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What do an android, nine student astronauts, their avatars, the moon, and thousands of satellites have in common? Only they can protect the future and only because they are in orbit! Join Commander Roy Sherwin and his team on the Satellite Observation Outpost: Copilot, Cosmonaut Maxim Chernov; Seismologist April Kuboto; Launch Engineer Fergus McClure; his sister, Dr. Claire McClure, MD; Propulsion Engineer Li Ming, Physicist Anya Lande; and their VR instructor, android Professor SID in their final year of training for a mission to Mars. Share their urgent quest to analyze and interpret forces at work on Earth's surface and in orbit around it. Use science, including astrology, meteorology, ph...
This timely book investigates fiction that speculates about wars likely to break out in the near or distant future. Ranging widely across periods and conflicts real and imagined, Future Wars explores the interplay between politics, literature, science fiction, and war in a range of classic texts. Individual essays look at Reagan's infamous “Star Wars” project, nuclear fiction, Martian invasion, and the Pax Americana. The use of future war scenarios in military planning dates back to the nineteenth century, and Future Wars concludes with a US Army officer's assessment of the continuing usefulness of future wars fiction.
This book explores the relatively new genre of ‘Quality Telefantasy’ and how it has broadened TV taste cultures by legitimating and mainstreaming fantastical content. It also shows how the rising popularity of this genre marks a distinct and significant development in what kinds of TV are culturally dominant and critically regarded. By expanding and building on the definition of US Quality TV, this book brings together a number of popular science fiction, fantasy and horror TV series, including Game of Thrones, The Walking Dead and Westworld, as case studies which demonstrate the emergence of the Quality Telefantasy genre. It looks at the role of technology, including internet recap cult...
Worlds will collide and fates will be rewritten in the thrilling conclusion to the Devoured Worlds space opera trilogy by award‑winning author Megan E. O’Keefe. Naira and Tarquin have found a new home on Seventh Cradle. But the peace they’ve built is short-lived as mysterious assailants ambush the settlement and Naira is haunted by visions of a monstrous future. Catastrophe strikes when Tarquin uncovers a plot to bring about the end of the universe. As humanity races against the clock to prevent their extinction, old secrets come to light and loyalties fracture, and Naira realizes she may be the key to saving the world—or ending it. The Devoured Worlds The Blighted Stars The Fractured Dark The Bound Worlds For more from Megan E. O'Keefe, check out: The Protectorate Velocity Weapon Chaos Vector Catalyst Gate
As complex, turbulent and spectacular as the gas giant on which it is set, this novel from Iain M. Banks is space opera on a truly epic scale. “An enormously enjoyable book, full of wonderful aliens, a sense of wonder and subtle political commentary on current events.” –Publishers Weekly (Starred Review) It is 4034 AD. Humanity has made it to the stars. Fassin Taak, a Slow Seer at the Court of the Nasqueron Dwellers, will be fortunate if he makes it to the end of the year. The Nasqueron Dwellers inhabit a gas giant on the outskirts of the galaxy, in a system awaiting its wormhole connection to the rest of civilization. In the meantime, they are dismissed as decadents living in a state ...
The epic story of a young street artist, a military general, and a warrior fighting for the fate of the universe comes to its thrilling conclusion in the final book of this fantasy trilogy. The Divide separating the east from the west, the realms of death from the realms of life, has fallen. Sarine and her champions find themselves overwhelmed, assaulted on every side by swordsmen, assassins, and skinchangers infiltrating, killing, and twisting even their most loyal allies against them. Every victory hides a defeat, and yet there is still hope. If Sarine can learn the true nature of her powers, she can make a final stand against the Regnant, to challenge him and remove his death grip on the world's heart. To find the truth, she must journey to a new continent and find new allies, rallying their strength, and wielding every strain of magic in the world in a final battle between life and death. Read the final book in this sweeping epic fantasy, perfect for readers of Brandon Sanderson, Brian McClellan, and Miles Cameron. The Ascension Cycle Soul of the World Blood of the Gods Chains of the Earth
“A vast and intricate tapestry woven by a writer who knows both history and war.”—David Drake, author of the Lord of the Isles series The Great War has ended—but there is no peace for battle-hardened Hal Kailas amidst the ruins of his homeland. In this bleak, ravaged world, even his marriage to Lady Khiri no longer brings solace. And Hal’s worst fears are coming to pass as the dragonmasters—and the magnificent beasts they once flew—are cast off like relics of a misbegotten age. Old enemies have returned to strike a savage blow. With his loyal comrades, Hal must turn back this terrible scourge that threatens man and beast alike in one last, ultimate battle—whose outcome is far from certain… Praise for the Dragonmaster Trilogy: “Bunch does an excellent job of grabbing the reader from the word go.”—SF Crowsnest “A tale of epic war and sorcery with a strong appeal to dragon lovers of all ages.”—Library Journal
From its beginnings, science fiction has experimented with imperialistic scenarios of alien invasion, extraterrestrial exploitation, xenophobia, and colonial conquest. In Science Fiction and Empire, Patricia Kerslake brings contemporary thinking about postcolonialism and imperialism to bear on a variety of classic sci-fi novels and films, including The War of the Worlds, Stanislaw Lem’s Solaris, and Star Wars. The first book to identify the consequences of empire in science fiction, Kerslake’s study is a compelling investigation of the political ramifications of how we imagine our future. “Science Fiction and Empire is thought-provoking and insightful, . . . the kind of large-scale postcolonial work that science fiction has needed for quite some time.”—Science Fiction Studies
Early dystopian science fiction like George Orwell's 1984 or Thea von Harbou's Metropolis show us bleak worlds where capitalism has no boundaries and has corrupted sovereign powers, exploiting the lower classes and benefiting only a few at the top. Political laws and policies related to human life--or the biopolitical--devalue that life, making humanity little more than expendable "machines" producing for capitalism, and capitalism's focus on progress has made it a central concern in much of science fiction. Covering science fiction from the early 1900s to present, this book examines the portrayal of dystopian capitalism and the biopolitical in works like Brave New World and R.U.R., among many others.
It showcases how posthumanism has transformed the humanities and what new work is now possible in light of this unsettling.