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This unique anthology of Iraqi noir fiction collects fourteen original stories of crime, conspiracy, regret, and revenge in the capital of Iraq. The centuries-old city of Baghdad has known many rulers, many troubles, and many crimes. But while most Iraqis would agree that their life has always been noir, there has not been a literary tradition to capture this aspect of the culture. By commissioning the fourteen stories collected here—most by Iraqi writers, all by authors familiar with Baghdad—editor Samuel Shimon and Akashic Books have created what may be the first anthology of Iraqi crime fiction ever assembled. Here you will read of life in Baghdad both during and after the Saddam Huss...
《阿拉伯研究論叢》是教育部區域和國別研究基地――北京第二外國語學院阿拉伯研究中心主辦的關於阿拉伯研究的集刊,內容聚焦于廣大阿拉伯國家的政治、經濟、社會、文化及外交等方面。本刊以阿拉伯研究論壇為依託,選取學者于論壇上發表的學術論文,編選成冊,以有益於國內阿拉伯研究的積澱。本書是第12期,分為國別和區域聚焦、阿拉伯語語言文學兩個欄目。
Bagdad noir es una antología de catorce cuentos ficcionales que exploran el crimen en Bagdad. Cada historia narra un crimen diferente: la sospechosa muerte de una señora mayor, el secuestro de un niño pequeño, el aparente suicidio de un joven, entre muchas otras cautivantes narrativas. En este libro, los lectores se entretendrán con todos los cuentos tan diferentes uno del otro y, sin embargo, tan similares en su deseo de representar la vida de los habitantes de Bagdad, una vida marcada por la guerra, la violencia, la desolación y la resiliencia de los personajes. Esta compilación es imperdible para todos los lectores que no sólo están interesados en la literatura noir, sino en la humanidad e individualidad de los habitantes de Bagdad.
Bagdá noir faz parte da premiada série de antologia noir da Akashic Books. Uma das cidades do mundo mais devastadas pela guerra entra para a coleção com um volume de histórias sombrias, reunindo 14 contos ambientados em diferentes regiões de Bagdá, que formam um complexo mosaico de experiências e perspectivas.
A young Iraqi writer sets out to become a Hollywood film-maker, only to end up as a refugee on the streets of Paris, where he beds down in a metro station. Although his dream of making a film about his deaf mute father is never realised, the extraordinary encounters he has with the likes of Jean-Luc Godard, Samuel Beckett and a ghost from Père Lachaise Cemetery transform his own story into a captivating drama more compelling than anything on the big screen.
'Compelling from first to last page.' DENISE MINAMeet Juniper Song, an under employed, twenty-something, Raymond-Chandler-loving, Korean American woman from downtown LA.When a friend asks Song to carry out surveillance on his father, she figures she doesn't have anything better to do - plus she gets to indulge her Philip Marlowe fantasies. But barely half a day into playing private eye someone has knocked her unconscious and left a dead body in the trunk of her car.
Discover the fourth novel in the iconic, propulsive RIPLEY series - now a major Netflix series starring Andrew Scott *** 'The Ripley books are marvellously, insanely readable' THE TIMES 'It's hard to imagine anyone interested in modern fiction who has not read the Ripley novels' DAILY TELEGRAPH 'Peerlessly Disturbing' NEW YORKER When a troubled young runaway arrives on Tom Ripley's French estate, he is drawn into a world he thought he'd left behind: the seedy underworld of Berlin, involving kidnapping plots, lies and deception. Ripley becomes the boy's protector as friendship develops between the young man with a guilty conscience and the older one with no conscience at all. Highsmith shatters our perceptions of her most famous creation by letting us glimpse a more compassionate side of this amoral charmer. The Boy Who Followed Ripley is followed by Ripley Under Water.
The first anthology of its kind in the West, Contemporary Iraqi Fiction gathers work from sixteen Iraqi writers, all translated from Arabic into English. Shedding a bright light on the rich diversity Iraqi experience, Shakir Mustafa has included selections by Iraqi women, Iraqi Jews now living in Israel, and Christians and Muslims living both in Iraq and abroad. While each voice is distinct, they are united in writing about a homeland that has suffered under repression, censorship, war, and occupation. Many of the selections mirror these grim realities, forcing the writers to open up new narrative terrains and experiment with traditional forms. Muhammad Khodayyir’s surrealist portraits of his home city, Basra, in an excerpt from Basriyyatha and the magical realism of Mayselun Hadi’s “Calendars” both offer powerful expressions of the absurdity of everyday life. Themes range from childhood and family to war, political oppression, and interfaith relationships. Mustafa provides biographical sketches for the writers and an enlightening introduction, chronicling the evolution of Iraqi literature.