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This collection of essays examines popular writer Pearl Cleage's work, including her novels, short stories and plays. It is the first book-length consideration of a writer and activist whose bold perspectives on social justice, race and gender have been influential for several decades. While academically critical, the essays mirror Cleage's own philosophical commitment to theoretical transparency and translation. The book includes an in-depth interview with the author and a foreword by former Cleage student and acclaimed novelist Tayari Jones in addition to essays from contributors representing an interdisciplinary cross-section of academic fields.
"An engaging saga of unconditional friendship, love, and foregiveness...Golden's style is modern, refreshing and accurately captures a slice of African-American life." (St. Petersburg Times) In the exciting, yet frightening days of Freedom Summer in 1963, two very different African-American women meet, each to discover in the other an elegant completion of herself. Jessie, running from her sexually abusive father and distant mother, is a born actress. In the movement she discovers an unknown world of personal freedom that could shape her into an extraordinary talent or destroy her from within. Macon, beautiful, fearless, and brilliant, knows she is too good to settle for less than she's worth, but her activism threatens the man she loves. In a vital time of politics and passion, dedication and distress, two women struggle to recreate themselves and their world--and learn to love the fight.
Beloved author Sheila Williams beautifully captures the bittersweet humor and vivid adventures of women who survive the worst life can toss at them—and fight back to claim their right to be free, to be themselves, and to live in . . . The courage to change doesn’t come easy. When Opal Sullivan walks out on an abusive husband after fifteen years, she has only her dreams in her pocket. Her new beginning starts in Appalachian River country, where she sees a bit of herself in a graceful but dilapidated house. Like Opal, the house is worn-out and somewhat beaten up, but it still stands proudly and deserves a second chance. So Opal opens her doors—and her heart—to a parade of unforgettable characters. There’s sassy Bette Smith with her cantaloupe-colored hair and four-inch heels; short-tempered Gloria and her devilish son, Troy; the mysterious Dana, who dresses in black and keeps exclusively nocturnal hours; a dog named “Bear” who is afraid of his own shadow; and Jack, who doesn’t mind hanging out with an OBBWA (old black broad with an attitude). It is Jack who helps Opal understand a funny thing about life: You can’t move forward if you keep looking back. . . .
Using a broad range of case studies, this book examines conflict and the international relations facing the world today.
These divas represent the voices of past and future generations, such as Tyra Banks, Terry McMillan, Harriette Cole, Maya Angelou, Iyanla Vanzant, Nikki Giovanni, Dawn Davis, Adrienne Ingrum, Carol Mackey, Oprah Winfrey, Rosa Parks, Shirley Chisholm, Coretta Scott King, Zora Neal Hurston, and Octavia Butler.
A major new history of the literary traditions, oral and print, of African-descended peoples in the United States.
Zena (short for Zenobia) Lawson honors all things African--art, culture, history. So when fortune hands her a twenty-year-old Nigerian girl in need of temporary housing, Zena and her husband, Lucius, jump at the chance to help. To Zena, Ifa Olongo is an exotic beauty with enough haughtiness and grace for three royal families. Not to mention the daughter she never had. But as Zena's best friend, Vy, keeps reminding her, Ifa is no girl. Crackling with wit, intelligence, and hard-earned wisdom, Do Unto Others turns political correctness and Afrocentricity upside down, reminding us that there is only one golden rule.
“Dancing on the Edge of the Roof kept my heart and mind dancing through the pages. Sheila Williams, with her talent for detailed storytelling, expertly takes the reader on a poignant and humorous quest for self.”—Lori Bryant-Woolridge, author of Read Between the Lies At forty-one, Juanita Lewis is running away from home, courtesy of a one-way ticket to Montana, a place that seems about as far away from the violence and poverty of the Columbus, Ohio, projects as the moon. She wants adventure and excitement—if such things exist for a pre-menopausal African American woman with three grown, deadbeat children. Juanita’s new life in Paper Moon, Montana, begins at a local diner where a cu...