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Forager
A moving, heartbreaking, and inspiring true story of the author’s escape from an apocalyptic cult—and the deep understanding of the natural world that helped her find freedom. My family prepared me for the end of the world, but I know how to survive on what the earth yields. Michelle Dowd grew up on a mountain in the Angeles National Forest, born into an ultra-religious cult—the Field, as members called it—run by her grandfather, who believed that his chosen followers must prepare themselves to survive doomsday. Bound by the group’s patriarchal rules and literal interpretation of the Bible, Michelle and her siblings lived a life of deprivation, isolated from Outsiders and starved f...
The Healing Cell
The Healing Cell is an easy to read, carefully researched, and clear-eyed view of medicine many decades in the making that is now paying off with treatments that repair damaged hearts, restore sight, kill cancer, cure diabetes, heal burns, and stop the march of such degenerative diseases as Alzheimer's, multiple sclerosis, and Lou Gehrig's disease. The emotionally and intellectually stimulating stories throughout the book dramatically illustrate that stem cell therapies can change the way we live our lives after being afflicted by a disease or trauma. The book is the result of a unique collaboration between the Vatican's Pontifical Council for Culture and the Stem for Life Foundation. It includes a special address by His Holiness Benedict XVI, urging increased support and awareness for advancements in adult stem cell research.
Women's Work in Early Modern English Literature and Culture
Dowd investigates literature's engagement with the gendered conflicts of early modern England by examining the narratives that seventeenth-century dramatists created to describe the lives of working women.
Early Modern Women on the Fall
"This anthology presents the works of eighteen early modern Englishwomen addressing the biblical story of the Fall from the Book of Genesis. The texts, many of which are available in a modern edition for the first time, are fully annotated and introduced for use by students and researchers alike. In addition, the anthology includes supplementary materials that these writers would have known intimately, such as the marriage ceremony from The Book of Common Prayer and the account of the Fall in both the Geneva and Authorized (King James) versions, as well as a selected bibliography of scholarly works." -- Publisher description.
Labors Lost
Labors Lost offers a fascinating and wide-ranging account of working women's behind-the-scenes and hitherto unacknowledged contributions to theatrical production in Shakespeare's time. Natasha Korda reveals that the purportedly all-male professional stage relied on the labor, wares, ingenuity, and capital of women of all stripes, including ordinary crafts- and tradeswomen who supplied costumes, props, and comestibles; wealthy heiresses and widows who provided much-needed capital and credit; wives, daughters, and widows of theater people who worked actively alongside their male kin; and immigrant women who fueled the fashion-driven stage with a range of newfangled skills and commodities. Comb...
The Absent Mother in the Cultural Imagination
This anthology explores the recurring trope of the dead or absent mother in Western cultural productions. Across historical periods and genres, this dialogue has been employed to articulate and debate questions of politics and religion, social and cultural change as well as issues of power and authority within the family. Åström seeks to investigate the many functions and meanings of the dialogue by covering extensive material from the 1200s to 2014 including hagiography, romances, folktales, plays, novels, children’s literature and graphic novels, as well as film and television. This is achieved by looking at the discourse both as products of the time and culture that produced the various narratives, and as part of an on-going cultural conversation that spans the centuries, resulting in an innovative text that will be of great interest to all scholars of gender, feminist and media studies.
Genre and Women's Life Writing in Early Modern England
By taking account of the ways in which early modern women made use of formal and generic structures to constitute themselves in writing, the essays collected here interrogate the discursive contours of gendered identity in sixteenth- and seventeenth-century England. The contributors explore how generic choice, mixture, and revision influence narrative constructions of the female self in early modern England. Collectively they situate women's life writings within the broader textual culture of early modern England while maintaining a focus on the particular rhetorical devices and narrative structures that comprise individual texts. Reconsidering women's life writing in light of recent critical trends-most notably historical formalism-this volume produces both new readings of early modern texts (such as Margaret Cavendish's autobiography and the diary of Anne Clifford) and a new understanding of the complex relationships between literary forms and early modern women's 'selves'. This volume engages with new critical methods to make innovative connections between canonical and non-canonical writing; in so doing, it helps to shape the future of scholarship on early modern women.
The Dynamics of Inheritance on the Shakespearean Stage
The first full-length study of the ways in which Shakespearean drama influenced and expanded notions of inheritance in early modern England.
The Aesthetics of Service in Early Modern England
In The Aesthetics of Service in Early Modern England, Elizabeth Rivlin explores the ways in which servant-master relationships reshaped literature. The early modern servant is enjoined to obey his or her master out of dutiful love, but the servant's duty actually amounts to standing in for the master, a move that opens the possibility of becoming master. Rivlin shows that service is fundamentally a representational practice, in which the servant who acts for a master merges with the servant who acts as a master. Rivlin argues that in the early modern period, servants found new positions as subjects and authors found new forms of literature. Representations of servants and masters became a site of contact between pressing material concerns and evolving aesthetic ones. Offering readings of dramas by Shakespeare, Jonson, and Thomas Dekker and prose fictions by Thomas Deloney and Thomas Nashe, Rivlin suggests that these authors discovered their own exciting and unstable projects in the servants they created.
The Last Days of Johnny Nunn
Career campaigner Fraser Neal continually clashed with local businessmen, most recently over the council's selling publicly-owned social housing in the Docklands to private developers and displacing vulnerable residents. Until he's found dead in an alley behind Tennessee Fried Chicken's wheelie bins. Neal was also a police informant – or so he said. DS Max Lomax of Special Operations says he wasn't. No one believes him. Max's reluctant inquiries into Fraser's murder take him through the rundown estates, church soup kitchens and graffitied shopfronts of southeast London. He's unaware that his investigation is linked to Johnny Nunn, a former boxer living on the streets, who has given everything to the search for his missing daughter. For five years Johnny has been consumed by a vision of finding his girl and bringing her home, but now he allows himself to be drawn into another family's tragedy. Johnny knows the only beaten man is the one who's stopped fighting. The killers may not.
