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Medieval Religion
Constance Hoffman Berman presents an indispensable collection of the most influential and revisionist work to be done on religion in the Middle Ages in the last two decades. Bringing together an authoritative list of scholars from around the world, this book is a comprehensive compilation of the most important work in this field. Medieval Religion provides a valuable service for all those who study the Middle Ages, church history or religion.
The Chile-2015 (Illapel) Earthquake and Tsunami
This volume presents a collection of contributions that were published in "Pure and Applied Geophysics - pageoph" and which deals with the major earthquake that hit Illapel, Chile on September 16, 2015 with magnitude 8.3, and associated trans-oceanic tsunami. The subducting Nazca plate beneath the Andes caused this major earthquake, generating strong shaking, permanent deformation, free oscillations of the Earth, and tsunamis. This event occurred in the flat-angle subducting segment of the plate.The generated tsunami spread throughout the entire Pacific Ocean and was recorded by numerous coastal tide gauges and open-ocean DART stations. All articles give an up-to-date account of research in one of the most active seismic zones worldwide. An introductory article by Kenji Satake rounds this collection off.
Handmaid of the Lord
In this book, David N. Bell explores what Cistercian writers and preachers have said about Mary from the time of the founding fathers of the Order to Armand-Jean de Rancé, who introduced the Cistercian Strict Observance and who died in 1700. This work is divided into three parts. The first part presents some selective background material on Mary that is necessary for understanding where the Cistercian writers are coming from and the sources and ideas they are using. The next eight chapters, the second part of the book, examine the Marian ideas of Cistercian writers from Bernard of Clairvaux to a number of visionaries, both male and female, who take us to the very end of the thirteenth century. There is then a gap of more than three centuries—the reasons are given at the end of chapter 12—before we arrive at the birth of Armand-Jean de Rancé in 1626. The final chapters—part 3 of the book—summarize the life of Rancé, examine the place of Mary at La Trappe, and present annotated translations of Rancé’s five conferences for three Marian feasts: the Nativity of Mary, the Annunciation, and the Assumption.
Wow, No Thank You.
#1 NEW YORK TIMES BESTSELLER • Lambda Literary Award for Bisexual Nonfiction Award Winner • A rip-roaring, edgy and unabashedly raunchy new collection of hilarious essays from the New York Times bestselling author of We Are Never Meeting in Real Life. “Stay-up-all-night, miss-your-subway-stop, spit-out-your-beverage funny.” —Jia Tolentino, New York Times bestselling author of Trick Mirror Irby is forty, and increasingly uncomfortable in her own skin despite what Inspirational Instagram Infographics have promised her. She has left her job as a receptionist at a veterinary clinic, has published successful books and has been friendzoned by Hollywood, left Chicago, and moved into a hou...
Official Gazette of the United States Patent and Trademark Office
description not available right now.
Perfect Fools
This title, by John Saward, explores foolishness and fools in Catholic and Orthodox spirituality.
Print Culture in Early Modern France
In this book, Carl Goldstein examines the print culture of seventeenth-century France through a study of the career of Abraham Bosse, a well-known printmaker, book illustrator, and author of books and pamphlets on a variety of technical subjects. The consummate print professional, Bosse persistently explored the endless possibilities of print – single-sheet prints combining text and image, book illustration, broadsides, placards, almanacs, theses, and pamphlets. Bosse had a profound understanding of print technology as a fundamental agent of change. Unlike previous studies, which have largely focused on the printed word, this book demonstrates the extent to which the contributions of an individual printmaker and the visual image are fundamental to understanding the nature and development of early modern print culture.
