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Contemporary society is complex; governed and administered by a range of contradictory policies, practices and techniques. Nowhere are these contradictions more keenly felt than in cultural policy. This book uses insights from a range of disciplines to aid the reader in understanding contemporary cultural policy. Drawing on a range of case studies, including analysis of the reality of work in the creative industries, urban regeneration and current government cultural policy in the UK, the book discusses the idea of value in the cultural sector, showing how value plays out in cultural organizations. Uniquely, the book crosses disciplinary boundaries to present a thorough introduction to the subject. As a result, the book will be of interest to a range of scholars across arts management, public and nonprofit management, cultural studies, sociology and political science. It will also be essential reading for those working in the arts, culture and public policy.
This book paints an unflinching portrait of the situation for arts and culture workers in Britain today. Revised and updated with the latest figures, it exposes how minorities continue to be marginalised in the post-COVID era.
For the Person Whose Study of Scripture is a Lifelong CommitmentFor the one without formal training in biblical studies, resolving questions and difficulties that arise while reading Scripture can be a discouraging task. Without a background in the culture, language, and history of the Bible, the lay Bible student is often left to grasp for answers or trust what someone else has said or written as the correct interpretation of a particular problem.Today's Handbook for Solving Bible Difficulties offers a refreshing solution. While offering suggested answers to specific difficulties, it goes a step beyond the usual approach and teaches readers reliable interpretive tools to use in their own re...
Retraces the steps of an incredible journey of a leader in exile that would resonate through Irish history for the rest of the century ... In June 1919 Eamon de Valera stowed away on a liner bound for New York and walked into the Waldorf-Astoria using the title 'President of Ireland'. He spent eighteen months billeted in the most expensive hotel in the world. From this luxurious base, de Valera criss-crossed America by plane, boat and train throughout 1919 and 1920, publicising his nation's plight and raising more than $5 million for the cause of Irish independence. While the War of Independence raged back home, de Valera was supporting the cause with packed engagements from Madison Square Garden to San Francisco including a total audience of over a million people. Along the way he underwent a harsh and unforgiving political education that better equipped him to dominate Irish politics for decades. Offering a unique take on a familiar figure, and containing fascinating new information and photographs, this book details an intriguing and largely unknown episode in the career of Ireland's most famous politician.
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
The rise of creative industries requires new thinking in communication, media and cultural studies, media and cultural policy, and the arts and information sectors. The Creative Industries sets the agenda for these debates, providing a richer understanding of the dynamics of cultural markets, creative labor, finance and risk, and how culture is distributed, marketed and creatively reused through new media technologies. This book develops a global perspective on the creative industries and creative economy; draws insights from media and cultural studies, innovation economics, cultural policy studies, and economic and cultural geography; explores what it means for policy-makers when culture an...
A humorous guide with valuable advice and tips for moving up the corporate ladder.
This book explores the possibility of drawing upon a punk ethos to inspire and invigorate sociology. It uses punk to think creatively about what sociology is and how it might be conducted and aims to fire the sociological imaginations of sociologists at any stage of their careers, from new students to established professors.
Arrested at the airport on his way home to Florida from a vacation trip to San José, Costa Rica, Dave "Cuba Dave" Strecker finds himself at the mercy of Costa Rica's so-called justice system, where he realizes he has no rights in any meaningful sense and has been singled out to be the only person ever prosecuted under a dubious law that tries to make it illegal to write about the fact that Costa Rica IS a sex-tourist destination. Without evidence or actual charges, Dave was denied bail and put into 'preventative detention' in a squalid, grossly overcrowded, third-world jail along with murderers, child rapists and even a cannibal. There are also good guys in his story... fellow prisoners whose kindness, compassion and sense of justice far surpassed that of the prosecutors, judges and one particularly self-serving non-profit organization that raises money under the pretext of saving prostitutes. Dave tells it like he sees it.
**THE GROUNDBREAKING BESTSELLER AND CLASSIC** 'Excellent . . . amazing how much still comes as a surprise' New York Times Book Review 'Like Capote's In Cold Blood, this tour de force gets below the who and the what of a horrifying incident to lay bare the devastating why' People 'A staggering work of journalism' Washington Post 'The tragedies keep coming. As we reel from the latest horror...' So begins the epilogue, illustrating how Columbine has become the template for nearly two decades of "spectacle murders." It makes the imperative to understand the crime that sparked this flame more urgent than ever. What really happened on April 20th, 1999? The horror left an indelible stamp on the Ame...