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The Oxford Handbook of Latin Palaeography
Latin books are among the most numerous surviving artifacts of the Late Antique, Mediaeval, and Renaissance periods in European history; written in a variety of formats and scripts, they preserve the literary, philosophical, scientific, and religious heritage of the West. The Oxford Handbook of Latin Palaeography surveys these books, with special emphasis on the variety of scripts in which they were written. Palaeography, in the strictest sense, examines how the changing styles of script and the fluctuating shapes of individual letters allow the date and the place of production of books to be determined. More broadly conceived, palaeography examines the totality of early book production, own...
Meaning in the History of English
Uncovering the meaning of individual words or entire texts is a complex process that needs to take into consideration the multiple interactions of linguistic organization including orthography, morphology, syntax and, ultimately, pragmatics. The papers in this volume pay close attention to these interactions and assess both the details of the texts and entire texts within their relevant contexts. All the papers deal with data from the history of English, and they cover a wide range from Old English manuscripts to Early Modern English letters and medical texts to Late Modern English cant vocabulary.
Image, Knife, and Gluepot: Early Assemblage in Manuscript and Print
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and ...
The Art of Allusion
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narrat...
The Politics of Pearl
Close analysis of the poem reveals extensive allusion to contemporary social, religious and political events.
Three Alliterative Saints' Hymns
This new edition presents three odes to saints in alliterative and stanzaic form, composed in the north and east Midlands around 1400. The hymns address St. Katherine of Alexandria (from Bodley Rolls 22), St. John the Evangelist (Lincoln Cathedral Library MS91), and St. John the Baptist (British Library, MS Additional 39574). The edition contains a full account of extensive recent scholarship on the Middle English alliterative verse tradition, as well as the hymns' hagiographical and historical context.
The Cambridge Companion to Medieval English Theatre
The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.
The Production of Books in England 1350-1500
This book studies approaches to the production of manuscripts in medieval England, from the first commercial guilds to the advent of print.
Paper in Medieval England
Explains the methods and knowledge to understand how and why paper was used in medieval writing and beyond.
The Medieval Scriptorium
Illuminated with illustrations, an exploration of medieval manuscript production that offers insight into both the early history of the book and life in the Middle Ages. This book takes the reader on an immersive journey through medieval manuscript production in the Latin Christian world. Each chapter opens with a lively vignette by a medieval narrator—including a parchment maker, scribe, and illuminator—introducing various aspects of manuscript production. Sara J. Charles poses the question “What actually is a scriptorium?” and explores the development of the medieval scriptorium from its early Christian beginnings through to its eventual decline and the growth of the printing press. With the written word at the very heart of the Christian monastic movement, we see the immense amount of labor, planning, and networks needed to produce each manuscript. By tapping into these processes and procedures, The Medieval Scriptorium helps us to experience medieval life through the lens of a manuscript maker.
