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World War One Short Stories
"This original anthology features tales written mostly by former soldiers and others with firsthand experience of World War I's devastation. Contents include "Introduction to the Trenches" by Richard Aldington, "The Blind Ones," by Isaak Babel, and tales by Ernest Hemingway, Ford Madox Ford, John Galsworthy, Rudyard Kipling, Katherine Mansfield, and others"--
2019
The Futurist art movement, founded by F.T. Marinetti in 1909, had a worldwide impact and made important contributions to avant-garde movements in many countries and artistic genres. This yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an interdisciplinary orientation and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. Vol. 1 (2011): Special Issue, Futurism in Eastern and Central Europe Vol. 2 (2012): Open Issue Vol. 3 (2013): Special Issue, Iberian Futurism Vol. 4 (2014): Open Issue Vol. 5 (2015): Special Issue, Women Futurists Vol. 6 (2016): Open Issue For Vol. 1-3 please see also: http: //www.degruyter.com/view/j/futur
Time of Troubles
Among the few diaries available from inside early Soviet Russia none approaches Iurii V. Got'e's in sustained length of coverage and depth of vivid detail. Got'e was a member of the Moscow intellectual elite--a complex and unusually observant man, who was a professor at Moscow University and one of the most prominent historians of Russia at the time the revolution broke out. Beginning his first entry with the words Finis Russiae, he describes his life in revolution-torn Moscow from July 8, 1917 through July 23, 1922--nearly the entire period of the Russian Revolution and Civil War up to the advent of the New Economic Policy. This remarkable chronicle, published here for the first time, descr...
Aleksandr Chayanov and Russian Berlin
Aleksandr Chayanov lived and worked in England and Germany in the 1920s, when he wrote many letters. He was also forced to write autobiographical material after his arrest in 1930. Frank Bourgholtzer uses this material in his account of this Russian utopian.
Lenin's Private War
In 1922, Lenin personally drew up a list of some 160 ‘undesirable' intellectuals – mostly philosophers, academics, scientists and journalists – to be deported from the new Soviet State. ‘We're going to cleanse Russia once and for all' he wrote to Stalin, whose job it was to oversee the deportation. Two ships sailed from Petrograd that autumn, taking Old Russia's eminent men and their families away to what would become permanent exile in Berlin, Prague and Paris. Lesley Chamberlain creates a rich portrait of this chilling historical moment, evoked with immediacy through the journals, letters, and memoirs of the exiles.
No Love Without Poetry
The memoirs of Ariadna Efron provide an intimate and indispensable perspective on the poet Marina Tsvetaeva's life and work, told from the point of view of her daughter.
2015
The special issue of International Yearbook of Futurism Studies for 2015 will investigate the role of Futurism in the œuvre of a number of Women artists and writers. These include a number of women actively supporting Futurism (e.g. Růžena Zátková, Edyth von Haynau, Olga Rozanova, Eva Kühn), others periodically involved with the movement (e.g. Valentine de Saint Point, Aleksandra Ekster, Mary Swanzy), others again inspired only by certain aspects of the movement (e.g. Natalia Goncharova, Alice Bailly, Giovanna Klien). Several artists operated on the margins of a Futurist inspired aesthetics, but they felt attracted to Futurism because of its support for women artists or because of its ...
Letters to Véra
GUARDIAN BOOKS OF THE YEAR 2014 No marriage of a major twentieth-century writer lasted longer than Vladimir Nabokov's. Véra Slonim shared his delight at the enchantment of life's trifles and literature's treasures, and he rated her as having the best and quickest sense of humour of any woman he had met. From their meeting in 1921, Vladimir's letters to his beloved Véra form a narrative arc that tells a forty-six year-long love story, and they are memorable in their entirety. Almost always playful, romantic, and pithy, the letters tell us much about the man and the writer; we see that Vladimir observed everything, from animals, faces, speech, and landscapes with genuine fascination.
