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Explores specific historical moments in British jazz history and places special emphasis upon issues of race, nation, and class. This title examines the ways in which jazz, an African American music form, has been absorbed and translated within Britain's social, political, and musical landscapes.
#1 NEW YORK TIMES BESTSELLER • A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself—by band members ADROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Wes Anderson, Luc Sante, and more. The inspiration for the Emmy-nominated Apple TV+ “live documentary” Beastie Boys Story, directed by Spike Jonze NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Rolling Stone • The Guardian • Paste Formed as a New York City hardcore band in 1981, Beastie Boys struck an unlikely path to global hip hop superstardom. Here is their story, told for the first time in the words of the band. Adam “ADROCK” Horovitz and Michael “Mike D” Di...
In the summer of 1967, Tony Richardson of Penguin Books took a chance. Then Penguin’s poetry editor, Richardson devoted the tenth volume of the highly prestigious Penguin Modern Poets series to three unknown writers from Liverpool: Adrian Henri, Roger McGough, and Brian Patten. Little did anyone anticipate that the book produced, The Mersey Sound, would become one of the best-selling poetry anthologies of all time. A Gallery to Play To is an intimate account of the lives and careers of the three poets featured in that 1967 volume—and with unparalleled access to the lives of Henri, McGough, and Patten, the author has produced an indispensable volume for anyone interested in British poetry, popular culture, and literary society over the last forty years. Originally published in 1999, this revised edition includes new interviews with Patten and McGough, as well as a fully updated text and introduction.
Roger McGough's eagerly-awaited new collection is a powerful testament to the miraculous in the everyday. Here he builds us his world: one of chance encounters and embarrassing moments, of big questions and small wonders. 'At that awkward age now between birth and death,' he addresses Alzheimers and wrestles with mortality. He resolves (and fails) to live every day as if it were his last, joins the Foreign Legion, jives in Macca's trousers, shares the pain of Mr Sappho and Lord Godiva and plans a prison break. With his inimitable warmth, wit and wordplay, Roger McGough affirms his position as the pre-eminent poet of the magic moment - the happy collision of life, language and the imagination.
The books howls for the eco-friendly dumping of every stockpile of contemporary waste. But it's is not all doom and gloom - sympathetic readers may find themselves transported by a transcultural bard-mobile delivering an evergreen bran-tub of poetry, prophecy, satitical entertainment and visual delight.
'The patron saint of poetry' Carol Ann Duffy For sixty years, Roger McGough has thrilled and delighted generations of readers with his irreverent, intimate and ever-original poetry. The Collected Poems presents the definitive selection of his very best work, from the Mersey-soaked sound of his quintessential Sixties start, through to tender meditations on fatherhood and family, and on to political sendups, pandemic playfulness and brilliant new writing. Here, then, is an unmatched store of warmth, wisdom and feeling from Britain's most beloved poet. 'McGough has done for poetry what champagne does for weddings' Time Out
The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the oth...
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hi...