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From 1939 until the late 1960s, much of the best in recorded mainstream jazz was issued on the Blue Note label, which set the standard for excellence in both music and production. . . . The present work provides complete discographical information on every recording made or issued by Blue Note. Included is also an index of listed artists, a history of the label, and 11 pages of photographs. Although partial discographies of the Blue Note catalog have been published previously, this is the first comprehensive one to appear. One of the authors is an acknowledged authority on Blue Note and the other is a widely published discographer. Because of the importance of Blue Note in the history of jaz...
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Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restorat...
This book focuses on American opera singers and what their recordings say about their artistry. It is not a book about all American opera singers, since many who had important careers on stage, made few, if any, recordings. And many of those who did make recordings, did so prior to the introduction of electrical recording in 1925 (and the resulting advances in the reproduction of the human voice). Opera enthusiasts can only imagine the sound of Farinelli's voice or read what his contemporaries have written about it, but with almost any famous or near-famous singer of recent years, enthusiasts do not have to imagine. Their voices are available through the technology of sound recording. There are 53 entries, one each for 52 singers and a composite entry for a group of Hollywood vocalists. Each entry contains biographical information and is followed by a discography of operatic recordings to be used in conjunction with the critical commentaries. The entries are in alphabetical order by the singer's last name and provide critical analyses of key recordings and of the artists' gifts and limitations.
The Radio 1 archives hold a wealth of largely unreleased recordings by many of the biggest names in rock and pop. This is the story of these sessions and how they have helped to set musical trends over the last 25 years, with selections from each period to represent the enormous range of styles recorded, and revelations of behind-the-scenes events. The book includes a detailed reference guide to the recordings - band line-ups, session transmission dates, recording dates, track listings and other relevant data - and there is also a complete reference list of all the live music recorded for The John Peel Show.