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The Way It Is
The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.
Art Books
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
The Decisive Network
"Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story: Its photographers were concerned witnesses to history and artists on the hunt for decisive moments; their pictures were humanist documents of the postwar world. Based in unprecedented archival research, The Decisive Network peels back layers of the Magnum mythology to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Between the 1940s and 1960s, Magnum expanded the human-interest story - about the everyday life of ordinary people - to global dimensions while bringing the aesthetic of news pictures into new markets. Its best-known work started as humanita...
Facing Black Star
The Black Star Collection at The Image Centre: the expectations, challenges, and results of a decade of research in a key photo agency’s print collection. In 2005, Toronto Metropolitan (formerly Ryerson) University (TMU) acquired the massive collection Black Star Collection of the photo agency previously based in New York City—nearly 292,000 black-and-white prints. Preserved at The Image Centre at TMU, the images include iconic stills of the American Civil Rights movement by Charles Moore, among thousands of ordinary photographs that were classified by theme in the agency’s picture library. While the move of the collection from a corporate photo agency to a public cultural institution ...
Touching the Heart
No one can write about storytelling like Father Bill Bausch. Both his words and his stories are compelling, convincing, and completely absorbing. Here in this landmark work, which he insists is his last, his goal is to help readers see the centrality of stories, to read and hear Scripture as story and not as history, and to learn to enrich and expand their lives by looking at the ?story behind the story.? He wants to break readers out of the literalism that constricts their spiritual and social lives, so they might gain an appreciation of metaphor and symbol and the ?sacramentality? of the world.
Healing Wounded Relationships
Available January 2006 Genuine spirituality is rooted in our ability to be fully human, and nowhere is this more fully seen in our relationships with others. Focusing on marriage relationships, here priest/psychologist Padovani offers couples solid and practical advice gleaned from his thirty plus years as a counselor.
History of Photography
The fourth volume in a history of photography, this is a bibliography of books on the subject.
Beyond "Understanding Canada"
The dismantling of "Understanding Canada"—an international program eliminated by Canada's Conservative government in 2012—posed a tremendous potential setback for Canadianists. Yet Canadian writers continue to be celebrated globally by popular and academic audiences alike. Twenty scholars speak to the government's diplomatic and economic about-face and its implications for representations of Canadian writing within and outside Canada's borders. The contributors to this volume remind us of the obstacles facing transnational intellectual exchange, but also salute scholars' persistence despite these obstacles. Beyond "Understanding Canada" is a timely, trenchant volume for students and scholars of Canadian literature and anyone seeking to understand how Canadian literature circulates in a transnational world. Contributors: Michael A. Bucknor, Daniel Coleman, Anne Collett, Pilar Cuder-Domínguez, Ana María Fraile-Marcos, Jeremy Haynes, Cristina Ivanovici, Milena Kaličanin, Smaro Kamboureli, Katalin Kürtösi, Vesna Lopičić, Belén Martín-Lucas, Claire Omhovère, Lucia Otrísalová, Don Sparling, Melissa Tanti, Christl Verduyn, Elizabeth Yeoman, Lorraine York
Storming the Gates of Paradise
This anthology of Solnits essential essays from the past ten years takes the reader from the Pyrenees to the U.S.-Mexican border, from open sky to the deepest mines and offers a panoramic world view enriched by the authors characteristically provocative, inspiring, and hopeful observations.
Lewis Hine as Social Critic
This is the first full-length examination of Lewis H. Hine (1874-1940), the intellectual and aesthetic father of social documentary photography. Kate Sampsell-Willmann assesses Hine's output through the lens of his photographs, his political and philosophical ideologies, and his social and aesthetic commitments to the dignity of labor and workers. Using Hine's images, published articles, and private correspondence, Lewis Hine as Social Critic places the artist within the context of the Progressive Era and its associated movements and periodicals, such as the Works Progress Administration, Tennessee Valley Authority, the Chicago School of Social Work, and Rex Tugwell's American Economic Life ...
