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The Making of a Detective
When he retired in 2018 Pat Marry had been instrumental in solving dozens of serious crimes, including many murders. But as a newly qualified garda in 1985, Marry had no idea how to become a detective. He soon realised he would have to learn on the job - put himself forward and show that he had what it took. Taking initiative, following up hunches (even far-fetched ones), obsessing about details, trying new investigative techniques, thinking laterally - these were essential. In addition, you had to be a bit of a psychologist. The Making of a Detective follows Pat Marry's path from rookie to Detective Inspector through the stories of key cases he worked on and investigations he led. It includ...
Martin McDonagh
This comprehensive, accessible introduction to one of Britain’s leading contemporary playwrights and filmmakers outlines Martin McDonagh’s body of work, the key critical contexts for understanding and exploring his career, analysis of productions, and includes an exclusive interview with the director of his most recent stage work. Analysis of McDonagh’s writing is broken down into three periods – his early Irish plays, his screenplays, and his later plays that move away from and outside of Ireland. Works are discussed thematically, giving a dynamic reading of the scripts and the ideas around which they circle. The book’s final section then delves in more detail into selected seminal productions of McDonagh’s writing, outlining key phases and transitions in his career. Part of the Routledge Modern and Contemporary Dramatists series, Martin McDonagh is an essential guide for scholars and students who are setting out to understand the life and work of one of the most popular and acclaimed British dramatists and filmmakers of the twenty-first century.
Historical Representation and the Postcolonial Imaginary
Historical Representation and the Postcolonial Imaginary: Constructing Travellers and Aborigines endeavours to provide an overview of the role which oral history plays in the documentation, representation and subsequent empowerment of neglected and long-marginalised social groups, in this case: the cultural minorities that are the Irish Travellers and the Australian Aborigines. Oral history has proved paramount in enabling such groups to document their pasts, pasts which until recently had been occluded and often-ignored. This work explores the genre that is oral history through the prism that is the construction of the ‘Other’ in society and with particular reference to two minorities whose histories share a range of similar characteristics. In examining this process, it is possible to trace the transformation of folklore and storytelling into documented historical narrative.
Screen Priests
There is never a shortage of priest characters on our screens. Even Spencer Tracy, Bing Crosby and Barry Fitzgerald won Oscars for playing priests. Robert de Niro has been ordained four times (including a bishop). Many stars have been eager to play priests, as have numerous supporting actors. The question arises: how have been priests portrayed over the decades? There have been kindly priests with their advice, stern priests who laid down the law, heroic priests on mission, in more recent years, priests who have been abusers. And there have been priests who were part of the scenery, especially at funerals. This is something of a comprehensive look at priests on screen, looking at portrayals ...
At All Costs
Davy Fitzgerald is one of hurling's defining personalities. A two-time All-Ireland winner as a player and once as a manager, he has spent the past decade consolidating a reputation as one of the most innovative and dynamic coaches in the game, first with Waterford, then with his native Clare and, most recently, with Wexford.For Davy, however, exacting in his standards and possessed of an unshakeable will to succeed, victory has always come at a cost. His playing and managerial honours, though formidable, are matched by a roll call of public controversies and private challenges every bit as lengthy and varied.In this, a raw and forthright account of his time in management, Fitzgerald returns ...
The Lieutenant of Inishmore
'There's more than one way to skin a theatrical cat; and McDonagh's chosen weapons are laughter and gore... Pushing theatre to its limits, McDonagh is making a serious point... a work as subversive as those Synge and O'Casey plays that sparked Dublin riots in the last century' Guardian 'A brave satire... Swiftianly savage and parodic... with explicit brutal actino and lines which sing with grace and wit' Observer Who knocked Mad Padraic's cat over on a lonely road on the island of Inishmore and was it an accident? He'll want to know when he gets back from a stint of torture and chip-shop bombing in Northern Ireland: he loves his cat more than life itself. The Lieutenant of Inishmore is a brilliant satire on terrorism, a powerful corrective to the beautification of violence in contemporary culture, and a hilarious farce. It premiered at the RSC's The Other Place, Stratford-upon-Avon, in May 2001. Commentary and notes by Patrick Lonergan
It's a Long Way from Penny Apples
Paperback edition of the number one best-seller that made Bill Cullen a household name. The Bill Cullen story is an account of incredible poverty and deprivation in the Dublin slums. It highlights the frustration of a mother and father feeling their relationship crumble as they fight to give their children a better life. It's a story of courage, joy and happiness. Of how a mother gave inspiration and values to her children saying, 'The best thing I can give you is the independence to stand on your own feet'.
