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Shakespeare: Ideas in Profile
Ideas in Profile: Small Introductions to Big Topics Shakespeare is the world's greatest writer. In this lively and authoritative introduction, Paul Edmondson presents Shakespeare afresh as a dramatist and poet, and encourages us to take ownership of the works for ourselves as words to be spoken as well as discussed. We get a wide sense of what his life was like, his rich language, and astonishing cultural legacy. We catch glimpses of Shakespeare himself, how he wrote and see what his works mean to readers and theatre practitioners. Above all, we see how Shakespeare tackled the biggest themes of humanity: power, history, war and love. Shakespeare scholar Paul Edmondson guides us through the most important questions around Shakespeare and in the process reminds us just why he is so celebrated in the first place.
Shakespeare Beyond Doubt
Did Shakespeare write Shakespeare? This authoritative collection of essays brings fresh perspectives to bear on an intriguing cultural phenomenon.
The Pearl
In the spring of 1848 seventy-six slaves from the nation's capital hid aboard a schooner called the Pearl in an attempt to sail down the Potomac River and up the Chesapeake Bay to freedom in Pennsylvania. When inclement weather forced them to anchor for the night, the fugitive slaves and the ship's crew were captured and returned to Washington. Many of the slaves were sold to the Lower South, and two men sailing the Pearl were tried and sentenced to prison. Recounting this harrowing tale from the preparations for escape through the participants' trial, Josephine Pacheco provides fresh insight into the lives of enslaved blacks in the District of Columbia, putting a human face on the victims o...
Shakespeare: Actors and Audiences
Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.
Shakespeare and Digital Performance in Practice
Shakespeare and Digital Performance in Practice explores the impact of digital technologies on the theatrical performance of Shakespeare in the twenty-first century, both in terms of widening cultural access and developing new forms of artistry. Through close analysis of dozens of productions, both high-profile and lesser known, it examines the rise of live broadcasting and recording in the theatre, the growing use of live video feeds and dynamic projections on the mainstream stage, and experiments in born-digital theatre-making, including social media, virtual reality, and video-conferencing adaptations. In doing so, it argues that technologically adventurous performances of Shakespeare allow performers and audiences to test what they believe theatre to be, as well as to reflect on what it means to be present—with a work of art, with others, with oneself—in an increasingly online world.
The Shakespearean World
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare ...
Truth: Ideas in Profile
Truth has always been a thorny topic. How does it work? Who decides what it is? And why is it seen as so important? In this lucid introduction to the topic, leading scholar Simon Blackburn describes the main approaches to the notion of truth and considers how these relate to different perspectives on belief, interpretation, facts, knowledge and action. He then looks at how these ideas can be applied to: - aesthetics, taste and the judgement of art; - ethics and how people decide how they should (or should not) live; - reason and rational truth and whether these may be found or learnt in conversation, agreement and disagreement; - religious belief and the ultimate cause of the cosmos. Understanding what constitutes truth has practical value in every aspect of life, and whether you are voting in an election or finding an excuse for being late, Professor Blackburn's clear and incisive account will illuminate your choice, and stimulate, inform and entertain you along the way.
Shakespeare Was a Woman and Other Heresies
"A delightful romp through the Shakespeare authorship question, exploring how doubting that William Shakespeare wrote the plays attributed to him became an act of blasphemy... and who the Bard might really be"--
Key to Uncle Tom's Cabin
Beecher Stowe received a fair amount of criticism about her so-called "misrepresentation" of slavery with her publication of Uncle Tom's Cabin in 1852. She published this volume the following year, in which she sought to prove the veracity of her portrayal of the institution by laying out her source materials, including eyewitness accounts. As with the novel, Beecher Stowe received tremendous support from many Northerners and abolitionists for this publication and drew heavy criticism from advocates of slavery, especially in the Southern states
