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The recorded history of precolonial Burmese empire and the modern state of Myanmar starts with the kingdom of Bagan in the eleventh century. The oldest surviving written records and structures are from the reign of King Anawrahta (1044–1077). Anawrahta converted to Theravada Buddhism and created a vibrant Buddhist state in the Irrawaddy River basin. Anawrahta is a folk hero to this day in Myanmar and is widely credited as a charismatic and pious leader who consolidated various ethnic groups throughout the region into a single nation. The Wheel-Turner and His House traces the archaeological and historical record of Anawrahta and his seminal position in forming modern Myanmar, based on the f...
Focuses on the state's efforts to industrialize Myanmar, first through direct intervention and planning under a socialist economic framework as interpreted by the state leaders (1948-88) and lately (1989 onwards) through state-managed outward orientation.
Buddhism is popularly seen as a religion stressing the truth of impermanence. How, then, to account for the long-standing veneration, in Asian Buddhist communities, of bone fragments, hair, teeth, and other bodily bits said to come from the historic Buddha? Early European and American scholars of religion, influenced by a characteristic Protestant bias against relic worship, declared such practices to be superstitious and fraudulent, and far from the true essence of Buddhism. John Strong's book, by contrast, argues that relic veneration has played a serious and integral role in Buddhist traditions in South and Southeast Asia-and that it is in no way foreign to Buddhism. The book is structure...
This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.
Kangla Lanpung is a platform to provide an avenue to social scientists, academics, and common man to express their views on various issues confronting the society at large particularly Manipur and its neighbours. The views expressed by the contributors are their own and do not necessarily reflect that of the publisher. Kangla Lanpung welcomes articles either in English and Manipuri in both Bengali and Manipuri scripts.
Kangla Lanpung is a platform to provide an avenue to social scientists, academics, and common man to express their views on various issues confronting the society at large particularly Manipur and its neighbours. The views expressed by the contributors are their own and do not necessarily reflect that of the publisher. Kangla Lanpung welcomes articles either in English and Manipuri in both Bengali and Manipuri scripts.