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Focussing on his term as Prime Minister from 2001-06, this scholarly volume provides the first assessment of how the neo-conservative values attributed to Berlusconi were contested and resisted by a variety of groups: social/minority movements, intellectuals (radical and moderate) and media practitioners. This interdisciplinary volume is divided into four (overlapping) areas: The Economic and Media Landscapes; Political Challenges; Texts; Experiences and Personalities.
Media and Politics in Contemporary Italy is the first book to provide a comprehensive examination of the media system in Italy during the last twenty years. Seeing the rise of new political actors and the growing role of the Internet and social media, the general elections of February 2013 have symbolically closed a twenty-year period of Italian history dominated by Silvio Berlusconi politically and by television as channel of political communication. The analysis focuses on change and continuity with past media structures, cultures and practices, and considers the “Berlusconi factor,” namely the impact of one man on the country’s media system, journalism, and political communication.
A brilliant, meticulously researched account of the birth of Italian democracy after Mussolini. The rebirth of Italy after the Second World War is one of the most impressive political transformations in modern European history. In 1945, post-fascist Italy was devastated by war, and its reputation in the international arena was nil. Yet by December 1955, when Italy was admitted to the United Nations, the nation had contested three acrimonious but free general elections, had a flourishing press, and was a leader in the rebuilding of Europe. This is the dramatic story told by Italy Reborn. It charts the descent of Italy into Fascism, the scale of the wartime disaster, the Italian resistance to ...
This book provides an innovative analysis and interpretation of the overall trajectory of the Western European radical left from 1989 to 2015. After the collapse of really existing communism, this party family renewed itself and embarked on a recovery path, seeking to fill the vacuum of representation of disaffected working-class and welfarist constituencies created by the progressive neoliberalisation of European societies. The radical left thus emerged as a significant factor of contemporary political life but, despite some electoral gains and a few recent breakthroughs (SYRIZA in Greece, PODEMOS in Spain), it altogether failed to embody a credible alternative to neoliberalism and to pave ...
Today, arguably more than at any time in the past, media are the key players in contributing to what defines reality for the citizens of Europe and beyond. This book provides an introduction to the way that the media occupy such a position of prominence in contemporary human existence. This expanded and fully updated third edition of the bestselling The Media: An Introduction collects in one volume thirty-six specially commissioned essays to offer unrivalled breadth and depth for an introduction to the study of contemporary media. It addresses the fundamental questions about today’s media – for example, digitisation and its effects, new distribution technologies, and the implications of ...
In the twentieth century, glamour has often been associated with the cinema and its stars, though fashion, 'high society', popular music, shopping, glossy magazines and advertising have all sought to harness its allure. The authors explore the origins and uses of the aura of glamour and trace its history and power as a language of visual seduction.
Glamour is one of the most tantalizing and bewitching aspects of contemporary culture - but also one of the most elusive. The aura of celebrity, the style of the fashion world, the vanity of the rich and beautiful, and the publicity-driven rites of café society are all imbued with its irresistible magnetism. But what exactly is glamour? Where does it come from? How old is it? And can anyone quite capture its magic? Stephen Gundle answers all these questions and more in this first ever history of the phenomenon, from Paris in the tumultuous final decades of the eighteenth century through to Hollywood, New York, and Monte Carlo in the twentieth and twenty-first centuries, from Napoleon to Marlene Dietrich and Marilyn Monroe, from Beau Brummell to Gianni Versace. Throughout, the book captures the excitement and sex appeal of glamour while exposing its mechanisms and exploring its sleazy and sometimes tragic underside. As Gundle shows, while glamour is exciting and magnetic, its promise is ultimately an illusion that can only ever be partially fulfilled.
Featuring essays by top scholars and interviews with acclaimed directors, this book examines Italian women's authorship in film and their visions of reality. The contributors use feminist film criticism in the analysis of their works and give direct voices to the artists who are constantly excluded by the conventional Italian film criticism.
Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.
This book analyzes the spread of American female consumer culture to Italy and its influence on Italian women in the postwar and Cold War periods, eras marked by the political, economic, social, and cultural battle between the United States and Soviet Union. Focusing on various aspects of this culture—beauty and hygiene products, refrigerators, and department stores, as well as shopping and magazine models—the book examines the reasons for and the methods of American female consumer culture’s arrival in Italy, the democratic, consumer capitalist messages its products sought to “sell” to Italian women, and how Italian women themselves reacted to this new cultural presence in their everyday lives. Did Italian women become the American Mrs. Consumer? As such, the book illustrates how the modern, consuming American woman became a significant figure not only in Italy’s postwar recovery and transformation, but also in the international and domestic cultural and social contests for the hearts and minds of Italian women.