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The book presents a detailed study as well as a critical analysis of George Bernard Shaw and the women characters in his plays. These female characters are from Man and Superman, Major Barbara, Candida, Arms and the Man, Pygmalion, Mrs. Warren s Profession, Saint Joan, Misalliance, The Philanderer. The Study of Shavian Plays forms an integral part of the curriculum of various universities. Hence an attempt has been made to familiarize scholars and researchers of Shaw with some rare and valuable critical material.
Tennessee Williams' plays are performed around the world, and are staples of the standard American repertory. His famous portrayals of women engage feminist critics, and as America's leading gay playwright from the repressive postwar period, through Stonewall, to the growth of gay liberation, he represents an important and controversial figure for queer theorists. Gross and his contributors have included all of his plays, a chronology, introduction and bibliography.
'The impressive array of scholars gathered in this collection, all experts in the field, read the plays with nuance and situate them deftly within their cultural and historical contexts. Scholars of contemporary theater and drama and of African American literature will find value in this engaging collection.' – Choice 'For students and scholars of American theatre and drama generally and African American theatre and drama most particularly, this is an extremely valuable critical source.' – Harry Elam, Stanford University, USA In the last fifty years, American and World theatre has been challenged and enriched by the rise to prominence of numerous female African American dramatists. Conte...
Mary Austin (1868-1934)—eccentric, independent, and unstoppable—was twenty years old when her mother moved the family west. Austin's first look at her new home, glimpsed from California's Tejon Pass, reset the course of her life, "changed her horizons and marked the beginning of her understanding, not only about who she was, but where she needed to be." At a time when Frederick Jackson Turner had announced the closing of the frontier, Mary Austin became the voice of the American West. In 1903, she published her first book, The Land of Little Rain, a wholly original look at the West's desert and its ethnically diverse peoples. Defined in a sense by the places she lived, Austin also define...
Award-winning British novelist Margaret Drabble is renowned for her fiction, stories that gave voice to the new woman of the 1960s and continue to illuminate the conflicting roles of women in the twenty-first century. Drabble’s long affiliation with the theatrical world also inspired her to experiment with the dramatic form. She wrote two plays—one for television, Laura (1964), and one for the stage, Bird of Paradise (1969). Fernández’s penetrating new critical edition makes both plays available for the first time, giving Drabble fans a new vantage point from which to understand her work. In Laura and Bird of Paradise, Drabble mines the familiar territory of social class, domestic lif...
The first comprehensive academic survey of British musical theatre from its origins, The Oxford Handbook of the British Musical offers both a historical account of musical theatre from 1728 and a range of in-depth critical analyses of key works and productions that illustrate its aesthetic values and sociocultural meanings.
Philosophy and Literary Modernism probes the relationship of authors with the thought of their time. The authors studied here include Conrad, Eliot, Faulkner, Forster, Hemingway, Hesse, Kafka, Joyce, Lawrence, Williams, and Woolf, among others. Literary modernism engaged with explorations of literary form, language, ways of knowing the world, identity, commitment, chance, truth, and beauty. The book considers how writers participated in the intellectual spirit of their time and with the thought of philosophers like Henri Bergson, G.E. Moore, Bertrand Russell, Alfred North Whitehead, and Ludwig Wittgenstein.
This book reconsiders realism on the American stage by addressing the great variety and richness of the plays that form the American theatre canon.