work engaged with the many upheavals and revolutions within the French nineteenth-century novel and its contexts. They delve into the complexities of this engagement, tracing its twists and turns, and reemerge with fascinating and rich discoveries. The contributors explore Joyce’s explicit and implicit responses to Alexandre Dumas, Honoré de Balzac, Victor Hugo and Émile Zola and, of course, Flaubert. Drawing from the wide range of Joyce’s writings - Dubliners, A Portrait., Ulysses, Finnegans Wake, and his life, letters, and essays - they resituate Joyce’s relation to France, the novel, and the nineteenth century.
The Canadian Modernists Meet
The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-century English Canadian literature. The Canadian Modernists Meetis the first collection of its kind: a gathering of t...
New Quotatoes: Joycean Exogenesis in the Digital Age
New Quotatoes, Joycean Exogenesis in the Digital Age offers fourteen original essays on the genetic dossiers of Joyce’s fiction and the ties that bind the literary archive to the transatlantic print sphere of the late nineteenth and early twentieth century. Availing of digital media and tools, online resources, and new forms of access, the contributions delve deeper than ever before into Joyce’s programmatic reading for his oeuvre, and they posit connections and textual relations with major and minor literary figures alike never before established. The essays employ a broad range of genetic methodologies from ‘traditional’ approaches to intertextuality and allusion to computational methods that plumb Large-scale Digitisation Initiatives like Google Books to the possibilities of databasing for Joyce studies. Contributors: Scarlett Baron, Tim Conley, Luca Crispi, Ronan Crowley, Sarah Davison, Tom De Keyser, Daniel Ferrer, Finn Fordham, Robbert-Jan Henkes, John Simpson, Sam Slote, Dirk Van Hulle, Chrissie Van Mierlo, and Wim Van Mierlo.
The New Joyce Studies
The New Joyce Studies indicates the variety and energy of research on James Joyce since the year 2000. Essays examine Joyce's works and their reception in the light of a larger set of concerns: a diverse international terrain of scholarly modes and methodologies, an imperilled environment, and crises of racial justice, to name just a few. This is a Joyce studies that dissolves early visions of Joyce as a sui generis genius by reconstructing his indebtedness to specific literary communities. It models ways of integrating masses of compositional and publication details with literary and historical events. It develops hybrid critical approaches from posthuman, medical, and queer methodologies. It analyzes the nature and consequences of its extension from Ireland to mainland Europe, and to Africa and Latin America. Examining issues of copyright law, translation, and the history of literary institutions, this volume seeks to use Joyce's canonical centrality to inform modernist studies more broadly.
The Cambridge Centenary Ulysses: The 1922 Text with Essays and Notes
This edition offers everything needed by the newcomer to this famous but intimating text: images, maps, footnotes, and introductory essays by eighteen leading Joyceans.
