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The Avila of Saint Teresa provides both a fascinating account of social and religious change in one important Castilian city and a historical analysis of the life and work of the religious mystic Saint Teresa of Jesus. Jodi Bilinkoff's rich socioeconomic history of sixteenth-century Avila illuminates the conditions that helped to shape the religious reforms for which the city's most famous citizen is celebrated. Bilinkoff takes as her subject the period during which Avila became a center of intense religious activity and the home of a number of influential mystics and religious reformers. During this time, she notes, urban expansion and increased economic opportunity fostered the social and ...
Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
Flitter examines those narratives within the intellectual parameters that defined them, probing the conceptual strategies by which writers represented history.
Master poet Antonio Machado y Ruiz is widely regarded as one of the twentieth-century’s greatest Spanish writers. His collection of poems celebrating the region of Castile made him one of the primary voices of the Generation of 1898 — a brilliant group of writers dedicated to Spain's moral and cultural rebirth after the Spanish-American War. Machado's lyrical Campos poems, tinged with nostalgic melancholy, are powerfully introspective and meditative, revealing an evolution away from his previously ornate, Modernist style. With these magnificent poems, Machado moved toward a simpler, more authentic approach that would later distinguish all of his works. This unabridged edition of Machado's landmark Campos de Castilla is presented in a dual-language format which features an excellent new translation on pages facing the Spanish original. A fully informative introduction and comprehensive notes by the translator are also included.
Saints and Signs analyzes a corpus of hagiographies, paintings, and other materials related to four of the most prominent saints of early modern Catholicism: Ignatius of Loyola, Philip Neri, Francis Xavier, and Therese of Avila. Verbal and visual documents – produced between the end of the Council of Trent (1563) and the beginning of the pontificate of Urban VIII (1623) – are placed in their historical context and analyzed through semiotics – the discipline that studies signification and communication – in order to answer the following questions: How did these four saints become signs of the renewal of Catholic spirituality after the Reformation? How did their verbal and visual repre...
Don Juan is one of the most intriguing creations of Western literature, a perpetual source of fascination. In the popular imagination he exists as a legendary seducer of women, a trickster and transgressor of sacred boundaries. Crossing cultures from east to west, he has been the recipient of countless revisions, while the twentieth century has viewed the figure afresh through the prism of its own cultural terms of reference and social concerns. Using an interdisciplinary approach, Tales of Seduction focuses on the fascinating intersections between myth, culture and intellectual inquiry. Sarah Wright takes Don Juan back to Spain and examines the confluences of Spanish culture with aspects of Western intellectual history (such as medicine, psychoanalysis and linguistics), where she finds Don Juan continues to transgress the limits of culture until the present.
A reflection on Federico García Lorca's life, his haunting death, and the fame that reinvigorated the marvelous in the modern world "A galaxy of critical insights into the cultural shock waves circling and crisscrossing Lorca's execution and his unknown resting place, there is not a single book on Lorca like this one."--Andrés Zamora, Vanderbilt University There is something fundamentally unfinished about the life and work of Federico García Lorca (1898-1936), and not simply because his life ended abruptly. Noël Valis reveals how this quality gives shape to the ways in which he has been continuously re-imagined since his death. Lorca's execution at the start of the Spanish Civil War was not only horrific but transformative, setting in motion many of the poet's afterlives. He is intimately tied to both an individual and a collective identity, as the people's poet, a gay icon, and fabled member of a dead poets' society. The specter of his violent death continues to haunt everything connected to Lorca, fueling the desire to fill in the gaps in the poet's biography.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.