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**A Wall Street Journal bestseller** An updated edition of this blockbuster narrative provides the first behind-the-scenes, authoritative account of the Duke and Duchess of Sussex’s marriage, by the New York Times bestselling author of Diana in Private. The fall from popular grace of Prince Harry, the previously adulated brother of the heir to the British throne, as a consequence of his marriage to the beautiful and dynamic Hollywood actress and "Suits star" Meghan Markle, makes for fascinating reading in this groundbreaking book from Lady Colin Campbell, who is the New York Times bestselling biographer of books on Princess Diana, the Queen Mother, and Queen Elizabeth’s marriage. With a ...
"An assault survivor realizes she can rewind time and relives the experience in order to erase it. A teen athlete wonders why she isn't more afraid of death when the plane carrying her team catches fire. The daughter of a superhero ruminates on how her father neglected his children to pursue his heroics. Two shut-in depressives form a bond on Twitter while a deadly virus wipes out most of the population of North America. Meghan Bell's debut collection of short stories is a highwire balance of levity and gravity, finding the surreal in everyday life. Told from the perspective of female protagonists--from early teens to early thirties--Erase and Rewind probes the complexities of living as a woman in a skewed society. Quirky, intelligent and darkly comic, Bell's work picks at rape culture, sexism in the workplace, uneven romantic and platonic relationships, and the impact of trauma under late-stage capitalism. This collection of contemporary feminist work can be devoured in a single sitting. It both scours and heals the pain of modern existence."--
As a grieving mother, author L A Perdue learned the hard way that drug addiction comes in many forms. The most notable addictive drugs are meth and fentanyl, but she discovered that one can’t discount prescription drugs like Adderall. In For the Love of Meghan, Perdue shares the story of her daughter, Meghan, and how her use of Adderall came with deadly consequences. From Meghan’s birth to her youth and into young adulthood, Perdue remembers the special moments of their life together. She also talks about the changes she began to see when her daughter started taking Adderall for an ADHD diagnosis. And then came Meghan’s untimely death during childbirth. Through her research, Perdue explains how Adderall addiction is exploding in the United States and how dangerous it is to take the drug without proper medical evaluations. In this memoir, she encourages parents and newly diagnosed adult ADHD sufferers to research, ask questions, and be safe.
#1 New York Times Bestselling Picture Book Meghan, The Duchess of Sussex's first children's book, The Bench, beautifully captures the special relationship between father and son, as seen through a mother's eyes. The book's storytelling and illustration give us snapshots of shared moments that evoke a deep sense of warmth, connection, and compassion. This is your bench Where you'll witness great joy. From here you will rest See the growth of our boy. In The Bench, Meghan, The Duchess of Sussex, touchingly captures the evolving and expanding relationship between father and son and reminds us of the many ways that love can take shape and be expressed in a modern family. Evoking a deep sense of ...
INSTANT INTERNATIONAL BESTSELLER * NEW YORK TIMES BESTSELLER * #1 SUNDAY TIMES BESTSELLER The first, epic and true story of the Duke and Duchess of Sussex’s life together, finally revealing why they chose to pursue a more independent path and the reasons behind their unprecedented decision to step away from their royal lives, from two top royal reporters who have been behind the scenes since the couple first met. Finding Freedom is complete with full color photographs from Harry and Meghan’s courtship, wedding, Archie’s milestones, and many more unforgettable moments. When news of the budding romance between a beloved English prince and an American actress broke, it captured the world�...
This volume argues against Gérard Genette’s theory that there is an “insurmountable opposition” between drama and narrative and shows that the two forms of storytelling have been productively intertwined throughout literary history. Building on the idea that plays often incorporate elements from other genres, especially narrative ones, the present study theorises drama as a fundamentally narrative genre. Guided by the question of how drama tells stories, the first part of the study delineates the general characteristics of dramatic narration and zooms in on the use of narrative forms in drama. The second part proposes a history of dramatic storytelling from the Renaissance to the twenty-first century that transcends conventional genre boundaries. Close readings of exemplary British plays provide an overview of the dominant narrative modes in each period and point to their impact in the broader cultural and historical context of the plays. Finally, the volume argues that throughout history, highly narrative plays have had a performative power that reached well beyond the stage: dramatic storytelling not only reflects socio-political realities, but also largely shapes them.
As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.
"When I met Diana at a mutual friend's house in 1990, I was astonished by her conduct. Up to this point, the Diana I had encountered was a princess who had behaved very much in keeping with the forms and traditions of royalty. In social situations, she was as circumspect as the rest of them, as indeed all ladies are.... "Now, however, she was the antithesis of circumspect. Throwing caution and reserve to the wind, she said that she wanted me to write the truth about her life 'because I feel as if the whole fairy tale is crushing whatever's left of the real me.... If you'd just write about the real Diana, it would make all the difference.'" --Lady Colin Campbell Who was the real Diana? What w...
Winston Churchill famously described the political alliance between the US and UK as a 'special relationship', but throughout the cultural history of these two countries there have existed transatlantic 'special relationships' of another kind - affairs between British and American citizens who have fallen in love, with one another but often too with the idea(l) of that other place across the ocean. From romantic novelist Elinor Glyn in the 1920s to Prince Harry and Meghan Markle today, this collection examines some of the history, contemporary manifestations and enduring appeal of US-UK romance across popular culture. Looking at both historical and contemporary case-studies, drawn from across film, television, music, literature, news and politics, this is a timely intervention into the popular romantic discourse of US-UK relations, at a critical and transitional moment in the ongoing viability of the special relationship.