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Encontre sua marca - volume 4
Construa sua marca pessoal com autenticidade e impacto No quarto volume da série Encontre sua Marca, os leitores são guiados pelo universo do personal branding, explorando como construir uma marca pessoal autêntica e marcante. Coordenado por Daniela Bacelar, o livro reúne especialistas que abordam temas como autoconhecimento, propósito, autorresponsabilidade e inteligência emocional, mostrando como esses elementos se interligam na criação de uma marca verdadeira e alinhada aos valores pessoais. Com uma abordagem prática, a obra oferece estratégias para o desenvolvimento de identidade pessoal, posicionamento no mercado e construção de uma presença digital poderosa. Encontre sua M...
Encontre sua marca - volume 5
Desperte seu potencial e reescreva sua história No quinto volume da série Encontre Sua Marca, você é convidado a explorar o território fascinante entre quem você é e como deseja ser percebido. Sob a coordenação de Daniela Bacelar, este livro reúne a sabedoria de especialistas em branding pessoal para oferecer um mapa rumo ao autoconhecimento e à construção de uma marca única. Com uma abordagem dinâmica, os capítulos desvendam estratégias para alinhar sua essência aos seus objetivos, ajudando você a transformar desafios em oportunidades. Se você busca mais do que apenas se destacar—se deseja deixar um legado autêntico e duradouro—este livro é a chave para abrir portas em sua jornada pessoal e profissional. Este livro conta com textos de Daniela Bacelar, Arthur Bender, Jullie Dutra, Horacio Corral, Gracia Arnosti, Lívia Roque, Vivian Maiara, Cristina Gontijo, Marcilio Alves, Tessa Restier e Thammy Manuela.
Singing to the Goddess
This collection presents 145 brief Bengali lyric poems dedicated to the Hindu goddesses Kali and Uma. These poems were written from the early-18th century up to the contemporary period. They represent the Bengali tradition of goddess worship (Saktism).
An Introduction to Tantric Philosophy
The Paramārthasāra, or ‘Essence of Ultimate Reality’, is a work of the Kashmirian polymath Abhinavagupta (tenth–eleventh centuries). It is a brief treatise in which the author outlines the doctrine of which he is a notable exponent, namely nondualistic Śaivism, which he designates in his works as the Trika, or ‘Triad’ of three principles: Śiva, Śakti and the embodied soul (nara). The main interest of the Paramārthasāra is not only that it serves as an introduction to the established doctrine of a tradition, but also advances the notion of jiv̄anmukti, ‘liberation in this life’, as its core theme. Further, it does not confine itself to an exposition of the doctrine as su...
Faces of the Feminine in Ancient, Medieval, and Modern India
This book offers a variety of scholarly studies in the idea, situation, and definition-including the self-definition-of women in India, from the earliest historical period up to the present day. Both in its range of topics and depth of research, this volume creates a sustained focus that is not presently available in the literature of women in India. Faces of the Feminine in Ancient, Medieval, and Modern India comprises 25 essays contributed by a diverse mix of Indian, Canadian, American, and British women scholars, most of whom have lived in South Asia either for all of their lives or for extended periods. Arranged chronologically, these groundbreaking essays set aside the myths and prejudi...
The Practical Sanskrit-English Dictionary
This Dictionary has been undertaken to supply a want long felt by the student, f a complete and at the same time cheap Sanskrit-English Dictionary. Very little need, I think, be said with regard to the necessity of bringing out a work like this, when the study of Sanskrit has received such a strong impetus during the last twenty five years. There have been four or five Sanskrit-English Dictionaries published till now; but very few of them fulfil the two essential conditions of the popularity and usefulness of such works: satisfying all the requirements of students and at the same time being within their easy reach. The Dictionaries of Professors Wilson and Monier Williams are very useful and valuable works, but their prices-particularly of the latter-are prohibitively high, and they do not also meet many of the most ordinary wants of Sanskrit readers. A student, while reading Sanskrit at School or College, generally expects that the Dictionary which he uses will give will give appropriate equivalents for such words and compound expressions as may have peculiar meanings or shades of meaning in particular passages.
THE INDIAN LISTENER
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
The Body of the Musician
The Sangītaratnākara («The Ocean of Music») written by Śārngadeva in the 13th century is the most important theoretical work on Indian classical music. Its prologue, the Pindotpatti-prakarana («The Section of the Arising of the Human Body»), deals with the Indian science of the human body, i.e. embryology, anatomy, and the Hathayogic heory of Cakras. The sources of this work are found in the classical medical texts (Āyurveda) such as Caraka, Suśruta and Vāgbhata, the Hathayogic texts as well as in the encyclopaedic texts (Purāna). After philologically analyzing the mutual relation and background of these texts, the author demonstrates the reasons why the human body is described in this musicological work. His investigation reveals the Indian mystic thought of body and sound. This study, although an Indological one, is an attempt to answer the universal question what music is, i.e. how music is created in the human body, what the effect of music on the human body is, and what music aims at. The second half of the book consists of a translation of the original text of the Pindotpatti-prakarana, including commentaries, with plenty of annotations.
