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Hurt Into Beauty
In his fourth full-length collection of poetry, Paul Hostovsky offers up the kind of fare that his readers keep coming back for--the humor mixed with poignancy, the heartbreak lined with a kind of palliative existential mischief--in poems that explore the nature of violence, illness, beauty, childhood, Deaf people and sign language, the art of love and the art of poetry.
Is That What That Is
In his ninth full-length collection, Paul Hostovsky serves up his usual unusual fare of graceful, musical, accessible language sauced with humor and tenderness in poems about love and sex, exes and whys, lost socks, lost erections, lost youth, deaf people and dentists and kazoos¿with lots of ars poeticas sprinkled throughout and a philosophical cavy hopping into more than a couple of poems. These poems consistently extract from the everyday and ordinary experiences of our lives a kind of Holy Instant of joy, of insight, of wonder, and a sort of redemptive humor that leaves us somehow sadder and wiser AND happier the morrow morn. George Bilgere says of this new collection: ¿Such a pleasure. These poems knocked my socks off. Those other reliable reporters from the battlefield of being middle-aged in America¿the Hoaglands and Hallidays, the Collinses and Padgetts¿should step aside and make way for Hostovsky!¿
Eat This Poem
A literary cookbook that celebrates food and poetry, two of life's essential ingredients. In the same way that salt seasons ingredients to bring out their flavors, poetry seasons our lives; when celebrated together, our everyday moments and meals are richer and more meaningful. The twenty-five inspiring poems in this book—from such poets as Marge Piercy, Louise Glück, Mark Strand, Mary Oliver, Billy Collins, Jane Hirshfield—are accompanied by seventy-five recipes that bring the richness of words to life in our kitchen, on our plate, and through our palate. Eat This Poem opens us up to fresh ways of accessing poetry and lends new meaning to the foods we cook.
Paul Hostovsky
Paul Hostovsky: Selected Poems brings together 120 poems from this prolific, masterful, Pushcart Prize-winning poet's previous five collections of poetry, Bending the Notes (2008), Dear Truth (2009), A Little in Love a Lot (2011), Hurt Into Beauty (2012), and Naming Names (2014). Of Hostovsky's work the Georgia Review has written: "High-energy Paul Hostovsky, who makes his living as an interpreter for the Deaf, has been making a lot of noise in the poetry publishing world of late, with five full-length collections and six poetry chapbooks in the past eight years. He is best known for his use of humor in service of serious subject matter, his skill with narrative, and his unpretentiously strong commitment to craft. Joe Weil has written that 'Paul Hostovsky negotiates a territory not far removed from the casual speaking style of Frank O'Hara and the humor and simplicity of Paul Zimmer, but he is not a mere hybrid of these two fine poets. He represents what is best about clarity in poetry.' And Jeffrey Harrison, speaking of Hostovsky's work, has said more succinctly, 'This book kicks ass.'"
Mostly
MOSTLY is Paul Hostovsky's twelfth book of poetry. Richard Jones has called it "exquisite storytelling by a first-rate raconteur, a book rich with poems that are funny, charming, and wise. Paul Hostovsky is so clever, so humorous-the reading is purest pleasure-that one must look again to savor and enjoy the formal delights of these well-wrought poems...a wonderful book to read, and then read again."
The Language of Loss
When Barbara Abercrombie's husband died, she found the language of condolence irritating, no matter how well intended. "My husband had not gone to a better place as if he were off on a holiday. He had not passed like clouds overhead, nor was he my late husband as if he'd missed a train. I had not lost him as if I'd been careless, and for sure, none of it was for the best." She yearned instead for words that acknowledged the reality of death, spoke about the sorrow and loneliness (and perhaps even guilt and anger), and might even point the way toward hope and healing. She found those words in the writings gathered here. The Language of Loss is a book to dip into and read slowly, a collection of poems and prose to lead you through the phases of grief. The selections follow an arc that mirrors the path of many mourners — from abject loss and feeling unmoored, to glimmers of promise and possibility, through to gratitude for the love they knew. These writings, which express what often feels ineffable, will accompany those who grieve, offering understanding and solace.
Love Affairs at the Villa Nelle
An anthology of poetry edited by Marilyn L.Taylor and James P. Roberts, published by Kelsay Books. Contributors: Ned Balbo, Mary Jo Balistreri, Melissa Balmain, Kate Bernadette Benedict, Margaret Benbow, Bruce Bennett, Jerome Betts, Meredith Bergmann, Kim Bridgford, Debra Bruce, Michael Cantor, Catherine Chandler, Terese Coe, Maryann Corbett, Paul Creswell, Barbara Crooker, T..A. Cullen, Thomas O. Davenport, Laurel Devitt, Moria Egan, Martin Elster, Anna M. Evans, Annie Finch, Claudia Gary, Taylor Grahm, Emily Grosholz, Catherine Abbey Hodges, Jeff Holt, Paul Hostovsky, Nancy Jesse, A.M. Juster, Julie Kane, Karen Kelsay, Brian Jerrold Koester, Amy Lemmon, Barbara Loots, Eileen Mattman, Janet...
Deaf Lit Extravaganza
This celebration of short stories, poems, and essays gives us a glimpse into the Deaf signing community, something that literature by hearing authors featuring deaf characters has rarely done. Between these covers, a Deaf couple fights over their son's language use, an Australian woman joins the community as an adult, a Deaf woman's body is fished out a dumpster, and a British Deaf poet wants to keep "zombies"-hearing people-out. The range of perspectives is astonishing, including opposing views. In one story, a hearing journalist tells us about the infamous Milan congress of educators who banned sign language in 1880, while in another story, a Deaf woman tells us what it's like to have a hearing journalist interview her and her husband for a "human interest" story. Even in pieces that are about just one Deaf person, readers get a powerful sense of life in one of the most vibrant and least understood communities.
A Dignified Ending
Each year, more than one million people and their loved-ones arrive at a decision to cease attempts at curative medical treatments and shift to hospice care, while one-in-five Americans now live in in geographical regions that have established lawful protocols allowing medical aid in dying—also known as assisted suicide. In this powerful new work, Lew Cohen, a psychiatrist and palliative medicine researcher, reveals a self-determination movement that empowers people to shape the timing and circumstances of their deaths, decriminalizes laws threatening those who help them, and passes assisted dying legislature. He offers a vivid tapestry woven from the candid, inspirational, and graphic sto...
