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Rethinking the Responsibility to Protect
This edited volume critically examines the Responsibility to Protect (R2P) as a guiding norm in international politics. After NATO’s intervention in Libya, against the backdrop of civil wars in Syria and Yemen, and because of the cynical support for R2P by states such as Saudi Arabia, this norm is the subject of heavy criticism. It seems that the R2P is just political rhetoric, an instrument exploited by the powerful states. Hence, the R2P is being challenged. At the same time, however, institutional settings, normative discourses and contestation practices are making it more robust. New understandings of responsibility and the politics of protection are creating new normative spaces, patt...
The Politics of Fear in South Sudan
When asked in 2016 if he would step down as President of South Sudan, Salva Kiir replied 'my exit could spark genocide.' Kiir's words exemplify how fear and the threat of mass violence have become central to the politics of South Sudan. As South Sudanese analyst Daniel Akech Thiong shows, it is this politics that lies at the heart of the country's seemingly intractable civil war. In this book, Akech Thiong explores the origins of South Sudan's politics of fear. Weaving together social, economic and cultural factors into a comprehensive framework, he reveal how the country's elites have exploited ethnic divisions as a means of mobilising support and securing their grip on power, in the process triggering violent conflict. He also considers the ways in which this politics of fear takes root among the wider populace, exploring the role of corruption, social media, and state coercion in spreading hatred and fostering mass violence. As regimes across Africa and around the world become increasingly reliant on their own politics of fear, Akech Thiong's book offers novel insight into a growing phenomenon with implications far beyond South Sudan.
Drawing on the Past
Lange wurden Comics als triviale Unterhaltung verpönt. Erst in den letzten Jahrzehnten hat sich das geändert. Immer häufiger sind sie zum Medium der Wahl für Künstlerinnen und Künstler geworden, die kritisieren wollen, wie die etablierten Medien mit politischen Fragen umgehen. Dieses Buch untersucht das Potenzial von dokumentarischen Comics im Kontext einer sich schnell verändernden und immer weiter entwickelnden visuellen Kultur. Im Mittelpunkt steht dabei gerade auch die Darstellung historischer Ereignisse und die Auseinandersetzung mit Fotografie.
Comics & Culture
Comics have become important elements in the culture of the 20th century, not only has the genre been recognized as a medium and an art form in its own right; it has also inspired other means of communication from text books to interactive media. In 13 articles, Comics and Culture offers an introduction to the field of comics research written by scholars from Europe and the USA. The articles span a great variety of approaches including general discussions of the aesthetics and definition of comics, comparisons of comics with other media, analyses of specific comics and genres, and discussions of the cultural status of comics in society. One way to characterize this book is to focus on the contributors. Recognized and established research with important publications to their credit form one group: Donald Ault, Thierry Groensteen, M. Thomas Inge, Pascal Lefvre and Roger Sabin. Another group is from the new generation of researches represented by PhD students: Hans-Christian Christiansen
The SAGE International Encyclopedia of Mass Media and Society
The SAGE International Encyclopedia of Mass Media and Society discusses media around the world in their varied forms—newspapers, magazines, radio, television, film, books, music, websites, social media, mobile media—and describes the role of each in both mirroring and shaping society. This encyclopedia provides a thorough overview of media within social and cultural contexts, exploring the development of the mediated communication industry, mediated communication regulations, and societal interactions and effects. This reference work will look at issues such as free expression and government regulation of media; how people choose what media to watch, listen to, and read; and how the influence of those who control media organizations may be changing as new media empower previously unheard voices. The role of media in society will be explored from international, multidisciplinary perspectives via approximately 700 articles drawing on research from communication and media studies, sociology, anthropology, social psychology, politics, and business.
Handbook of Comics and Graphic Narratives
Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium.
Novel Perspectives on German-Language Comics Studies
Novel Perspectives on German-Language Comics Studies: History, Pedagogy, Theory gathers an international team of contributors from two continents whose innovative scholarship demonstrates a regard for comics and graphic novels as works of art in their own right. The contributions serve as models for further research that will continue to define the relationship between comics and other traditional “high art” forms, such as literature and the visual arts. Novel Perspectives on German-Language Comics Studies is the first English-language anthology that focuses exclusively on the graphic texts of German-speaking countries. In its breadth, this book functions as an important resource in a li...
The Visual Narrative Reader
Sequential images are as natural at conveying narratives as verbal language, and have appeared throughout human history, from cave paintings and tapestries right through to modern comics. Contemporary research on this visual language of sequential images has been scattered across several fields: linguistics, psychology, anthropology, art education, comics studies, and others. Only recently has this disparate research begun to be incorporated into a coherent understanding. In The Visual Narrative Reader, Neil Cohn collects chapters that cross these disciplinary divides from many of the foremost international researchers who explore fundamental questions about visual narratives. How does the s...
The Rise and Reason of Comics and Graphic Literature
These 15 essays investigate comic books and graphic novels, beginning with the early development of these media. The essays also place the work in a cultural context, addressing theory and terminology, adaptations of comic books, the superhero genre, and comic books and graphic novels that deal with history and nonfiction. By addressing the topic from a wide range of perspectives, the book offers readers a nuanced and comprehensive picture of current scholarship in the subject area.
The Oxford Handbook of Comic Book Studies
Thirty-eight chapters by an outstanding international team of scholars. Accessible overviews of the history and legacy of the visual storytelling medium. Covering major themes and works from a global perspective. Book jacket.
