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Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals
Over the course of his career, Luther H. Martin has primarily produced articles rather than monographs. This approach to publication has given him the opportunity to experiment with different methodological approaches to an academic study of religion, with updates to and different interpretations of his field of historical specialization, namely Hellenistic religions, the subject of his only monograph (1987). The contents of this collected volume represent Martin's shift from comparative studies, to socio-political studies, to scientific studies of religion, and especially to the cognitive science of religion. He currently considers the latter to be the most viable approach for a scientific study of religion within the academic context of a modern research university. The twenty-five contributions collected in this volume are selected from over one hundred essays, articles, and book chapters published over a long and industrious career and are representative of Martin's work over the past two decades.
This study explores the ways in which the desert, as topographical space and cultural presence, shaped and reshaped concepts and images of America. Once a territory outside the geopolitical and cultural borders of the United States, the deserts of the West and Southwest have since emerged as canonical American landscapes. Drawing on the critical concepts of American studies and on questions and problems raised in recent debates on ecocriticism, The Poetics and Politics of the Desert investigates the spatial rhetoric of America as it developed in view of arid landscapes since the mid-nineteenth century. Gersdorf argues that the integration of the desert into America catered to the entire spectrum of ideological and political responses to the history and culture of the US, maintaining that the Americanization of this landscape was and continues to be staged within the idiomatic parameters and in reaction to the discursive authority of four spatial metaphors: garden, wilderness, Orient, and heterotopia.
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With over 5,200 entries, this volume remains one of the most extensive annotated bibliographies on the USA’s fight against Japan in the Second World War. Including books, articles, and de-classified documents up to the end of 1987, the book is organized into six categories: Part 1 presents reference works, including encyclopedias, pictorial accounts, military histories, East Asian histories, hisotoriographies. Part 2 covers diplomatic-political aspects of the war against Japan. Part 3 contains sources on the economic and legal aspects of the war against Japan. Part 4 presents sources on the military apsects of the war – embracing land, air and sea forces. Religious aspects of the war are covered in Part 5 and Part 6 deals with the social and cultural aspects, including substantial sections on the treatment of Japanese minorities in the USA, Hawaii, Canada and Peru.
Van Rensselaer Potter created and defined the term "bioethics" in 1970, to describe a new philosophy that sought to integrate biology, ecology, medicine, and human values. Bioethics is often linked to environmental ethics and stands in sharp contrast to biomedical ethics. Because of this confusion (and appropriation of the term in medicine), Potter chose to use the term "Global Bioethics" in 1988. Potter's definition of bioethics from Global Bioethics is, "Biology combined with diverse humanistic knowledge forging a science that sets a system of medical and environmental priorities for acceptable survival."
Theodore Dreiser is indisputably one of America's most important twentieth-century novelists. An American Tragedy, Sister Carrie, and Jennie Gerhardt have all made an indelible mark on the American literary landscape. And yet, remarkably few critical books and no recent collections of critical essays have been published that attempt to answer current theoretical questions about Dreiser's entire canon. This collection is the first to appear in twenty-four years. The ten contributing essayists offer original interpretations of Dreiser's works from such disparate points of view as new historicism, poststructuralism, psychoanalysis, feminism, film studies, and canon formation. A vital reassessment, Theodore Dreiser: Beyond Naturalism brings this influential modern writer into the 1990s by viewing him through the lens of the latest literary theory and cultural criticism.
From 1961 to 1989, a committed group of documentary journalists from the National Broadcasting Company (NBC) reported the stories of AmericaÆs overseas conflicts. Stuart Schulberg supplied film evidence to prosecute Nazi war criminals and established documentary units in postwar Berlin and Paris. NBC newsman David Brinkley created the template for prime-time news in 1961 and bore the scars to prove it. In 1964 Ted Yates and Bob Rogers produced a documentary warning of the pitfalls in Vietnam. Yates was later shot and killed in Jerusalem on the first day of the Six-Day War while producing a documentary for NBC News. In Into the Fray, Tom Mascaro vividly recounts the characters and experience...